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Performances that Change the Americas

1, 2022

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Asaltos al escenario: humor, género e historia en el teatro de Sabina Berman, de Priscilla Meléndez. Mexico City: Bonilla Artigas Editores, 2021. 384 páginas

Latin American literary review, 2023-10, Vol.50 (101)

Day, Stuart A.

2023

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Introduction: Teaching Latin American and Latinx Theatre

Latin American theatre review, 2016-12, Vol.50 (1), p.11-12

Day, Stuart A

2016

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It's My (National) Stage Too: Sabina Berman and Jesusa Rodríguez as Public Intellectuals

Studies in 20th & 21st Century Literature, 2008-06, Vol.32 (2), p.386

Day, Stuart A

2008

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George Woodyard and “Kansas International”

Latin American theatre review, 2012-09, Vol.46 (1), p.203-206

Day, Stuart A

2012

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Foretelling Failure: Questioning the Mexican Political Left From Within

Discourse (Berkeley, Calif.), 2001-04, Vol.23 (2), p.102-121

Day, Stuart A.

2001

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Queering Abiayala: personal and political cartographies of the Indigenous Americas

Performances That Change the Americas, 2022, p.99-115

1, 2022

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Yes, and

Theatre journal (Washington, D.C.), 2004-10, Vol.56 (3), p.462-464

Day, Stuart A.

2004

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The queer/muxe performance of disappearance: Lukas Avendaño's butterfly utopia

Performances That Change the Americas, 2022, p.175-201

1, 2022

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Performing the revolution: Castro's Cuba

Performances That Change the Americas, 2022, p.154-174

1, 2022

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Basta: reactivating bodies and the dramaturgy of femicides in Argentina

Performances That Change the Americas, 2022, p.38-58

1, 2022

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"Why are the Canadian authorities afraid of this play?": Eight Men Speak and Section 98 of the Criminal Code of Canada

Performances That Change the Americas, 2022, p.202-220

1, 2022

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Absent bodies and melted weapons: art and social change in contemporary Colombia

Performances That Change the Americas, 2022, p.79-98

1, 2022

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Carnival in hell: kinetic dissidence and the new queer carnivalesque in contemporary Brazil

Performances That Change the Americas, 2022, p.59-78

1, 2022

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Introduction: case studies in activist performance

Performances That Change the Americas, 2022, p.1-19

1, 2022

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Music, poetry, and Créolité in the songs of Carole Demesmin, singer, troubadour, and activist

Performances That Change the Americas, 2022, p.116-130

1, 2022

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Playing Creole: circus dramas, the theater marketplace, and urban society in Argentina and Uruguay

Performances That Change the Americas, 2022, p.20-37

1, 2022

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An Island in crisis: theater groups and social change in Puerto Rico in the new millennium

Performances That Change the Americas, 2022, p.131-153

1, 2022

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Entrevista con Vicente Leñero

Chasqui, 2004-11, Vol.33 (2), p.17-26

2004

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También es mi escenario (Nacional)

Artes (Medellín, Colombia), 2012 (18), p.195-207

Day, Stuart A

2012

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Editor's Note

Latin American theatre review, 2007-09, Vol.41 (1), p.5-5

Day, Stuart A.

2007

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Editor's Note

Latin American theatre review, 2007, Vol.41 (1), p.5-5

Day, Stuart A

2007

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Forum: Yes, and

Theatre journal (Washington, D.C.), 2004-10, Vol.56 (3), p.462-464

Day, Stuart A

2004

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Series Page

Performances That Change the Americas, 2021

Day, Stuart Alexander

2021

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Contributors

Performances That Change the Americas, 2021

Day, Stuart Alexander

2021

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Performances that Change the Americas

Asaltos al escenario: humor, género e historia en el teatro de Sabina Berman, de Priscilla Meléndez. Mexico City: Bonilla Artigas Editores, 2021. 384 páginas

Introduction: Teaching Latin American and Latinx Theatre

It's My (National) Stage Too: Sabina Berman and Jesusa Rodríguez as Public Intellectuals

George Woodyard and “Kansas International”

Foretelling Failure: Questioning the Mexican Political Left From Within

Queering Abiayala: personal and political cartographies of the Indigenous Americas

Yes, and

The queer/muxe performance of disappearance: Lukas Avendaño's butterfly utopia

Performing the revolution: Castro's Cuba

Basta: reactivating bodies and the dramaturgy of femicides in Argentina

"Why are the Canadian authorities afraid of this play?": Eight Men Speak and Section 98 of the Criminal Code of Canada

Absent bodies and melted weapons: art and social change in contemporary Colombia

Carnival in hell: kinetic dissidence and the new queer carnivalesque in contemporary Brazil

Introduction: case studies in activist performance

Music, poetry, and Créolité in the songs of Carole Demesmin, singer, troubadour, and activist

Playing Creole: circus dramas, the theater marketplace, and urban society in Argentina and Uruguay

An Island in crisis: theater groups and social change in Puerto Rico in the new millennium

Entrevista con Vicente Leñero

También es mi escenario (Nacional)

Editor's Note

Editor's Note

Forum: Yes, and

Series Page

Contributors

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