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Pat Barker’s The Silence of the Girls and the State of Exception

Études britanniques contemporaines, 2020-04, Vol.58 (58)

Lanone, Catherine

2020

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Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles

Cahiers victoriens & édouardiens, 2019-12, Vol.90 (90 Automne), p.1-11

Lanone, Catherine

2019

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Rethinking Relationality: E.M. Forster’s Commitment to Democracy

Études britanniques contemporaines, 2019-11, Vol.57 (57)

Lanone, Catherine

2019

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Victorian and Edwardian Virtual Reality: from Stoker to Forster

Cahiers victoriens & édouardiens, 2018-06, Vol.87 (87 Printemps), p.1-11

Lanone, Catherine

2018

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Ebc, the SEAC, or New Directions in English Studies

Études britanniques contemporaines, 2016-04, Vol.50 (50)

Lanone, Catherine

2016

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La traversée fantôme : Ghost Milk de Iain Sinclair

Études britanniques contemporaines, 2015-06, Vol.48 (48)

Lanone, Catherine

2015

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How fused our impressions are » : Virginia Woolf, John Keats et la couleur des mots

Interfaces (Dijon. En ligne), 2015-01, Vol.36 (36), p.219-232

Lanone, Catherine

2015

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‘Only Connect’: Textual Space as Coherer in Tom McCarthy’s C

Études britanniques contemporaines, 2014-11, Vol.47 (47)

Lanone, Catherine

2014

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Of Furtive Hedgehogs and Steam Machines: An Ecofeminist Reading of Thomas Hardy

FATHOM, 2023-05 (7)

Lanone, Catherine

2023

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(Dis)figuring Rebellion: Wilfred Owen and the Legacy of Outrage

Études britanniques contemporaines, 2013-10, Vol.45 (45)

Lanone, Catherine

2013

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Virginia Woolf ou l’opacité de la transparence

Études britanniques contemporaines, 2013-09, Vol.44 (44)

Lanone, Catherine

2013

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Pukka English and the Language of the Other in E. M. Forster’s A Passage to India

Cahiers victoriens & édouardiens, 2013-01 (78 Automne)

Lanone, Catherine

2013

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“Toujours la porcelaine”: George Meredith and the Willow Pattern

Miranda, 2012-12, Vol.7 (7)

Lanone, Catherine

2012

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And in the sky, the dead and dancing sky, there are a million yesterdays » : l’horizon du passé dans City of the Mind de Penelope Lively

Études britanniques contemporaines, 2011-05, Vol.40 (40), p.53-56

Lanone, Catherine

2011

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Invitation and the Ethics of Hospitality in Howards End

Etudes anglaises, 2020-02, Vol.72 (4), p.400-415

Lanone, Catherine

2020

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Invitation and the Ethics of Hospitality in Howards End

Etudes anglaises, 2019-10, Vol.72 (4), p.400-501

Lanone, Catherine

2019

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Kairos and Mistiming: Clocks, Watches in Thomas Hardy’s Far from the Madding Crowd and Joseph Conrad’s Lord Jim

FATHOM, 2019-09

Lanone, Catherine

2019

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Kairos and Mistiming: Clocks, Watches in Thomas Hardy’s Far from the Madding Crowd and Joseph

FATHOM, 2019-09 (6)

Lanone, Catherine

2019

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The Mystery of “those icy climes” (Shelley 269): Literature, Science and Early Nineteenth-century Polar Exploration

Cahiers victoriens & édouardiens, 2010-04, Vol.71 (71 Printemps), p.201-210

Lanone, Catherine

2010

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Recent British Literature: Concluding panel of the 2015 SEAC conference

Études britanniques contemporaines, 2016-12, Vol.51 (51)

2016

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Invitation and the Ethics of Hospitality in E.M. Forster’s Howards End

Etudes anglaises, 2019, Vol.72, p.400-415

Lanone, Catherine

2019

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Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker

Miranda, 2010-03, Vol.1 (1)

Lanone, Catherine

2010

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Entre poésie et fiction : Tess ou l'écriture syncopée de Thomas Hardy

Cahiers victoriens & édouardiens, 2009-12, Vol.69 (69 Printemps)

Lanone, Catherine

2009

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“I have long wanted to meet you”: Elsewhere as Construct in E.M. Forster's A Passage to India

Études britanniques contemporaines, 2009-11, Vol.37 (37), p.1–14

Lanone, Catherine

2009

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Desire and Impaired Eyesight: Thomas Hardy’s Clinical Metaphors of Affect

FATHOM, 2018-04 (5)

Lanone, Catherine

2018

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Pat Barker’s The Silence of the Girls and the State of Exception

Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles

Rethinking Relationality: E.M. Forster’s Commitment to Democracy

Victorian and Edwardian Virtual Reality: from Stoker to Forster

Ebc, the SEAC, or New Directions in English Studies

La traversée fantôme : Ghost Milk de Iain Sinclair

How fused our impressions are » : Virginia Woolf, John Keats et la couleur des mots

‘Only Connect’: Textual Space as Coherer in Tom McCarthy’s C

Of Furtive Hedgehogs and Steam Machines: An Ecofeminist Reading of Thomas Hardy

(Dis)figuring Rebellion: Wilfred Owen and the Legacy of Outrage

Virginia Woolf ou l’opacité de la transparence

Pukka English and the Language of the Other in E. M. Forster’s A Passage to India

“Toujours la porcelaine”: George Meredith and the Willow Pattern

And in the sky, the dead and dancing sky, there are a million yesterdays » : l’horizon du passé dans City of the Mind de Penelope Lively

Invitation and the Ethics of Hospitality in Howards End

Invitation and the Ethics of Hospitality in Howards End

Kairos and Mistiming: Clocks, Watches in Thomas Hardy’s Far from the Madding Crowd and Joseph Conrad’s Lord Jim

Kairos and Mistiming: Clocks, Watches in Thomas Hardy’s Far from the Madding Crowd and Joseph

The Mystery of “those icy climes” (Shelley 269): Literature, Science and Early Nineteenth-century Polar Exploration

Recent British Literature: Concluding panel of the 2015 SEAC conference

Invitation and the Ethics of Hospitality in E.M. Forster’s Howards End

Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker

Entre poésie et fiction : Tess ou l'écriture syncopée de Thomas Hardy

“I have long wanted to meet you”: Elsewhere as Construct in E.M. Forster's A Passage to India

Desire and Impaired Eyesight: Thomas Hardy’s Clinical Metaphors of Affect

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