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Reimagining Sample-based Hip Hop: Making Records within Records

Exarchos, Michail

1, 2024

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Sonic Necessity and Compositional Invention in #BluesHop: Composing the Blues for Sample-Based Hip Hop

Journal of popular music studies, 2020-09, Vol.32 (3), p.99

Exarchos, Michail

2020

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Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production

Popular music, 2019-01, Vol.38 (1), p.33-53

Exarchos, Michail

2019

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Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic

Journal of popular music education, 2018-08, Vol.2 (1), p.45-63

Exarchos (A.K.A. Stereo Mike), Michail

2018

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Reimagining the 'Phonographic' in Sample-Based Hip-Hop Production : Making Records Within Records

Exarchos, Michail

2022

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A general methodology for identifying the writer of codices. Application to the celebrated “twins”

Journal of cultural heritage, 2019-09, Vol.39, p.186-201

2019

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Sonic pasts in Hip Hop's future

Reimagining Sample-based Hip Hop, 2024, p.77-94

Exarchos, Michail

1, 2024

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Manufacturing phonographic 'otherness' for sample-based Hip Hop

Reimagining Sample-based Hip Hop, 2024, p.125-139

Exarchos, Michail

1, 2024

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0 Sample-based Hip Hop as metamodern phonographic practice (an autoethnography of oscillating between-and beyond-analogue nostalgia and digital futurism)

Reimagining Sample-based Hip Hop, 2024, p.22-31

Exarchos, Michail

1, 2024

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Introduction

Reimagining Sample-based Hip Hop, 2024, p.1-21

Exarchos, Michail

1, 2024

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Outroduction

Reimagining Sample-based Hip Hop, 2024, p.159-162

Exarchos, Michail

1, 2024

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'Past' masters, present beats

Reimagining Sample-based Hip Hop, 2024, p.143-158

Exarchos, Michail

1, 2024

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Phonographic ghosts and meta-illusions in contemporary beat-making

Reimagining Sample-based Hip Hop, 2024, p.97-121

Exarchos, Michail

1, 2024

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Boom-bap aesthetics and the machine

Reimagining Sample-based Hip Hop, 2024, p.53-74

Exarchos, Michail

1, 2024

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Sonic necessity, mother of compositional invention (making Blues for sample-based Hip Hop)

Reimagining Sample-based Hip Hop, 2024, p.35-52

Exarchos, Michail

1, 2024

Volltextzugriff (PDF)

Introduction

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Part 4 Mixing (Records Within Records)

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Part 2 (Reverse) Engineering

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Part 1 (Inter-Stylistic) Composition, and Tools

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Sonic Materiality and Boom-Bap 1 Embodiment in Conway'S "Biscotti Biscuit" (2018): An Autoethnography of Recording Analysis

Analyzing Recorded Music, 2023, Vol.1, p.231-247

1, 2023

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Part 3 (The Magic of Sample-Based) Production

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Sample-Based Hip Hop as Metamodern Phonographic Practice (An Autoethnography of Oscillating Between—and Beyond—Analogue Nostalgia and Digital Futurism)

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

End Credits

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

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Part 5 (Exponential) Re/Mastering

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

Series Page

Reimagining Sample-Based Hip Hop, 2023

Exarchos, Michail

2023

Volltextzugriff (PDF)

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Reimagining Sample-based Hip Hop: Making Records within Records

Sonic Necessity and Compositional Invention in #BluesHop: Composing the Blues for Sample-Based Hip Hop

Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production

Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic

Reimagining the 'Phonographic' in Sample-Based Hip-Hop Production : Making Records Within Records

A general methodology for identifying the writer of codices. Application to the celebrated “twins”

Sonic pasts in Hip Hop's future

Manufacturing phonographic 'otherness' for sample-based Hip Hop

0 Sample-based Hip Hop as metamodern phonographic practice (an autoethnography of oscillating between-and beyond-analogue nostalgia and digital futurism)

Introduction

Outroduction

'Past' masters, present beats

Phonographic ghosts and meta-illusions in contemporary beat-making

Boom-bap aesthetics and the machine

Sonic necessity, mother of compositional invention (making Blues for sample-based Hip Hop)

Introduction

Part 4 Mixing (Records Within Records)

Part 2 (Reverse) Engineering

Part 1 (Inter-Stylistic) Composition, and Tools

Sonic Materiality and Boom-Bap 1 Embodiment in Conway'S "Biscotti Biscuit" (2018): An Autoethnography of Recording Analysis

Part 3 (The Magic of Sample-Based) Production

Sample-Based Hip Hop as Metamodern Phonographic Practice (An Autoethnography of Oscillating Between—and Beyond—Analogue Nostalgia and Digital Futurism)

End Credits

Part 5 (Exponential) Re/Mastering

Series Page

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