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The Cambridge Companion to Haydn

Clark, Caryl

2005

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The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century by Nicholas Mathew (review)

Eighteenth - Century Studies, 2023-09, Vol.57 (1), p.132-134

Clark, Caryl

2023

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My Life's Travels and Adventures: An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland by Regina Salomea Pilsztynowa (review)

Eighteenth - Century Studies, 2023-10, Vol.57 (1), p.130-132

O'Quinn, Daniel

2023

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Representations of Jews in the Musical Theater of the Habsburg Empire (1788‐1807). By DAVID J.BUCH. Edited by EDWINSEROUSSI. Yuval Music Series 9. Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem. 2012. 138 p. [No price] (hb). ISBN 978‐965‐92000‐0‐9

Journal for eighteenth-century studies, 2013-12, Vol.36 (4), p.604-605

CLARK, CARYL

2013

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STEPHEN RUMPH MOZART AND ENLIGHTENMENT SEMIOTICSBerkeley: University of California Press, 2012 pp. xvi+265, isbn 978 0 520 26086 3

Eighteenth-century music, 2013-03, Vol.10 (1), p.131-134

CLARK, CARYL

2013

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Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times

University of Toronto quarterly, 2006-06, Vol.75 (3), p.815-820

2006

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Haydn's Judaizing of the Apothecary

Studia musicologica, 2010-03, Vol.51 (1/2), p.41-60

Clark, Caryl

2010

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Haydn's Conversion Masses

The Journal of musicological research, 2009-04, Vol.28 (2-3), p.189-211

Clark, Caryl

2009

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Editors’ Introduction: Hearing Riel

University of Toronto quarterly, 2018-10, Vol.87 (4), p.1-9

2018

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Review: Empress Marie Therese and Music at the Viennese Court, 1792–1807 by John A. Rice; The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, edited by William Weber

Journal of the American Musicological Society, 2007-08, Vol.60 (2), p.421-431

CLARK, CARYL

2007

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Interrogating "King Arthur:" A contrapuntal prologue

Restoration : studies in English literary culture, 1660-1700, 2010-04, Vol.34 (1/2), p.1-4

2010

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The Cambridge Companion to Eighteenth-Century Opera

2009

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Operatics: The Interdisciplinary Workings of Opera: Introduction

University of Toronto quarterly, 2012-10, Vol.81 (4), p.797-804

2012

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Introduction

University of Toronto quarterly, 2012, Vol.81 (4), p.797-804

2012

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Seizing the Menotti Moment: Opera meets McLuhan meets Millennials

College music symposium, 2016-01, Vol.56

2016

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Haydn, Joseph (31 March)

The Oxford Companion to Music, 2011

Caryl Clark

1 rev., 2011

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Joseph Haydn's Judaizing of the Apothecary-Take 21

Opera in a Multicultural World, 2016, p.99-121

1, 2016

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Introduction: Sorcerers and Sorceresses

University of Toronto quarterly, 2003-10, Vol.72 (4), p.827-831

Clark, Caryl

2003

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Fabricating magic: costuming Salieri's Armida

Early music, 2003-08, Vol.XXXI (3), p.451-462

2003

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Forging Identity: Beethoven's "Ode" as European Anthem

Critical inquiry, 1997-07, Vol.23 (4), p.789-807

Clark, Caryl

1997

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Mozart in Revolt: Strategies of Resistance, Mischief and Deception by David Schroeder (review)

University of Toronto quarterly, 2000, Vol.70 (1), p.388-389

Clark, Caryl

2000

Volltextzugriff (PDF)

Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times

University of Toronto quarterly, 2006-07, Vol.75 (3), p.815-820

2006

Volltextzugriff (PDF)

Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa

The Musical quarterly, 2004, Vol.87 (1), p.140-175

Clark, Caryl

2004

Volltextzugriff (PDF)

Haydn, (Johann) Michael (14 Sept. 1737)

The Oxford Companion to Music, 2011

1 rev., 2011

Volltextzugriff (PDF)

Esterházy

The Oxford Companion to Music, 2011

1 rev., 2011

Volltextzugriff (PDF)

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The Cambridge Companion to Haydn

The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century by Nicholas Mathew (review)

My Life's Travels and Adventures: An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland by Regina Salomea Pilsztynowa (review)

Representations of Jews in the Musical Theater of the Habsburg Empire (1788‐1807). By DAVID J.BUCH. Edited by EDWINSEROUSSI. Yuval Music Series 9. Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem. 2012. 138 p. [No price] (hb). ISBN 978‐965‐92000‐0‐9

STEPHEN RUMPH MOZART AND ENLIGHTENMENT SEMIOTICSBerkeley: University of California Press, 2012 pp. xvi+265, isbn 978 0 520 26086 3

Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times

Haydn's Judaizing of the Apothecary

Haydn's Conversion Masses

Editors’ Introduction: Hearing Riel

Review: Empress Marie Therese and Music at the Viennese Court, 1792–1807 by John A. Rice; The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, edited by William Weber

Interrogating "King Arthur:" A contrapuntal prologue

The Cambridge Companion to Eighteenth-Century Opera

Operatics: The Interdisciplinary Workings of Opera: Introduction

Introduction

Seizing the Menotti Moment: Opera meets McLuhan meets Millennials

Haydn, Joseph (31 March)

Joseph Haydn's Judaizing of the Apothecary-Take 21

Introduction: Sorcerers and Sorceresses

Fabricating magic: costuming Salieri's Armida

Forging Identity: Beethoven's "Ode" as European Anthem

Mozart in Revolt: Strategies of Resistance, Mischief and Deception by David Schroeder (review)

Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times

Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa

Haydn, (Johann) Michael (14 Sept. 1737)

Esterházy

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