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Imitation, Artificiality and Creation: the Colour and Perception of the Earliest Glass in New Kingdom Egypt

Cambridge archaeological journal, 2012-10, Vol.22 (3), p.309-327

Duckworth, Chloë N.

2012

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End of the Line?: Glass Bangles, Technology, Recycling, and Trade in Islamic North Africa

Journal of glass studies, 2016-01, Vol.58, p.135-169

2016

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Recipientes islámicos de vidrio dorado encapsulado: evidencias en al-Andalus

Archivo español de arqueología, 2022-07, Vol.95, p.e13

2022

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Text, practice, and experience: an experimental approach to the archaeology of glassmaking in medieval Iberia

Journal of medieval Iberian studies, 2021-01, Vol.13 (1), p.119-144

2021

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Recipes and experimentation? The transmission of glassmaking techniques in Medieval Iberia

Journal of medieval Iberian studies, 2016-07, Vol.8 (2), p.176-195

2016

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From the Mediterranean to the Libyan Sahara. Chemical analyses of Garamantian glass

Journal of archaeological science, reports, 2016-06, Vol.7, p.633-639

2016

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Opacifiers in Late Bronze Age glasses: the use of ToF-SIMS to identify raw ingredients and production techniques

Journal of archaeological science, 2012-07, Vol.39 (7), p.2143-2152

2012

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El taller vidriero de los siglos IV-V de la Insula II del Molinete (Cartagena, España): análisis arqueológico e interpretación

Spal (Sevilla), 2023, Vol.2 (32), p.250-290

2023

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El consumo de vidrio en el arrabal de La Arrixaca (Murcia): los vidrios andalusíes de los siglos XII-XIII del Conjunto Arqueológico de San Esteban

Spal (Sevilla), 2024-01 (33.1), p.179-203

2024

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El consumo de vidrio en el arrabal de La Arrixaca (Murcia): los vidrios andalusíes de los siglos XII-XIII del Conjunto Arqueológico de San Esteban

Spal (Sevilla), 2024, Vol.1 (33), p.179-203

2024

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Sensory perception and experience of glass

The Routledge Handbook of Sensory Archaeology, 2020, p.233-247

Duckworth, Chloë N.

1, 2020

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On colour and light

Colour and Light in Ancient and Medieval Art, 2018, p.1-8

1, 2018

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End of the Line? Glass Bangles, Technology, Recycling, and Trade in Islamic North Afric

Journal of glass studies, 2016-01, Vol.58, p.135-169

2016

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Latest advancements in the application of analytical science to ancient and historical glass production

The Journal of the International Union of Prehistoric and Protohistoric Sciences, 2019-03, Vol.2 (1), p.99-110

Duckworth, Chloë N.

2019

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The created stone: chemical and archaeological perspectives on the colour and material properties of early egyptian glass, 1500-1200 b.c

Duckworth, Chloë N

2011

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Divine light through earthly colours: Mediating perception in Late Antique churches

Colour and Light in Ancient and Medieval Art, 2018, p.79-91

1, 2018

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Light and colour in Portuguese Romanesque churches: The shaping of space

Colour and Light in Ancient and Medieval Art, 2018, p.103-113

1, 2018

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The use of colour in Romanesque manuscript illumination

Colour and Light in Ancient and Medieval Art, 2018, p.92-102

1, 2018

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Light, the Dominicans and the cult of St. Thomas Aquinas

Colour and Light in Ancient and Medieval Art, 2018, p.145-158

1, 2018

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Glints and colours of human inwardness: Bartholomaeus de Bononia’s De luce and contemporary preaching

Colour and Light in Ancient and Medieval Art, 2018, p.132-144

1, 2018

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Symbolic use of colour in Easter Island (Rapa Nui) in its Polynesian context 1

Colour and Light in Ancient and Medieval Art, 2018, p.9-20

1, 2018

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The colourful world of metal invention in the 5th millennium BCE Balkans 1

Colour and Light in Ancient and Medieval Art, 2018, p.21-34

1, 2018

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Gold, glass and light: The Franciscan vision in representations of the stigmata

Colour and Light in Ancient and Medieval Art, 2018, p.114-131

1, 2018

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By the dawn’s early light: Colour, light and liminality in the throne room at Knossos 1

Colour and Light in Ancient and Medieval Art, 2018, p.46-60

1, 2018

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Tripping on the fantastic light: Reclaiming the Parthenon Marbles

Colour and Light in Ancient and Medieval Art, 2018, p.61-78

1, 2018

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Imitation, Artificiality and Creation: the Colour and Perception of the Earliest Glass in New Kingdom Egypt

End of the Line?: Glass Bangles, Technology, Recycling, and Trade in Islamic North Africa

Recipientes islámicos de vidrio dorado encapsulado: evidencias en al-Andalus

Text, practice, and experience: an experimental approach to the archaeology of glassmaking in medieval Iberia

Recipes and experimentation? The transmission of glassmaking techniques in Medieval Iberia

From the Mediterranean to the Libyan Sahara. Chemical analyses of Garamantian glass

Opacifiers in Late Bronze Age glasses: the use of ToF-SIMS to identify raw ingredients and production techniques

El taller vidriero de los siglos IV-V de la Insula II del Molinete (Cartagena, España): análisis arqueológico e interpretación

El consumo de vidrio en el arrabal de La Arrixaca (Murcia): los vidrios andalusíes de los siglos XII-XIII del Conjunto Arqueológico de San Esteban

El consumo de vidrio en el arrabal de La Arrixaca (Murcia): los vidrios andalusíes de los siglos XII-XIII del Conjunto Arqueológico de San Esteban

Sensory perception and experience of glass

On colour and light

End of the Line? Glass Bangles, Technology, Recycling, and Trade in Islamic North Afric

Latest advancements in the application of analytical science to ancient and historical glass production

The created stone: chemical and archaeological perspectives on the colour and material properties of early egyptian glass, 1500-1200 b.c

Divine light through earthly colours: Mediating perception in Late Antique churches

Light and colour in Portuguese Romanesque churches: The shaping of space

The use of colour in Romanesque manuscript illumination

Light, the Dominicans and the cult of St. Thomas Aquinas

Glints and colours of human inwardness: Bartholomaeus de Bononia’s De luce and contemporary preaching

Symbolic use of colour in Easter Island (Rapa Nui) in its Polynesian context 1

The colourful world of metal invention in the 5th millennium BCE Balkans 1

Gold, glass and light: The Franciscan vision in representations of the stigmata

By the dawn’s early light: Colour, light and liminality in the throne room at Knossos 1

Tripping on the fantastic light: Reclaiming the Parthenon Marbles

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