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“What the Body Can Do”: Creating Space for Critical Hope through Affective Encounters with a Different Kind of Otherness

International Journal of Critical Diversity Studies, 2019-06, Vol.2 (1), p.10-23

Flockemann, Miki

2019

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I am/am I an African? A relational reading of Diaspora and Identity in South African Fiction by J.U. Jacobs

Literator, 2017, Vol.38 (1), p.1-9

Flockemann, Miki

2017

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Antigone’s return: When a once-told story is not enough

English in Africa, 2022-11, Vol.49 (3), p.55-136

Flockemann, Miki

2022

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“Connecting Mind to Pen, to Eyes, to Face, to Arms and Legs”: Toward a Performative and Decolonial Teaching Practice

Cambridge journal of postcolonial literary inquiry, 2020-09, Vol.7 (3), p.286-296

Flockemann, Miki

2020

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Facing the World, All Alone: New Perspectives on Iran’s Nuclear Negotiations Via Ehsan Abdipour’s All Alone

Hypercultura (București. Online), 2024-04, Vol.12, p.1-13

2024

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After thought: Why not a prism?

Multilingual Margins: A journal of multilingualism from the periphery, 2019-09, Vol.6 (1), p.87-88

Flockemann, Miki

2019

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Facing the World, All Alone: New Perspectives on Iran’s Nuclear Negotiations Via Ehsan Abdipour’s All Alone

Hypercultura (București. Online), 2023 (12), p.1-13

2023

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After thought: Why not a prism?

Multilingual Margins: A journal of multilingualism from the periphery, 2019, Vol.6 (1)

Flockemann, Miki

2019

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Migrating texts: from performing space to written page: The Magnet Theatre 'Migration' Plays, Jennie Reznek, Mark Fleishman, Faniswa Yisa and Frances Marek (Comp.) : book review

South African theatre journal, 2015-01, Vol.28 (1), p.88-93

Flockemann, Miki

2015

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Repeating and disrupting embodied histories through performance: Exhibit A, Mies Julie and Itsoseng

Critical arts, 2013-08, Vol.27 (4), p.403-417

Flockemann, Miki

2013

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Kuyanuka and other plays, Gha-Makhulu Diniso : book review

South African theatre journal, 2014-01, Vol.27 (1), p.78-81

Flockemann, Miki

2014

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Facing the Stranger in the Mirror: Staged complicities in recent South African performances

South African theatre journal, 2011-07, Vol.25 (2), p.129-141

Flockemann, Miki

2011

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LITTLE PERPETRATORS, WITNESS-BEARERS AND THE YOUNG AND THE BRAVE: TOWARDS A POST-TRANSITIONAL AESTHETICS

English studies in Africa, 2010-05, Vol.53 (1), p.21-34

Flockemann, Miki

2010

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Facing the stranger in the mirror : staged complicities in recent South African performances : research article

South African theatre journal, 2011-07, Vol.25 (2), p.129-141

Flockemann, Miki

2011

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Experiments in freedom: explorations of identity in new South African drama: Playing with freedom

Scrutiny 2, 2010-09, Vol.15 (2), p.70-73

Flockemann, Miki

2010

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Memory, Madness and Whiteness in Julia Blackburn's The Book of Colour and Rachel Zadok's Gem Squash Tokoloshe

English Academy review, 2008-10, Vol.25 (2), p.4-19

Flockemann, Miki

2008

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Complicit Refugees, Cosmopolitans and Xenophobia: Khaled Hosseini’s ‘The Kite Runner’ and Romesh Gunesekera’s ‘Reef’ in Conversation with Texts on Xenophobia in South Africa

International journal of the humanities, 2009, Vol.6 (9), p.71-78

Flockemann, Miki

2009

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Grahamstown 2012: theatres of belonging, longing and counting the bullets

South African theatre journal, 2012-07, Vol.26 (2), p.218-226

2012

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Traumas and transformations: Fictions which play with what “they say”, by Zakes Mda and Lindsey Collen

Journal of literary studies (Pretoria, South Africa), 2004-12, Vol.20 (3-4), p.248-264

Flockemann, Miki

2004

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The everyday experience of xenophobia: performing The Crossing from Zimbabwe to South Africa

Critical arts, 2010-07, Vol.24 (2), p.245-259

2010

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Moss, Mary Watson : book review

Tydskrif vir letterkunde, 2005-01, Vol.42 (1), p.203-204

Flockemann, Miki

2005

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Translations, affirmations, inventions and subversions : Grahamstown 2002 : report

South African theatre journal, 2002-01, Vol.16 (1), p.198-207

Flockemann, Miki

2002

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The aesthetics of transformation: Reading strategies for South African theatre entering the new millenium

South African theatre journal, 2001-01, Vol.15 (1), p.25-39

Flockemann, Miki

2001

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Fictions of Home and (Un)belonging: Diasporan Frameworks in Michelle Cliff's Abeng and Zoe Wicomb's 'Journey to the Gifberge'

Alternation (Durban), 2001-01, Vol.8 (1), p.116-133

Flockemann, Miki

2001

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Fictions of Home and (Un)belonging: Diasporan Frameworks in Michelle Cliff's Abeng and Zoe Wicomb's 'Journey to the Gifberge'

Alternation (Durban), 2001-01, Vol.8 (1), p.116-133

Flockemann, Miki

2001

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“What the Body Can Do”: Creating Space for Critical Hope through Affective Encounters with a Different Kind of Otherness

I am/am I an African? A relational reading of Diaspora and Identity in South African Fiction by J.U. Jacobs

Antigone’s return: When a once-told story is not enough

“Connecting Mind to Pen, to Eyes, to Face, to Arms and Legs”: Toward a Performative and Decolonial Teaching Practice

Facing the World, All Alone: New Perspectives on Iran’s Nuclear Negotiations Via Ehsan Abdipour’s All Alone

After thought: Why not a prism?

Facing the World, All Alone: New Perspectives on Iran’s Nuclear Negotiations Via Ehsan Abdipour’s All Alone

After thought: Why not a prism?

Migrating texts: from performing space to written page: The Magnet Theatre 'Migration' Plays, Jennie Reznek, Mark Fleishman, Faniswa Yisa and Frances Marek (Comp.) : book review

Repeating and disrupting embodied histories through performance: Exhibit A, Mies Julie and Itsoseng

Kuyanuka and other plays, Gha-Makhulu Diniso : book review

Facing the Stranger in the Mirror: Staged complicities in recent South African performances

LITTLE PERPETRATORS, WITNESS-BEARERS AND THE YOUNG AND THE BRAVE: TOWARDS A POST-TRANSITIONAL AESTHETICS

Facing the stranger in the mirror : staged complicities in recent South African performances : research article

Experiments in freedom: explorations of identity in new South African drama: Playing with freedom

Memory, Madness and Whiteness in Julia Blackburn's The Book of Colour and Rachel Zadok's Gem Squash Tokoloshe

Complicit Refugees, Cosmopolitans and Xenophobia: Khaled Hosseini’s ‘The Kite Runner’ and Romesh Gunesekera’s ‘Reef’ in Conversation with Texts on Xenophobia in South Africa

Grahamstown 2012: theatres of belonging, longing and counting the bullets

Traumas and transformations: Fictions which play with what “they say”, by Zakes Mda and Lindsey Collen

The everyday experience of xenophobia: performing The Crossing from Zimbabwe to South Africa

Moss, Mary Watson : book review

Translations, affirmations, inventions and subversions : Grahamstown 2002 : report

The aesthetics of transformation: Reading strategies for South African theatre entering the new millenium

Fictions of Home and (Un)belonging: Diasporan Frameworks in Michelle Cliff's Abeng and Zoe Wicomb's 'Journey to the Gifberge'

Fictions of Home and (Un)belonging: Diasporan Frameworks in Michelle Cliff's Abeng and Zoe Wicomb's 'Journey to the Gifberge'

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