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Women in Nineteenth-Century Czech Musical Culture: Apostles of a Brighter Future

1, 2024

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Smetana Bedřich, Macbeth for Piano, ed. Jarmila Gabrielová. Bärenreiter Urtext, BA 11537 (Kassel: Bärenreiter, 2018). vi + 15 pp. €11.95

Nineteenth-Century Music Review, 2021-04, Vol.18 (1), p.173-176

Campo-Bowen, Christopher

2021

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“A Promising, Political Sound”: Epistemologies of Empire and Bedřich Smetana’s The Bartered Bride at the 1892 Vienna International Exhibition of Music and Theater

The Musical quarterly, 2019-10, Vol.102 (1), p.31-81

Campo-Bowen, Christopher

2019

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Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music

19th century music, 2016-10, Vol.40 (2), p.159-181

CAMPO-BOWEN, CHRISTOPHER

2016

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An Operatic Locarno: The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy

Cambridge opera journal, 2016-11, Vol.28 (3), p.283-312

Campo-Bowen, Christopher

2016

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Ježibaba's Ambiguities: Binaries, Power, and Queer Alterity in Antonín Dvořák's Rusalka

Women in Nineteenth-Century Czech Musical Culture, 2024, p.217-234

1, 2024

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The Australian Career of Soprano Gabriella Roubalová ("Madame Boema")

Women in Nineteenth-Century Czech Musical Culture, 2024, p.46-62

1, 2024

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Women in the Musical Culture of Viennese Czechs (Slavs) in the Nineteenth Century: Towards a Social Typology

Women in Nineteenth-Century Czech Musical Culture, 2024, p.85-101

1, 2024

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Eliška Krásnohorská and Czech Operatic Historiography: Reconciling the Paradox of Women's Authorial Voices

Women in Nineteenth-Century Czech Musical Culture, 2024, p.63-82

1, 2024

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Stephanie Wurmbrand-Stuppach and Her Piano Works

Women in Nineteenth-Century Czech Musical Culture, 2024, p.155-172

1, 2024

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"Man-Hungry Amazon" or "Treacherous Trumpeter"?: A Case Study of the Sources for and Reception of Fibich and Schulzová's Ŝárka

Women in Nineteenth-Century Czech Musical Culture, 2024, p.204-216

1, 2024

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The Three Ebert Sisters: Wilhelmine Tomaschek, Juliane Glaser, and Elisabeth Hansgirg

Women in Nineteenth-Century Czech Musical Culture, 2024, p.125-137

1, 2024

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Reminiscences of Past Sounds: The Musical Autograph Album (1813-1852) of Elise Gräfin von Schlik

Women in Nineteenth-Century Czech Musical Culture, 2024, p.138-152

1, 2024

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Sweet Street Music for Petty Alms: The Barrel-Organ Career of Anna Balcarová in the Poděbrady Region, 1889-1905

Women in Nineteenth-Century Czech Musical Culture, 2024, p.33-45

1, 2024

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Bohemian Divas and the Rise of Czech National Consciousness

Women in Nineteenth-Century Czech Musical Culture, 2024, p.17-32

1, 2024

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Singing Women and the "Woman Question" in the Czech Lands

Women in Nineteenth-Century Czech Musical Culture, 2024, p.191-203

1, 2024

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Introduction

Women in Nineteenth-Century Czech Musical Culture, 2024, p.1-13

1, 2024

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The "Disorder It Created": Women's Education at the Prague Conservatory in the Nineteenth Century

Women in Nineteenth-Century Czech Musical Culture, 2024, p.118-124

1, 2024

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"My Soul Is Filled with Songs": Josefina Brdlíková as a Song Composer

Women in Nineteenth-Century Czech Musical Culture, 2024, p.173-190

1, 2024

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Josef Hellmesberger's Female Students from Moravia and Their Presence in European Musical Life

Women in Nineteenth-Century Czech Musical Culture, 2024, p.102-117

1, 2024

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Afterword: Dvořák's Women

Women in Nineteenth-Century Czech Musical Culture, 2024, p.235-246

1, 2024

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Series

Women in Nineteenth-Century Czech Musical Culture, 2024

2024

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PART 1 Performance and Identity

Women in Nineteenth-Century Czech Musical Culture, 2024

2024

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Notes on Contributors

Women in Nineteenth-Century Czech Musical Culture, 2024

2024

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PART 3 Reception and Analysis

Women in Nineteenth-Century Czech Musical Culture, 2024

2024

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Women in Nineteenth-Century Czech Musical Culture: Apostles of a Brighter Future

Smetana Bedřich, Macbeth for Piano, ed. Jarmila Gabrielová. Bärenreiter Urtext, BA 11537 (Kassel: Bärenreiter, 2018). vi + 15 pp. €11.95

“A Promising, Political Sound”: Epistemologies of Empire and Bedřich Smetana’s The Bartered Bride at the 1892 Vienna International Exhibition of Music and Theater

Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music

An Operatic Locarno: The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy

Ježibaba's Ambiguities: Binaries, Power, and Queer Alterity in Antonín Dvořák's Rusalka

The Australian Career of Soprano Gabriella Roubalová ("Madame Boema")

Women in the Musical Culture of Viennese Czechs (Slavs) in the Nineteenth Century: Towards a Social Typology

Eliška Krásnohorská and Czech Operatic Historiography: Reconciling the Paradox of Women's Authorial Voices

Stephanie Wurmbrand-Stuppach and Her Piano Works

"Man-Hungry Amazon" or "Treacherous Trumpeter"?: A Case Study of the Sources for and Reception of Fibich and Schulzová's Ŝárka

The Three Ebert Sisters: Wilhelmine Tomaschek, Juliane Glaser, and Elisabeth Hansgirg

Reminiscences of Past Sounds: The Musical Autograph Album (1813-1852) of Elise Gräfin von Schlik

Sweet Street Music for Petty Alms: The Barrel-Organ Career of Anna Balcarová in the Poděbrady Region, 1889-1905

Bohemian Divas and the Rise of Czech National Consciousness

Singing Women and the "Woman Question" in the Czech Lands

Introduction

The "Disorder It Created": Women's Education at the Prague Conservatory in the Nineteenth Century

"My Soul Is Filled with Songs": Josefina Brdlíková as a Song Composer

Josef Hellmesberger's Female Students from Moravia and Their Presence in European Musical Life

Afterword: Dvořák's Women

Series

PART 1 Performance and Identity

Notes on Contributors

PART 3 Reception and Analysis

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