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Assembling and Governing Habits

1, 2021

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A history of New Year’s Eve, Sydney: From ‘the crowd’ to ‘crowded places

International journal of cultural studies, 2023-05, Vol.26 (3), p.310-325

Dibley, Ben

2023

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Favourite sounds: The Australian music field

Media international Australia incorporating Culture & policy, 2018-05, Vol.167 (1), p.146-161

2018

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Provoking Animal Realities on TV: Exploring the Affinities between STS and Screen Studies

Science, technology, & human values, 2021-07, Vol.46 (4), p.695-718

2021

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Capturing Spectral Beasts: Marsupial Performances of the Cinematic Undead

Australian humanities review, 2020-11 (67), p.1-1

Dibley, Ben

2020

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Technofossil: A 'Memento Mori'

Journal of contemporary archaeology (Online), 2018-01, Vol.5 (1), p.44-52

Dibley, Ben

2018

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Morale and Mass Observation: Governing the Affective Atmosphere on the Home-Front

Museum and society, 2015-01, Vol.13 (1), p.22-41

2015

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Making animals public: early wildlife television and the emergence of environmental nationalism on the ABC

Continuum (Mount Lawley, W.A.), 2019-11, Vol.33 (6), p.744-758

2019

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Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, Ira Jacknis, Conal McCarthy

1, 2017

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Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

2017

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Assembling an Anthropological Actor: Anthropological Assemblage and Colonial Government in Papua

History and anthropology, 2014-03, Vol.25 (2), p.263-279

Dibley, Ben

2014

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Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for Example

Cultural studies review, 2007-03, Vol.13 (1), p.129-149

Dibley, Ben

2007

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Introduction: Anthropology, Collecting and Colonial Governmentalities

History and anthropology, 2014-03, Vol.25 (2), p.137-149

2014

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Marking Differences: Indigenous cultural tastes and practices

Continuum (Mount Lawley, W.A.), 2018-05, Vol.32 (3), p.308-321

2018

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Climate Collections and Photosynthetic, Fossil-Fueled Atmospheres

Environmental humanities, 2023-07, Vol.15 (2), p.62-84

2023

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‘The Shape of Things to Come’: Seven Theses on the Anthropocene and Attachment

Australian humanities review, 2012-09 (52), p.N_A

Dibley, Ben

2012

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Museums and a common world: climate change, cosmopolitics, museum practice

Museum and society, 2011-07, Vol.9 (2), p.154-165

Ben Dibley

2011

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Introduction: The Cultural Politics of Antipodean Museums

New Zealand sociology, 2006-01, Vol.21 (1), p.4-8

2006

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The museum’s redemption: Contact zones, government and the limits of reform

International journal of cultural studies, 2005-03, Vol.8 (1), p.5-27

Dibley, Ben

2005

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Making Culture: Commercialisation, transnationalism, and the state of ‘nationing’ in contemporary Australia

1st, 2018

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Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

2017

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Habit, Suggestion and the Paradox of the Crowd

Assembling and Governing Habits, 2021, p.28-43

1, 2021

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Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for Example

Cultural studies review, 2007-03, Vol.13 (1), p.129-149

Ben Dibley

2007

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Climate Crisis and the Actuarial Imaginary: 'The War on Global Warming'

New formations, 2010-03, Vol.69 (69), p.144-159

2010

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Indigeneity, cosmopolitanism and the nation: The project of NITV

Making Culture, 2018, p.129-139

1, 2018

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Assembling and Governing Habits

A history of New Year’s Eve, Sydney: From ‘the crowd’ to ‘crowded places

Favourite sounds: The Australian music field

Provoking Animal Realities on TV: Exploring the Affinities between STS and Screen Studies

Capturing Spectral Beasts: Marsupial Performances of the Cinematic Undead

Technofossil: A 'Memento Mori'

Morale and Mass Observation: Governing the Affective Atmosphere on the Home-Front

Making animals public: early wildlife television and the emergence of environmental nationalism on the ABC

Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

Assembling an Anthropological Actor: Anthropological Assemblage and Colonial Government in Papua

Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for Example

Introduction: Anthropology, Collecting and Colonial Governmentalities

Marking Differences: Indigenous cultural tastes and practices

Climate Collections and Photosynthetic, Fossil-Fueled Atmospheres

‘The Shape of Things to Come’: Seven Theses on the Anthropocene and Attachment

Museums and a common world: climate change, cosmopolitics, museum practice

Introduction: The Cultural Politics of Antipodean Museums

The museum’s redemption: Contact zones, government and the limits of reform

Making Culture: Commercialisation, transnationalism, and the state of ‘nationing’ in contemporary Australia

Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government

Habit, Suggestion and the Paradox of the Crowd

Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for Example

Climate Crisis and the Actuarial Imaginary: 'The War on Global Warming'

Indigeneity, cosmopolitanism and the nation: The project of NITV

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