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How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema

Media, culture & society, 2024-07, Vol.46 (5), p.991-1009

Cuelenaere, Eduard

2024

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Originality versus proximity: An explorative study of audience reactions to monolingual film remakes

International journal of cultural studies, 2021-03, Vol.24 (2), p.233-249

Cuelenaere, Eduard

2021

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Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender

European journal of cultural studies, 2019-10, Vol.22 (5-6), p.613-629

2019

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European Film Remakes

2021

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Towards an Integrative Methodological Approach of Film Remake Studies

Adaptation : the journal of literature on screen studies, 2020-08, Vol.13 (2), p.210-223

Cuelenaere, Eduard

2020

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The Remake Industry: The Practice of Remaking Films from the Perspective of Industrial Actors

Adaptation : the journal of literature on screen studies, 2021-03, Vol.14 (1), p.43-63

Cuelenaere, Eduard

2021

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Meir, C. (2019). Mass producing European cinema: Studiocanal and its works. New York, London: Bloomsbury Academic. 272 pp

Communications, 2019-09, Vol.44 (3), p.352-354

Cuelenaere, Eduard

2019

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Smith, I. R., & Verevis, C. (Eds.): Transnational film remakes

Communications, 2018-06, Vol.43 (2), p.289-291

Cuelenaere, Eduard

2018

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I. R. Smith: The Hollywood meme: Transnational adaptations in world cinema

Communications, 2017-09, Vol.42 (3), p.387-389

Cuelenaere, Eduard

2017

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European Film Remakes

1, 2021

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Local flavors and regional markers: The Low Countries and their commercially driven and proximity-focused film remake practice

Communications, 2019-09, Vol.44 (3), p.262-281

2019

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Editorial: Current trends in remaking European screen cultures

Communications, 2019-09, Vol.44 (3), p.257-261

2019

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European Cinema in the Streaming Era: Policy, Platforms, and Production

2024

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Rewind, recycle, revive! An investigation into nostalgia-driven sequel and requel practices in small European film industries: The case of Flanders

NECSUS, 2023-01, Vol.12 (2), p.127-149

2023

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Sensible Use(rs) and the Construction of Self-Identity in Research Interviews: A Qualitative Exploration of how Middle-Aged and Older Adults Search for and Use Online Health Information

European journal of health communication, 2021-09, Vol.2 (2), p.44-65

2021

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Sensible Use(rs) and the Construction of Self-Identity in Research Interviews

European journal of health communication, 2021-09, Vol.2 (2)

2021

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Drie keer hetzelfde, maar anders: Een vergelijkende filmanalyse van de Belgische, Nederlandse en Amerikaanse Loft

Tijdschrift voor communicatiewetenschap, 2018, Vol.46 (4)

2018

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Changing love in ‘Scener ur ett Äktenskap’ (Ingmar Bergman, 1973)

Tijdschrift voor skandinavistiek, 2017, Vol.35 (1), p.71

2017

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Intercultural Screen Adaptation: British and Global Case Studies

2020

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The Film Remake as Prism: Towards a Model of Systematic Textual Analysis

European Film Remakes, 2022, p.17-32

Cuelenaere, Eduard

2022

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A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake

Intercultural Screen Adaptation, 2022, p.222-240

Cuelenaere, Eduard

2022

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Precarity in European Film: Depictions and Discourses, Edited by Elisa Cuter, Guido Kirsten, and Hanna Prenzel, Berlin: De Gruyter, 2022, pp. 374

Cinéma & Cie, 2024-04, Vol.23 (41), p.185-187

Cuelenaere, Eduard

2024

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The Film Remake as Prism: Towards a Model of Systematic Textual Analysis

European Film Remakes, 2021, p.19

2021

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From Undercover to Ferry: SVOD Franchise Development in Small European Audiovisual Markets

European Cinema in the Streaming Era, 2024, p.259-280

2024

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A ‘DOUBLE TAKE’ ON THE NATION(AL) IN THE DUTCH-FLEMISH MONOLINGUAL FILM REMAKE

Intercultural Screen Adaptation, 2020, p.222

2020

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How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema

Originality versus proximity: An explorative study of audience reactions to monolingual film remakes

Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender

European Film Remakes

Towards an Integrative Methodological Approach of Film Remake Studies

The Remake Industry: The Practice of Remaking Films from the Perspective of Industrial Actors

Meir, C. (2019). Mass producing European cinema: Studiocanal and its works. New York, London: Bloomsbury Academic. 272 pp

Smith, I. R., & Verevis, C. (Eds.): Transnational film remakes

I. R. Smith: The Hollywood meme: Transnational adaptations in world cinema

European Film Remakes

Local flavors and regional markers: The Low Countries and their commercially driven and proximity-focused film remake practice

Editorial: Current trends in remaking European screen cultures

European Cinema in the Streaming Era: Policy, Platforms, and Production

Rewind, recycle, revive! An investigation into nostalgia-driven sequel and requel practices in small European film industries: The case of Flanders

Sensible Use(rs) and the Construction of Self-Identity in Research Interviews: A Qualitative Exploration of how Middle-Aged and Older Adults Search for and Use Online Health Information

Sensible Use(rs) and the Construction of Self-Identity in Research Interviews

Drie keer hetzelfde, maar anders: Een vergelijkende filmanalyse van de Belgische, Nederlandse en Amerikaanse Loft

Changing love in ‘Scener ur ett Äktenskap’ (Ingmar Bergman, 1973)

Intercultural Screen Adaptation: British and Global Case Studies

The Film Remake as Prism: Towards a Model of Systematic Textual Analysis

A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake

Precarity in European Film: Depictions and Discourses, Edited by Elisa Cuter, Guido Kirsten, and Hanna Prenzel, Berlin: De Gruyter, 2022, pp. 374

The Film Remake as Prism: Towards a Model of Systematic Textual Analysis

From Undercover to Ferry: SVOD Franchise Development in Small European Audiovisual Markets

A ‘DOUBLE TAKE’ ON THE NATION(AL) IN THE DUTCH-FLEMISH MONOLINGUAL FILM REMAKE

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