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Grief and Collaborative Storytelling: The Colours of Loss

Journal of creativity in mental health, 2024-05, p.1-18

2024

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Community engagement in a seaside town: evaluation of Good Grief Weston festival

Palliative care and social practice, 2024-01, Vol.18, p.26323524241274175

2024

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The one thing guaranteed in life and yet they won’t teach you about it: The case for mandatory grief education in UK schools

Bereavement, 2023-01, Vol.2

2023

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Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival

Palliative care and social practice, 2023-01, Vol.17, p.26323524231189523-26323524231189523

2023

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Index

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.330-340

2022

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Introduction: Female Fury and the Masculine Spirit of Vengeance

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.1-30

Dawson, Lesel

2022

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Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.307-325

Dawson, Lesel

2022

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Therapeutic creativity and the lived experience of grief in the collaborative fiction film Lost Property

Research for all, 2021-09, Vol.5 (2)

2021

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Daggers of the Mind: Hallucinations, Mental Fixation and Trauma in Kyd’s The Spanish Tragedy and Early Modern Psychology

Visions and Voice-Hearing in Medieval and Early Modern Contexts, 2021, p.221-254

2021

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List of Figures

Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.vii

2018

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Front Matter

Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.i

2018

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Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.v

2018

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Acknowledgements and Dedication

Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.viii

2018

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Index

Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.330

2018

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List of Contributors

Revenge and Gender in Classical, Medieval, and Renaissance Literature, 2018, p.326

2018

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Why are the Erinyes Female?: or, What is so Feminine about Revenge?

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.33

2018

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‘She’s Turned Fury: Women Transmogrified in Revenge Plays

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.221

2018

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Introduction: Female Fury and the Masculine Spirit of Vengeance

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.1

2018

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The Avenging Daughter in King Lear

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.111

2018

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Revenge and Gender in Classical, Medieval, and Renaissance Literature

2018

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The Power of Our Mouths: Gossip as a Female Mode of Revenge

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.160

2018

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Lament and Vengeance in the Alliterative Morte Arthure

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.251

2018

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‘Women’s Weapons: Education and Female Revenge on the Early Modern Stage

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.181

2018

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Vengeance and Male Devotion in Laxdæla saga and Njáls saga

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.85

2018

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Nursed in Blood: Masculinity and Grief in Marston’s Antonio’s Revenge

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.295

2018

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Grief and Collaborative Storytelling: The Colours of Loss

Community engagement in a seaside town: evaluation of Good Grief Weston festival

The one thing guaranteed in life and yet they won’t teach you about it: The case for mandatory grief education in UK schools

Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival

Index

Introduction: Female Fury and the Masculine Spirit of Vengeance

Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

Therapeutic creativity and the lived experience of grief in the collaborative fiction film Lost Property

Daggers of the Mind: Hallucinations, Mental Fixation and Trauma in Kyd’s The Spanish Tragedy and Early Modern Psychology

List of Figures

Front Matter

Table of Contents

Acknowledgements and Dedication

Index

List of Contributors

Why are the Erinyes Female?: or, What is so Feminine about Revenge?

‘She’s Turned Fury: Women Transmogrified in Revenge Plays

Introduction: Female Fury and the Masculine Spirit of Vengeance

The Avenging Daughter in King Lear

Revenge and Gender in Classical, Medieval, and Renaissance Literature

The Power of Our Mouths: Gossip as a Female Mode of Revenge

Lament and Vengeance in the Alliterative Morte Arthure

‘Women’s Weapons: Education and Female Revenge on the Early Modern Stage

Vengeance and Male Devotion in Laxdæla saga and Njáls saga

Nursed in Blood: Masculinity and Grief in Marston’s Antonio’s Revenge

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