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A sea of islands, a sea of crime: island crime fiction in the Aegean Sea

Island studies journal, 2019-05, Vol.14 (1), p.175-186

Crane, Ralph

2019

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The genre of islands: Popular fiction and performative geographies

Island studies journal, 2016-11, Vol.11 (2), p.637-650

2016

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Reading the Club as Colonial Island in E.M. Forster’s A Passage to India and George Orwell’s Burmese Days

Island studies journal, 2011-05, Vol.6 (1), p.17-28

Crane, Ralph

2011

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Three Tales for Emmie: Joan Wise’s Forgotten Tasmanian Triptych

Antipodes (Brooklyn, New York, N.Y.), 2016-06, Vol.30 (1), p.103-115

2016

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A Sea of Islands, a Sea of Crime: Island Crime Fiction in the Aegean Sea

Island studies journal, 2019-05, Vol.14 (1)

Ralph Crane

2019

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The Teaching of English in Tasmania: Building Links between Senior Secondary and Tertiary Teachers

English in Australia, 2016-01, Vol.51 (1), p.25

2016

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Shipwreck and island motifs in literature and the arts

Island Studies Journal, 2016-11, Vol.11 (2), p.744-746

Crane, Ralph

2016

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Critics and Crucibles: An Australian Novel in Anglo-Indian Clothing, Hugh Atkinson's "The Pink and the Brown"

Antipodes (Brooklyn, New York, N.Y.), 2007-12, Vol.21 (2), p.103-109

Crane, Ralph J.

2007

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Inspiration and Spectacle: The Case of Fingal's Cave in Nineteenth-Century Art and Literature

Interdisciplinary studies in literature and environment, 2015-12, Vol.22 (4), p.778-800

2015

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The genre of islands: popular fiction and performance geographies

Island studies journal, 2016-11, Vol.11 (2), p.637-650

2016

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After Beckett: The Influence of Samuel Beckett on the Fiction of J. G. Farrell

New hibernia review, 2005-04, Vol.9 (1), p.109-116

Crane, Ralph J.

2005

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Reading the Club as Colonial Island in E.M. Forster’s a Passage to India and George Orwell’s Burmese Days

Island studies journal, 2011-04, Vol.6 (2)

Ralph Crane

2011

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Picturing the Empire in India: Illustrating Henty

English literature in transition, 1880-1920, 2012-01, Vol.55 (2), p.155-175

2012

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Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet

Journal of Commonwealth literature, 2004-03, Vol.39 (1), p.19-28

Crane, Ralph J.

2004

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Gender/ Mutiny in Edwardian Fiction: Charles Pearce's Fiction of 1857

Gender forum, 2013-01 (43), p.N_A

2013

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Contesting the can(n)on: Revisiting Kim in I. Allan Sealy's The Trotter-Nama

Journal of postcolonial writing, 2008-06, Vol.44 (2), p.151-158

Crane, Ralph

2008

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PICTURING THE INDIAN TIGER: IMPERIAL ICONOGRAPHY IN THE NINETEENTH CENTURY

Victorian literature and culture, 2014-09, Vol.42 (3), p.369-386

2014

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Duelling with the crown: On literature and language in Shashi Tharoor's the great indian novel

Wasafiri, 2001-03, Vol.16 (33), p.58-61

Crane, Ralph J

2001

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'J. G. Farrell, an Australian': or, the trope of Australia in the fiction of J. G. Farrell

Journal of Commonwealth literature, 1999-06, Vol.34 (2), p.47-59

Crane, Ralph J.

1999

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"J.G. Farrell, an Australian": or, The Trope of Australia in the Fiction of J.G. Farrell

Journal of Commonwealth literature, 1999-01, Vol.34 (2), p.47

Crane, Ralph J

1999

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Teaching Space, Place, and Literature

1st edition., 2018

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Caves as Anti-Places: Robert Penn Warren’s The Cave and Cormac McCarthy’s Child of God

Spatial Literary Studies, 2021, p.149-163

1, 2021

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Letters of Sir William Jones in the Dunedin Public Library

Notes and queries, 1992-03, Vol.39 (1), p.66-67

Crane, Ralph J.

1992

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Playing the white man: Ronald Merrick, whiteness, and erotic triangles in Paul Scott's \+i\Raj Quartet.\-i

Journal of Commonwealth literature, 2004-01, Vol.39 (1), p.19-28

Crane, Ralph J.

2004

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Tickling History: Maurice Shadbolt and the New Zealand Wars

Journal of New Zealand literature, 1991-01, Vol.9 (9), p.59-70

Crane, Ralph J.

1991

Volltextzugriff (PDF)

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A sea of islands, a sea of crime: island crime fiction in the Aegean Sea

The genre of islands: Popular fiction and performative geographies

Reading the Club as Colonial Island in E.M. Forster’s A Passage to India and George Orwell’s Burmese Days

Three Tales for Emmie: Joan Wise’s Forgotten Tasmanian Triptych

A Sea of Islands, a Sea of Crime: Island Crime Fiction in the Aegean Sea

The Teaching of English in Tasmania: Building Links between Senior Secondary and Tertiary Teachers

Shipwreck and island motifs in literature and the arts

Critics and Crucibles: An Australian Novel in Anglo-Indian Clothing, Hugh Atkinson's "The Pink and the Brown"

Inspiration and Spectacle: The Case of Fingal's Cave in Nineteenth-Century Art and Literature

The genre of islands: popular fiction and performance geographies

After Beckett: The Influence of Samuel Beckett on the Fiction of J. G. Farrell

Reading the Club as Colonial Island in E.M. Forster’s a Passage to India and George Orwell’s Burmese Days

Picturing the Empire in India: Illustrating Henty

Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet

Gender/ Mutiny in Edwardian Fiction: Charles Pearce's Fiction of 1857

Contesting the can(n)on: Revisiting Kim in I. Allan Sealy's The Trotter-Nama

PICTURING THE INDIAN TIGER: IMPERIAL ICONOGRAPHY IN THE NINETEENTH CENTURY

Duelling with the crown: On literature and language in Shashi Tharoor's the great indian novel

'J. G. Farrell, an Australian': or, the trope of Australia in the fiction of J. G. Farrell

"J.G. Farrell, an Australian": or, The Trope of Australia in the Fiction of J.G. Farrell

Teaching Space, Place, and Literature

Caves as Anti-Places: Robert Penn Warren’s The Cave and Cormac McCarthy’s Child of God

Letters of Sir William Jones in the Dunedin Public Library

Playing the white man: Ronald Merrick, whiteness, and erotic triangles in Paul Scott's \+i\Raj Quartet.\-i

Tickling History: Maurice Shadbolt and the New Zealand Wars

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