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Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography

Humanities (Basel), 2021-06, Vol.10 (2), p.80

Voigts, Eckart

2021

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The Routledge Companion To Adaptation

1st, 2018

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Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre

1, 2022

Volltextzugriff (PDF)

Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

2024

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Reflecting on Darwin

1, 2014

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Corrigendum to: Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique

Adaptation : the journal of literature on screen studies, 2024-05, Vol.17 (1), p.165-165

Voigts, Eckart

2024

Volltextzugriff (PDF)

Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique

Adaptation : the journal of literature on screen studies, 2021-08, Vol.14 (2), p.289-308

Voigts, Eckart

2021

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TV Cloning as Transcultural Adaptation: The Reformatting of the Medea Myth via Doctor Foster

Adaptation : the journal of literature on screen studies, 2023-08, Vol.16 (2), p.185-195

2023

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Introduction to media studies

Voigts-Virchow, Eckart

2005

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Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre

Journal of Contemporary Drama in English, 2020-11, Vol.8 (2), p.295-312

2020

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Preliminary Note

Journal of Contemporary Drama in English, 2024-05, Vol.12 (1), p.1-1

2024

Volltextzugriff (PDF)

Wrestling with Shylock

European Judaism, 2018-09, Vol.51 (2), p.175-185

2018

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Wrestling with Shylock: Contemporary British Jewish Theatre and Shakespeare’s The Merchant of Venice

European Judaism, 2018-09, Vol.51 (2), p.175-185

2018

Volltextzugriff (PDF)

Introduction: Adaptation, Transmedia Storytelling and Participatory Culture

Adaptation : the journal of literature on screen studies, 2013-08, Vol.6 (2), p.139-142

2013

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Dust and Sewers, Filth and Waste: “Disgusting” Retro-Speculation in Neo-Victorian Narratives

The Palgrave Handbook of Neo-Victorianism, 2024, p.375-392

2024

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Enthumanisierende Verdinglichung im Industrieroman

Handbuch Literatur & Materielle Kultur, 2018, Vol.6, p.273-280

2018

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Handbook of the English Novel, 1830-1900

1, 2020

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Literary events and real policies: The transmedia cases of Walter Besant's All Sorts and Conditions of Men (1882) and George Chesney's The Battle of Dorking (1871)

Transmedia Practices in the Long Nineteenth Century, 2022, Vol.1, p.25-44

1, 2022

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Unreliable Neo-Victorian Narrators, “Unwomen,” and Femmes Fatales: Nell Leyshon’s The Colour of Milk and Jane Harris’ Gillespie and I

Neo-Victorian Madness, 2020, p.121-144

2020

Volltextzugriff (PDF)

After the ending – closure in post-apocalyptic narratives as fictions of uncertainty

Adapting Endings from Book to Screen, 2020, p.152-169

1, 2020

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H. G. Wells, The Time Machine (1895)

Handbook of the English Novel, 1830–1900, 2020, Vol.9, p.547-564

2020

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Vampirism, Blood, and Memory in Penny Dreadful and Only Lovers Left Alive

Penny Dreadful and Adaptation, p.87-104

Volltextzugriff (PDF)

“Let the Doors Be Shut upon”… COVID-19: Relocating the Globe Theatre Stage to the Net

Twenty-First Century Anxieties, 2022, Vol.32, p.225-242

2022

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The Spectre of Utopia/Dystopia: The Representation of Anthropogenic Global Climate Change as Culture-War Issue in Richard Bean’s The Heretic (2011)

Twenty-First Century Anxieties, 2022, Vol.32, p.165-184

2022

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Civil Wars and Republics in Contemporary (Dystopian) Drama

Twenty-First Century Anxieties, 2022, Vol.32, p.149-164

2022

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Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography

The Routledge Companion To Adaptation

Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre

Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

Reflecting on Darwin

Corrigendum to: Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique

Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique

TV Cloning as Transcultural Adaptation: The Reformatting of the Medea Myth via Doctor Foster

Introduction to media studies

Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre

Preliminary Note

Wrestling with Shylock

Wrestling with Shylock: Contemporary British Jewish Theatre and Shakespeare’s The Merchant of Venice

Introduction: Adaptation, Transmedia Storytelling and Participatory Culture

Dust and Sewers, Filth and Waste: “Disgusting” Retro-Speculation in Neo-Victorian Narratives

Enthumanisierende Verdinglichung im Industrieroman

Handbook of the English Novel, 1830-1900

Literary events and real policies: The transmedia cases of Walter Besant's All Sorts and Conditions of Men (1882) and George Chesney's The Battle of Dorking (1871)

Unreliable Neo-Victorian Narrators, “Unwomen,” and Femmes Fatales: Nell Leyshon’s The Colour of Milk and Jane Harris’ Gillespie and I

After the ending – closure in post-apocalyptic narratives as fictions of uncertainty

H. G. Wells, The Time Machine (1895)

Vampirism, Blood, and Memory in Penny Dreadful and Only Lovers Left Alive

“Let the Doors Be Shut upon”… COVID-19: Relocating the Globe Theatre Stage to the Net

The Spectre of Utopia/Dystopia: The Representation of Anthropogenic Global Climate Change as Culture-War Issue in Richard Bean’s The Heretic (2011)

Civil Wars and Republics in Contemporary (Dystopian) Drama

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