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Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds

Fairclough, Pauline

1, 2013

Volltextzugriff (PDF)

Outlaw Music: The Rise of an Unlikely Genre by AnastasiaGordienko. Madison: University of Wisconsin Press, 2023. 336 pp. $89.95. ISBN 978‐0‐299‐34010‐0

The Russian review (Stanford), 2023-07, Vol.82 (3), p.537-538

Fairclough, Pauline

2023

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“Don't Sing It on a Feast Day”: The Reception and Performance of Western Sacred Music in Soviet Russia, 1917–1953

Journal of the American Musicological Society, 2012-04, Vol.65 (1), p.67-111

Fairclough, Pauline

2012

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Was Soviet Music Middlebrow? Shostakovich’s Fifth Symphony, Socialist Realism, and the Mass Listener in the 1930s

The Journal of musicology (St. Joseph, Mich.), 2018-07, Vol.35 (3), p.336-367

FAIRCLOUGH, PAULINE

2018

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The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality . Ed. by David Fanning and Erik Levi

Music & letters, 2021-04, Vol.101 (4), p.799-802

Fairclough, Pauline

2021

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The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality ed. by David Fanning and Erik Levi (review)

Music & letters, 2020, Vol.101 (4), p.799-802

Fairclough, Pauline

2020

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The Russian Revolution and Music

Twentieth-century music, 2019-02, Vol.16 (1), p.157-164

FAIRCLOUGH, PAULINE

2019

Volltextzugriff (PDF)

The Cambridge Companion to Shostakovich

2008

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Personal Friendships, Professional Manoeuvres: Edward Elgar in Russia before and after 1917

The Slavonic and East European review (1928), 2019-01, Vol.97 (1), p.9-38

Fairclough, Pauline

2019

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Music in America’s Cold War Diplomacy by Danielle Fosler-Lussier, and: Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958 by Kiril Tomoff (review)

Music & letters, 2016-05, Vol.97 (2), p.366-373

Fairclough, Pauline

2016

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Reviews: "Music in America's Cold War Diplomacy" by Danielle Fosler-Lussier; "Virtuosi Abroad: Soviet Music and Imperial Competition During the Early Cold War, 1945-1958" by Kirill Tomoff

Music & letters, 2016-05, Vol.97 (2), p.366-373

Fairclough, Pauline

2016

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Brothers in musical arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood

Russian journal of communication, 2016-09, Vol.8 (3), p.273-287

Fairclough, Pauline

2016

Volltextzugriff (PDF)

Twentieth-century music and politics: essays in memory of Neil Edmunds

Fairclough, Pauline

2016

Volltextzugriff (PDF)

Marina Frolova-Walker and Jonathan Walker, Music and Soviet Power 1917–1932. (Woodbridge: The Boydell Press, 2012), ISBN 978-1-843-83703-9 (hb). - Alexander Ivashkin and Andrew Kirkman, eds, Contemplating Shostakovich: Life, Music and Film. (Farnham: Ashgate, 2012), ISBN 978-1-4094-3937-0 (hb)

Twentieth-century music, 2014-03, Vol.11 (1), p.177-182

FAIRCLOUGH, PAULINE

2014

Volltextzugriff (PDF)

1917 and Beyond: Continuity, Rupture and Memory in Russian Music

The Slavonic and East European review (1928), 2019-01, Vol.97 (1), p.1-8

2019

Volltextzugriff (PDF)

"Don't sing it on a feast day": the reception and performance of western sacred music in Soviet Russia, 1917-1953

Journal of the American Musicological Society, 2012-03, Vol.65 (1), p.67

Fairclough, Pauline

2012

Volltextzugriff (PDF)

Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)

Music & letters, 2013-11, Vol.94 (4), p.699-701

Fairclough, Pauline

2013

Volltextzugriff (PDF)

The ‘Old Shostakovich’: Reception in the British Press

Music & letters, 2007-05, Vol.88 (2), p.266-296

Fairclough, Pauline

2007

Volltextzugriff (PDF)

MARINA RITZAREV EIGHTEENTH-CENTURY RUSSIAN MUSICAldershot and Burlington, VT: Ashgate, 2006 pp. xxvii + 388, ISBN 10 0 754 63466 3

Eighteenth-century music, 2007-09, Vol.4 (2), p.312-314

FAIRCLOUGH, PAULINE

2007

Volltextzugriff (PDF)

Dmitri Shostakovich: A Life in Film by John Riley (review)

Modern Language Review, 2007, Vol.102 (1), p.303-304

Fairclough, Pauline

2007

Volltextzugriff (PDF)

Soviet Music and Society under Lenin and Stalin: The Baton and Sickle by Neils'amp;gt;Edmunds (review)

The Slavonic and East European review (1928), 2005, Vol.83 (2)

Fairclough, Pauline

2005

Volltextzugriff (PDF)

Facts, Fantasies, and Fictions: Recent Shostakovich Studies

Music & letters, 2005-08, Vol.86 (3), p.452-460

Fairclough, Pauline

2005

Volltextzugriff (PDF)

Soviet Music and Society under Lenin and Stalin: The Baton and Sickle by Neil s> Edmunds (review)

The Slavonic and East European review (1928), 2005-04, Vol.83 (2)

Fairclough, Pauline

2005

Volltextzugriff (PDF)

The ‘Perestroyka’ of Soviet Symphonism: Shostakovich in 1935

Music & letters, 2002-05, Vol.83 (2), p.259-274

Fairclough, Pauline

2002

Volltextzugriff (PDF)

The Cambridge Companion to the Symphony

Horton, Julian

2013

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Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds

Outlaw Music: The Rise of an Unlikely Genre by AnastasiaGordienko. Madison: University of Wisconsin Press, 2023. 336 pp. $89.95. ISBN 978‐0‐299‐34010‐0

“Don't Sing It on a Feast Day”: The Reception and Performance of Western Sacred Music in Soviet Russia, 1917–1953

Was Soviet Music Middlebrow? Shostakovich’s Fifth Symphony, Socialist Realism, and the Mass Listener in the 1930s

The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality . Ed. by David Fanning and Erik Levi

The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality ed. by David Fanning and Erik Levi (review)

The Russian Revolution and Music

The Cambridge Companion to Shostakovich

Personal Friendships, Professional Manoeuvres: Edward Elgar in Russia before and after 1917

Music in America’s Cold War Diplomacy by Danielle Fosler-Lussier, and: Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958 by Kiril Tomoff (review)

Reviews: "Music in America's Cold War Diplomacy" by Danielle Fosler-Lussier; "Virtuosi Abroad: Soviet Music and Imperial Competition During the Early Cold War, 1945-1958" by Kirill Tomoff

Brothers in musical arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood

Twentieth-century music and politics: essays in memory of Neil Edmunds

Marina Frolova-Walker and Jonathan Walker, Music and Soviet Power 1917–1932. (Woodbridge: The Boydell Press, 2012), ISBN 978-1-843-83703-9 (hb). - Alexander Ivashkin and Andrew Kirkman, eds, Contemplating Shostakovich: Life, Music and Film. (Farnham: Ashgate, 2012), ISBN 978-1-4094-3937-0 (hb)

1917 and Beyond: Continuity, Rupture and Memory in Russian Music

"Don't sing it on a feast day": the reception and performance of western sacred music in Soviet Russia, 1917-1953

Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)

The ‘Old Shostakovich’: Reception in the British Press

MARINA RITZAREV EIGHTEENTH-CENTURY RUSSIAN MUSICAldershot and Burlington, VT: Ashgate, 2006 pp. xxvii + 388, ISBN 10 0 754 63466 3

Dmitri Shostakovich: A Life in Film by John Riley (review)

Soviet Music and Society under Lenin and Stalin: The Baton and Sickle by Neils'amp;gt;Edmunds (review)

Facts, Fantasies, and Fictions: Recent Shostakovich Studies

Soviet Music and Society under Lenin and Stalin: The Baton and Sickle by Neil s> Edmunds (review)

The ‘Perestroyka’ of Soviet Symphonism: Shostakovich in 1935

The Cambridge Companion to the Symphony

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