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Landscape into Eco Art: Articulations of Nature Since the ’60s

Cheetham, Mark

1, 2018

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Landscape into Eco Art: Articulations of Nature Since the ’60s

Mark A. Cheetham

2018

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Outside In: Reflections of British Landscape in the Long Anthropocene

British art studies, 2018-12 (10)

Cheetham, Mark A.

2018

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Monumental Ephemera: British Sculpture in the Arctic, Icebergs in London, an Inuit Map

Art history, 2024-08, Vol.47 (2), p.372-397

Cheetham, Mark A

2024

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Image/text/cliché/insight: analogical practices in the global art world

Word & image (London. 1985), 2023-07, Vol.39 (3), p.283-290

2023

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Millais’ Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

British art studies, 2021-02 (19)

Cheetham, Mark A.

2021

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Editing the image: strategies in the production and reception of the visual : including papers given at the thirty-ninth annual Conference on Editorial Problems, University of Toronto, 7-8 November 2003

Editing the image, 2008

2008

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Squaring Circles: The Regional and the “Foreign” in the Art of Jack Chambers

RACAR, 2013-03, Vol.38 (1), p.55-64

Cheetham, Mark A.

2013

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The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic

Leonardo (Oxford), 2010-01, Vol.43 (3), p.250-235

Cheetham, Mark A.

2010

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Editing the Image: Strategies in the Production and Reception of the Visual

1, 2008

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Millais's Metapicture:The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

British art studies, 2021-02 (19)

Cheetham, Mark A

2021

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Theory reception: Panofsky, Kant, and disciplinary cosmopolitanism

Journal of art historiography, 2009-12, Vol.1 (1), p.1-13

Cheetham, Mark A

2009

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Remembering postmodernism : trends in Canadian art, 1970-1990

Cheetham, Mark A

2012

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Matting the Monochrome: Malevich, Klein, and Now

Art journal (New York. 1960), 2005-12, Vol.64 (4), p.94-109

Cheetham, Mark A.

2005

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Review : re-politicizing early twentieth-century modernism in Paris

Art history, 2014-06, Vol.37 (3), p.586-589

Cheetham, Mark A

2014

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Power Performance Characteristics in Male versus Female Sport Climbers: A Lab Based Study Using an SRM Power Meter

Journal of exercise physiology online, 2018-10, Vol.21 (5), p.150

2018

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Squaring Circles: The Regional and the "Foreign" in the Art of Jack Chambers

RACAR, 2013-01, Vol.38 (1), p.55-64

Cheetham, Mark A.

2013

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Tongues of glaciers: sedimenting language in Roni Horn's Vatnasafn/Library of Water and Anne Carson's "Wildly Constant"

Word & image (London. 1985), 2015-01, Vol.31 (1), p.19-27

2015

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Visual Studies, Historiography and Aesthetics

Journal of visual culture, 2005-04, Vol.4 (1), p.75-90

2005

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Tongues of glaciers: sedimenting language in Roni Horn's Vatnasafn/Library

Word & image (London. 1985), 2015-01, Vol.31 (1), p.19-27

2015

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Kant and Cubism revisited

Word & image (London. 1985), 2001-07, Vol.17 (3), p.293-298

Cheetham, Mark A.

2001

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Obscure imaginings: visual culture and the anatomy of caves

Journal of visual culture, 2002-04, Vol.1 (1), p.105-126

2002

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Artistic Visions of the Anthropocene North: Climate Change and Nature in Art

1st, 2018

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Recent Rhetorics of Purity in the Visual Arts. Infection, Dissemination, Genealogy

Paedagogica historica, 1997-01, Vol.33 (3), p.861-880

Cheetham, Mark A.

1997

Volltextzugriff (PDF)

Analogous Histories?: Textual/Visual Constructions of the Past and Present

History and Art History, 2021, Vol.1, p.173-186

1, 2021

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Landscape into Eco Art: Articulations of Nature Since the ’60s

Landscape into Eco Art: Articulations of Nature Since the ’60s

Outside In: Reflections of British Landscape in the Long Anthropocene

Monumental Ephemera: British Sculpture in the Arctic, Icebergs in London, an Inuit Map

Image/text/cliché/insight: analogical practices in the global art world

Millais’ Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

Editing the image: strategies in the production and reception of the visual : including papers given at the thirty-ninth annual Conference on Editorial Problems, University of Toronto, 7-8 November 2003

Squaring Circles: The Regional and the “Foreign” in the Art of Jack Chambers

The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic

Editing the Image: Strategies in the Production and Reception of the Visual

Millais's Metapicture:The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

Theory reception: Panofsky, Kant, and disciplinary cosmopolitanism

Remembering postmodernism : trends in Canadian art, 1970-1990

Matting the Monochrome: Malevich, Klein, and Now

Review : re-politicizing early twentieth-century modernism in Paris

Power Performance Characteristics in Male versus Female Sport Climbers: A Lab Based Study Using an SRM Power Meter

Squaring Circles: The Regional and the "Foreign" in the Art of Jack Chambers

Tongues of glaciers: sedimenting language in Roni Horn's Vatnasafn/Library of Water and Anne Carson's "Wildly Constant"

Visual Studies, Historiography and Aesthetics

Tongues of glaciers: sedimenting language in Roni Horn's Vatnasafn/Library

Kant and Cubism revisited

Obscure imaginings: visual culture and the anatomy of caves

Artistic Visions of the Anthropocene North: Climate Change and Nature in Art

Recent Rhetorics of Purity in the Visual Arts. Infection, Dissemination, Genealogy

Analogous Histories?: Textual/Visual Constructions of the Past and Present

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