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Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary
1, 2013
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Musical Rhetoric Lost in Translation: National, Religious and Linguistic Networks and the Determination of Title in Sweelinck's Organ Variations on Psalm 36
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.91-112
1, 2013
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Social Networking in Seventeenth-Century Italy: The 'Harmonious Letters' of a Monk-Musician1
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.231-250
1, 2013
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Introduction
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.1-10
1, 2013
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The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.11-30
1, 2013
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Practice and Dissemination of Music in the Catholic Network as Suggested by the Music Collection of Edward Paston (1550-1630) and Other Contemporary Sources
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.215-229
1, 2013
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Politics, Religion, Style and the Passamezzo Galliards of Byrd and Philips: A Discussion of Networks Involving Byrd and his Disciples
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.71-89
1, 2013
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The Ear of the Lynx: The Musical Legacy of the Accademia dei Lincei
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.59-70
1, 2013
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Networking, Patronage and Professionalism in the Early History of Violin Playing: The Case of William Brade (c.1560-1630)
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.203-214
1, 2013
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The Liber fratrum cruciferorum Leodiensium and the Dissemination of Organ Repertoire in the Netherlands during the Seventeenth Century
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.31-47
1, 2013
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Orlando Gibbons's Keyboard Music: The Continental Perspective
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.157-168
1, 2013
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The Pious Mr Philips and his Few-Voiced Motets at Isabella's Confraternity of Our Lady
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.49-58
1, 2013
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A Pattern Recognition Approach to the Attribution of Early Seventeenth-Century Keyboard Compositions using Features of Diminutions
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.169-184
1, 2013
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What is a Composer? Problems of Attribution in Keyboard Music from the Circle of Philips and Sweelinck
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.113-155
1, 2013
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'Full of Art, and Profundity': The Five-Part Consort Pavan as a Medium for Sophisticated Musical Expression and Compositional Cross-Reference in Late Renaissance England
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries, 2013, p.185-201
1, 2013
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Citizen science to address the global issue of bird–window collisions
Frontiers in ecology and the environment, 2023-11, Vol.21 (9), p.418-427
2023
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