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Musicians in the Making: Pathways to Creative Performance ed. by John Rink, Helena Gaunt, and Aaron Williamon, and: Distributed Creativity: Collaboration and Improvisation in Contemporary Music ed. by Eric F. Clarke and Mark Doffman, and: Music and Shape ed. by Daniel Leech-Wilkinson and Helen M. Prior, and: Global Perspectives on Orchestras: Collective Creativity and Social Agency ed. by Tina K. Ramnarine, and: Music as Creative Practice by Nicholas Cook (review)

Music & letters, 2018-11, Vol.99 (4), p.704-711

Dunsby, Jonathan

2018

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The Philosopher’s Touch: Sartre, Nietzsche, and Barthes at the Piano by François Noudelmann (review)

Music & letters, 2014, Vol.95 (1), p.132-135

Dunsby, Jonathan

2014

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Grim Reapings Theorizing Untheory

Intégral (Rochester, N.Y.), 2014-01, Vol.28/29, p.1-12

Dunsby, Jonathan

2014

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On Repeat: How Music Plays the Mind by Elizabeth Hellmuth Margulis (review)

Music & letters, 2014-08, Vol.95 (3), p.497-499

Dunsby, Jonathan

2014

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Roland Barthes and the Grain of Panzéra's Voice

Journal of the Royal Musical Association, 2009-05, Vol.134 (1), p.113-132

Dunsby, Jonathan

2009

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Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett

Music Analysis, 2023-10, Vol.42 (3), p.412-471

2023

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Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62 – 104 . Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett

Music analysis, 2023-10, Vol.42 (3), p.412-471

2023

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Onset asynchrony in Western art music: Fingers, hammers, and music theory's ears

Quodlibet. Revista de Especialización Musical, 2021-12 (76), p.126-158

2021

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Studying the Lied: Hermeneutic Traditions and the Challenge of Performance

Journal of the American Musicological Society, 2014-06, Vol.67 (2), p.543-582

Ronyak, Jennifer

2014

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Studying the Lied

Journal of the American Musicological Society, 2014-08, Vol.67 (2), p.543-582

2014

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Adorno's Image of Schubert's Wanderer Fantasy Multiplied by Ten

19th century music, 2005-07, Vol.29 (1), p.042-048

Dunsby, Jonathan

2005

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Anthony Pople, 1955–2003: an Appreciation

Twentieth-century music, 2004-09, Vol.1 (2), p.277-283

DUNSBY, JONATHAN

2004

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What kind of history is The Cambridge History of Twentieth-Century Music? COOK, N. and A. POPLE (dir.) (2004), The Cambridge History of Twentieth-Century Music, Cambridge/New York, Cambridge University Press, 818 p

Circuit (Montréal, Québec), 2005, Vol.16 (1), p.135

Dunsby, Jonathan

2005

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What kind of history is The Cambridge History of Twentieth-Century Music?

Circuit (Montréal, Québec), 2005, Vol.16 (1), p.135-144

Dunsby, Jonathan

2005

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The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning, edited by Richard Parncutt and Gary E. McPherson. Oxford: Oxford University Press, 2002. xii + 388 pp, £37.50 hardback

British Journal of Music Education, 2003-07, Vol.20 (2), p.215-217

DUNSBY, JONATHAN

2003

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Scenarios, Mostly from the Early Days of "MusA"

Music analysis, 2002-07, Vol.21 (2), p.5-11

Dunsby, Jonathan

2002

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