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Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts

Accounts of chemical research, 2016-10, Vol.49 (10), p.2070-2079

2016

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Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350-2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System

Sensors (Basel, Switzerland), 2022-03, Vol.22 (5), p.1915

2022

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Automatic registration and mosaicking of technical images of Old Master paintings

Applied physics. A, Materials science & processing, 2015-06, Vol.119 (4), p.1567-1575

2015

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Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt’s Masterpiece in the Glass Chamber at the Rijksmuseum

Sensors (Basel, Switzerland), 2021-10, Vol.21 (20), p.6855

2021

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Low-Cost Multispectral System Design for Pigment Analysis in Works of Art

Sensors (Basel, Switzerland), 2021-07, Vol.21 (15), p.5138

2021

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Standoff Mid‐Infrared Emissive Imaging Spectroscopy for Identification and Mapping of Materials in Polychrome Objects

Angewandte Chemie (International ed.), 2018-06, Vol.57 (25), p.7341-7345

International ed. in English, 2018

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Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring

Heritage science, 2020-01, Vol.8 (1), p.1-16, Article 4

2020

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Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork

Proceedings of the National Academy of Sciences - PNAS, 2014-02, Vol.111 (5), p.1708-1713

2014

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An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence

Heritage science, 2020-08, Vol.8 (1), p.1-16, Article 84

2020

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Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

Heritage science, 2018-05, Vol.6 (1), p.1-12, Article 31

2018

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Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring

Heritage science, 2019-12, Vol.7 (1), p.1-20, Article 102

2019

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Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts

Heritage science, 2022-03, Vol.10 (1), p.1-18, Article 38

2022

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Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry

Analytical methods, 2014-01, Vol.6 (5), p.1488-1500

2014

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Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt

Scientific reports, 2017-11, Vol.7 (1), p.15509-12, Article 15509

2017

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Revealing the painterly technique beneath the surface of Vermeer’s Girl with a Pearl Earring using macro- and microscale imaging

Heritage science, 2019-09, Vol.7 (1), p.1-16, Article 64

2019

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Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Heritage science, 2019-06, Vol.7 (1), p.1-13, Article 43

2019

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Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu

Heritage science, 2021-02, Vol.9 (1), p.1-10, Article 20

2021

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A high sensitivity, low noise and high spatial resolution multi-band infrared reflectography camera for the study of paintings and works on paper

Heritage science, 2017-08, Vol.5 (1), p.1-14, Article 32

2017

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Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Heritage science, 2019-05, Vol.7 (1), p.1-9, Article 25

2019

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Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

Analyst (London), 2013-09, Vol.138 (17), p.4838-4848

2013

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Correction to: Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Heritage science, 2019-08, Vol.7 (1), p.1-3, Article 65

2019

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Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Heritage science, 2018-08, Vol.6 (1), p.1-15, Article 46

2018

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Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Angewandte Chemie (International ed.), 2020-04, Vol.59 (15), p.6046-6053

International ed. in English, 2020

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Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts

Angewandte Chemie (International ed.), 2012-06, Vol.51 (23), p.5607-5610

International ed. in English, 2012

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Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

Angewandte Chemie (International ed.), 2014-12, Vol.53 (50), p.13775-13779

International ed. in English, 2014

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Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts

Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350-2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System

Automatic registration and mosaicking of technical images of Old Master paintings

Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt’s Masterpiece in the Glass Chamber at the Rijksmuseum

Low-Cost Multispectral System Design for Pigment Analysis in Works of Art

Standoff Mid‐Infrared Emissive Imaging Spectroscopy for Identification and Mapping of Materials in Polychrome Objects

Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring

Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork

An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence

Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring

Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts

Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry

Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt

Revealing the painterly technique beneath the surface of Vermeer’s Girl with a Pearl Earring using macro- and microscale imaging

Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu

A high sensitivity, low noise and high spatial resolution multi-band infrared reflectography camera for the study of paintings and works on paper

Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

Correction to: Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts

Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

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