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Theory for Art History: Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal

Emerling, Jae

2nd edition., 2019

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Theory for Art History

Emerling, Jae

2, 2019

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Transmissibility: Writing Aesthetic History

Emerling, Jae

1st, 2024

Volltextzugriff (PDF)

To betray art history

Journal of art historiography, 2016-12, Vol.15, p.15-JE1

Emerling, Jae

2016

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Body without Organs, Body without Image: Ernesto Neto’s Anti-Leviathan, Becoming-Matisse: Between Painting and Architecture, and Duchamp Looked At (from the Other Side) / Duchamp with (and against) Lacan, vols. 1–3 of Undoing the Image

Critical Inquiry, 2024-03, Vol.50 (3), p.567-569

Emerling, Jae

2024

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Photography: History and Theory

Emerling, Jae

1, 2013

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‘Relays, signals, actuality: a return to Focillon’. Review of: Annamaria Ducci, Henri Focillon en son temps. La liberté des forms, Strasbourg: Presses Universitaires de Strasbourg, 2021

Journal of art historiography, 2022-12, Vol.27, p.27-JE1

Jae Emerling

2022

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Reviews Section: Provocation

Journal of Visual Culture, 2019-12, Vol.18 (3), p.412-413

Emerling, Jae

2019

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An American Odyssey: The Life and Work of Romare Bearden by Mary Schmidt Campbell (review)

African American Review, 2019-10, Vol.52 (3), p.313-315

Emerling, Jae

2019

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Interview with Donald Preziosi

Journal of art historiography, 2016-12, Vol.15, p.15-AEF1

2016

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An art history of means: Arendt-Benjamin

Journal of art historiography, 2009-12, Vol.1 (1), p.1-20

Emerling, Jae

2009

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‘Words have a charge’: six moments from a dialogue

Journal of visual culture, 2022-12, Vol.21 (3), p.410-424

2022

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To betray art history

Journal of art historiography, 2016-12 (15), p.1

Emerling, Jae

2016

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To betray art history

Journal of art historiography, 2016-12 (15), p.np-np

Emerling, Jae

2016

Volltextzugriff (PDF)

Reviews : to render time sensible : transmissibility

Journal of art historiography, 2015-12

Emerling, Jae

2015

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To render time sensible: transmissibility

Journal of art historiography, 2015-12 (13), p.1-11

Emerling, Jae

2015

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Visual Time: The Image in History

Journal of art historiography, 2015-12 (13), p.1

Emerling, Jae

2015

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To render time sensible: transmissibility

Journal of art historiography, 2015-12, Vol.13, p.13-JE1

Jae Emerling

2015

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Introduction: Architecture! (To be said excitedly but with real frustration)

Journal of visual culture, 2016-12, Vol.15 (3), p.295-300

2016

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Introduction: 'The preface of what you shall have been'

Journal of art historiography, 2016-12 (15), p.1

2016

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Introduction: The preface of what you shall have been

Journal of art historiography, 2016-12 (15), p.np-np

2016

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Introduction: “The Preface of What You Shall Have Been”

Journal of art historiography, 2016-12, Vol.15, p.15-AE1

2016

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Photography

Emerling, Jae

1, 2012

Volltextzugriff (PDF)

John Tagg, The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis: University of Minnesota Press, 2009. 392 pp. ISBN 978—0816642885

Journal of visual culture, 2010-12, Vol.9 (3), p.449-455

Emerling, Jae

2010

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Kunstgriff: Art as Event, Not Commodity

Esse, 2015 (85), p.6-11

2015

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Theory for Art History: Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal

Theory for Art History

Transmissibility: Writing Aesthetic History

To betray art history

Body without Organs, Body without Image: Ernesto Neto’s Anti-Leviathan, Becoming-Matisse: Between Painting and Architecture, and Duchamp Looked At (from the Other Side) / Duchamp with (and against) Lacan, vols. 1–3 of Undoing the Image

Photography: History and Theory

‘Relays, signals, actuality: a return to Focillon’. Review of: Annamaria Ducci, Henri Focillon en son temps. La liberté des forms, Strasbourg: Presses Universitaires de Strasbourg, 2021

Reviews Section: Provocation

An American Odyssey: The Life and Work of Romare Bearden by Mary Schmidt Campbell (review)

Interview with Donald Preziosi

An art history of means: Arendt-Benjamin

‘Words have a charge’: six moments from a dialogue

To betray art history

To betray art history

Reviews : to render time sensible : transmissibility

To render time sensible: transmissibility

Visual Time: The Image in History

To render time sensible: transmissibility

Introduction: Architecture! (To be said excitedly but with real frustration)

Introduction: 'The preface of what you shall have been'

Introduction: The preface of what you shall have been

Introduction: “The Preface of What You Shall Have Been”

Photography

John Tagg, The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis: University of Minnesota Press, 2009. 392 pp. ISBN 978—0816642885

Kunstgriff: Art as Event, Not Commodity

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