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Grünewald, Matthias

Encyclopædia Britannica Online, 2020

Craig S. Harbison

2020

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Holbein, Hans, the Younger

Encyclopædia Britannica Online, 2020

Craig S. Harbison

2020

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Iconography and Iconology

Early Netherlandish Paintings, 2019, p.378-406

2019

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Sexuality and Social Standing in Jan van Eyck's Arnolfini Double Portrait

Renaissance quarterly, 1990-07, Vol.43 (2), p.249-291

Harbison, Craig

1990

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Early Netherlandish Painting: The Thyssen-Bornemisza Collection

Renaissance Quarterly, 1990, Vol.43 (2), p.415-417

Harbison, Craig

1990

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Giotto to Dürer: Early renaissance Painting in the National Gallery. Jill Dunkerton , Susan Foister , Dillian Gordon , Nicholas Penny

Speculum, 1994-01, Vol.69 (1), p.135-138

Harbison, Craig

1994

Volltextzugriff (PDF)

The Beginnings of Netherlandish Canvas Painting: 1400-1530. Diane Wolfthal

Speculum, 1992-01, Vol.67 (1), p.239-241

Harbison, Craig

1992

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Counter-Reformation Iconography in Titian's Gloria

The Art bulletin (New York, N.Y.), 1967-09, Vol.49 (3), p.244-246

Harbison, Craig S.

1967

Volltextzugriff (PDF)

Visions and Meditations in Early Flemish Painting

Simiolus, 1985-01, Vol.15 (2), p.87-118

Harbison, Craig

1985

Volltextzugriff (PDF)

Colin Eisler. Early Netherlandish Painting: The Thyssen-Bornemisza Collection. London: Sotheby's Publications, 1989. 280 pp. 191 illus. (61 in color). $110

Renaissance quarterly, 1990, Vol.43 (2), p.415-417

Harbison, Craig

1990

Volltextzugriff (PDF)

MEANING IN VENETIAN RENAISSANCE ART: THE ISSUES OF ARTISTIC INGENUITY AND ORAL TRADITION

Art history, 1992-03, Vol.15 (1), p.19-37

Harbison, Craig

1992

Volltextzugriff (PDF)

Iconography and Iconology

Early Netherlandish Paintings, 2004, p.378

2004

Volltextzugriff (PDF)

Religious Imagination and Art-Historical Method: A Reply to Barbara Lane's "Sacred versus Profane"

Simiolus, 1989-01, Vol.19 (3), p.198-205

Harbison, Craig

1989

Volltextzugriff (PDF)

Realism and Symbolism in Early Flemish Painting

The Art bulletin (New York, N.Y.), 1984-12, Vol.66 (4), p.588-602

Harbison, Craig

1984

Volltextzugriff (PDF)

Pontormo, Baldung, and the Early Reformation

The Art bulletin (New York, N.Y.), 1984-06, Vol.66 (2), p.324-327

Harbison, Craig

1984

Volltextzugriff (PDF)

Lucas van Leyden, the Magdalen and the Problem of Secularization in early Sixteenth Century Northern Art

Oud-Holland, 1984-01, Vol.98 (3), p.117

Harbison, Craig

1984

Volltextzugriff (PDF)

Realism and Symbolism in Early Flemish Painting

The Art bulletin (New York, N.Y.), 1984-12, Vol.66 (4), p.588

Harbison, Craig

1984

Volltextzugriff (PDF)

Pontormo, Baldung, and the Early Reformation

The Art bulletin (New York, N.Y.), 1984-06, Vol.66 (2), p.324

Harbison, Craig

1984

Volltextzugriff (PDF)

Dürer and the Reformation: The Problem of the Re-Dating of the St. Philip Engraving

The Art bulletin (New York, N.Y.), 1976-09, Vol.58 (3), p.368-373

Harbison, Craig

1976

Volltextzugriff (PDF)

Dürer and the Reformation: The Problem of the Re-dating of the "St. Philip" Engraving

The Art bulletin (New York, N.Y.), 1976-09, Vol.58 (3), p.369

Harbison, Craig

1976

Volltextzugriff (PDF)

On the nature of Holbein's portraits

Word & image (London. 1985), 1987-01, Vol.3 (1), p.1-26

1987

Volltextzugriff (PDF)

A Note on Terbrugghen's 'Sleeping Mars'

Burlington magazine, 1974-01, Vol.116 (850), p.35-38

Harbison, Craig

1974

Volltextzugriff (PDF)

Response to James Marrow

Simiolus, 1986-01, Vol.16 (2/3), p.170-172

Harbison, Craig

1986

Volltextzugriff (PDF)

Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good & Painting on Light: Drawings and Stained Glass in the Age of Durer and Holbein

Renaissance Quarterly, 2001, Vol.54 (4), p.1631

Harbison, Craig

2001

Volltextzugriff (PDF)

Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good / Painting on Light: Drawings and

Renaissance Quarterly, 2001, Vol.54 (4), p.1631

Harbison, Craig

2001

Volltextzugriff (PDF)

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Grünewald, Matthias

Holbein, Hans, the Younger

Iconography and Iconology

Sexuality and Social Standing in Jan van Eyck's Arnolfini Double Portrait

Early Netherlandish Painting: The Thyssen-Bornemisza Collection

Giotto to Dürer: Early renaissance Painting in the National Gallery. Jill Dunkerton , Susan Foister , Dillian Gordon , Nicholas Penny

The Beginnings of Netherlandish Canvas Painting: 1400-1530. Diane Wolfthal

Counter-Reformation Iconography in Titian's Gloria

Visions and Meditations in Early Flemish Painting

Colin Eisler. Early Netherlandish Painting: The Thyssen-Bornemisza Collection. London: Sotheby's Publications, 1989. 280 pp. 191 illus. (61 in color). $110

MEANING IN VENETIAN RENAISSANCE ART: THE ISSUES OF ARTISTIC INGENUITY AND ORAL TRADITION

Iconography and Iconology

Religious Imagination and Art-Historical Method: A Reply to Barbara Lane's "Sacred versus Profane"

Realism and Symbolism in Early Flemish Painting

Pontormo, Baldung, and the Early Reformation

Lucas van Leyden, the Magdalen and the Problem of Secularization in early Sixteenth Century Northern Art

Realism and Symbolism in Early Flemish Painting

Pontormo, Baldung, and the Early Reformation

Dürer and the Reformation: The Problem of the Re-Dating of the St. Philip Engraving

Dürer and the Reformation: The Problem of the Re-dating of the "St. Philip" Engraving

On the nature of Holbein's portraits

A Note on Terbrugghen's 'Sleeping Mars'

Response to James Marrow

Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good & Painting on Light: Drawings and Stained Glass in the Age of Durer and Holbein

Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good / Painting on Light: Drawings and

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