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Eurasia without Borders: The Dream of a Leftist Literary Commons, 1919–1943

Clark, Katerina

1, 2021

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Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

Cross-Currents, 2018, 0(28), , pp.27-47

Katerina Clark

2018

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Shostakovich's Turn to the String Quartet and the Debates about Socialist Realism in Music

Slavic review, 2013, Vol.72 (3), p.573-589

Clark, Katerina

2013

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Xiao San, Intermediary between Soviet Literature and Leftist Chinese Literature

The Russian review (Stanford), 2023-07, Vol.82 (3), p.419-432

Clark, Katerina

2023

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The Soviet Project of the 1930s to Found a “World Literature” and British Literary Internationalism

Modern language quarterly (Seattle), 2019-12, Vol.80 (4), p.403-425

Clark, Katerina

2019

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Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941

Clark, Katerina

1, 2011

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Russians Abroad : Literary and Cultural Politics of Diaspora (1919-1939)

1, 2013

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Rosa Luxemburg, “The Russian Revolution”

Studies in East European thought, 2018-09, Vol.70 (2/3), p.153-165

Clark, Katerina

2018

Volltextzugriff (PDF)

Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

Cross-currents (Honolulu, Hawaii), 2018-11, Vol.7 (2), p.423-448

Clark, Katerina

2018

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The Representation of the African American as Colonial Oppressed in Texts of the Soviet Interwar Years

The Russian review (Stanford), 2016-07, Vol.75 (3), p.368-385

CLARK, KATERINA

2016

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Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

Cross-currents (Honolulu, Hawaii), 2018-09, p.27-47

Katerina Clark

2018

Volltextzugriff (PDF)

European and Russian Cultural Interactions with Turkey 1910s-1930s

Comparative studies of South Asia, Africa, and the Middle East, 2013-01, Vol.33 (2), p.201-213

Clark, Katerina

2013

Volltextzugriff (PDF)

Sergei Eisenstein's Ivan the Terrible and the Renaissance: An Example of Stalinist Cosmopolitanism?

Slavic review, 2012-04, Vol.71 (1), p.49-69

Clark, Katerina

2012

Volltextzugriff (PDF)

Sergei Eisenstein’sIvan the Terribleand the Renaissance: An Example of Stalinist Cosmopolitanism?

Slavic review, 2012-04, Vol.71 (1), p.49-69

Katerina Clark

2012

Volltextzugriff (PDF)

Moscow, the Fourth Rome

Katerina Clark

2011

Volltextzugriff (PDF)

The thaw: Soviet society and culture during the 1950s and 1960s

The thaw, 2013

1, 2013

Volltextzugriff (PDF)

Translation in Russian Contexts: Culture, Politics, Identity

2017

Volltextzugriff (PDF)

Wait for Me and I Shall Return: The Early Thaw as a Reprise of Late Thirties Culture?

The Thaw, 2013, p.85

2013

Volltextzugriff (PDF)

Germanophone Contributions to Stalinist Literary Theory: The Case of Georgy Lukacs and Michail Lifšic, and Their Roles in Literaturnyj kritik and IFLI

Russian literature, 2008-02, Vol.63 (2), p.513-532

Clark, Katerina

2008

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Introduction: The Cultural Turn

Moscow, the Fourth Rome, 2011, p.1-41

Clark, Katerina

2011

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The Traveling Mode and the Horizon of Identity

Moscow, the Fourth Rome, 2011, p.136-168

Clark, Katerina

2011

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The Return of the Aesthetic

Moscow, the Fourth Rome, 2011, p.105-135

Clark, Katerina

2011

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The Imperial Sublime

Moscow, the Fourth Rome, 2011, p.276-306

Clark, Katerina

2011

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Love and Death in the Time of the Spanish Civil War (1936–1939)

Moscow, the Fourth Rome, 2011, p.242-275

Clark, Katerina

2011

Volltextzugriff (PDF)

Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936–1938)

Moscow, the Fourth Rome, 2011, p.210-241

Clark, Katerina

2011

Volltextzugriff (PDF)

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Eurasia without Borders: The Dream of a Leftist Literary Commons, 1919–1943

Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

Shostakovich's Turn to the String Quartet and the Debates about Socialist Realism in Music

Xiao San, Intermediary between Soviet Literature and Leftist Chinese Literature

The Soviet Project of the 1930s to Found a “World Literature” and British Literary Internationalism

Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941

Russians Abroad : Literary and Cultural Politics of Diaspora (1919-1939)

Rosa Luxemburg, “The Russian Revolution”

Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

The Representation of the African American as Colonial Oppressed in Texts of the Soviet Interwar Years

Boris Pilniak and Sergei Tretiakov as Soviet Envoys to China and Japan and Forgers of New, Post-Imperial Narratives (1924–1926)

European and Russian Cultural Interactions with Turkey 1910s-1930s

Sergei Eisenstein's Ivan the Terrible and the Renaissance: An Example of Stalinist Cosmopolitanism?

Sergei Eisenstein’sIvan the Terribleand the Renaissance: An Example of Stalinist Cosmopolitanism?

Moscow, the Fourth Rome

The thaw: Soviet society and culture during the 1950s and 1960s

Translation in Russian Contexts: Culture, Politics, Identity

Wait for Me and I Shall Return: The Early Thaw as a Reprise of Late Thirties Culture?

Germanophone Contributions to Stalinist Literary Theory: The Case of Georgy Lukacs and Michail Lifšic, and Their Roles in Literaturnyj kritik and IFLI

Introduction: The Cultural Turn

The Traveling Mode and the Horizon of Identity

The Return of the Aesthetic

The Imperial Sublime

Love and Death in the Time of the Spanish Civil War (1936–1939)

Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936–1938)

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