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Research on the Organic Binders in Archaeological Wall Paintings

Applied sciences, 2021-10, Vol.11 (19), p.9179

Casoli, Antonella

2021

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The 20th Century Wall Paintings in the Chapel of the Fallen in Parma Cathedral (Italy): Scientific Investigations for a Correct Conservation Project

Applied sciences, 2023-06, Vol.13 (12), p.7235

2023

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The Polychromatic Inscriptions on the Relief Sculpture Deposition from the Cross by Benedetto Antelami in Parma Cathedral, Italy

Applied sciences, 2024-06, Vol.14 (11), p.4508

2024

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A Study on Correggio Wall Paintings: Characterization of Technique and Materials of Abbey Church of S. Giovanni Evangelista in Parma, Italy

Applied sciences, 2022-05, Vol.12 (10), p.4810

2022

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Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy)

Applied sciences, 2022-11, Vol.12 (21), p.11264

2022

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Hydrophobic and Photocatalytic Treatment for the Conservation of Painted Lecce stone in Outdoor Conditions: A New Cleaning Approach

Applied sciences, 2024-02, Vol.14 (3), p.1261

2024

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A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System

Heritage, 2022-12, Vol.5 (4), p.2904-2921

2022

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Giovanni Santi’s Late 15th-Century Paintings: Microscopic, Spectroscopic and Chromatographic Investigations on Pigments, Powdered Glass and Binding Media

Applied sciences, 2023-09, Vol.13 (17), p.9739

2023

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Organic Matter and Pigments in the Wall Paintings of Me-Taw-Ya Temple in Bagan Valley, Myanmar

Applied sciences, 2021-12, Vol.11 (23), p.11441

2021

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Enzymes as tools for conservation of works of art

Journal of cultural heritage, 2021-07, Vol.50, p.73-87

2021

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Evidence for a Genetic Discontinuity between Neandertals and 24,000-Year-Old Anatomically Modern Europeans

Proceedings of the National Academy of Sciences - PNAS, 2003-05, Vol.100 (11), p.6593-6597

2003

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Population dynamic of the extinct European aurochs: genetic evidence of a north-south differentiation pattern and no evidence of post-glacial expansion

BMC evolutionary biology, 2010-03, Vol.10 (1), p.83, Article 83

2010

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A 28,000 years old Cro-Magnon mtDNA sequence differs from all potentially contaminating modern sequences

PloS one, 2008-07, Vol.3 (7), p.e2700-e2700

2008

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MATERIALS AND PAINT TECHNIQUE OF A SPECIAL MASTERPIECE: JACOPO TINTORETTO'S THE WEDDING FEAST AT CANA IN VENICE

International journal of conservation science, 2020-01, Vol.11 (1), p.3-14

2020

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An analytical study on an early twentieth-century Italian photographs collection by means of microscopic and spectroscopic techniques

Microchemical journal, 2014-09, Vol.116, p.24-30

2014

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The painting technique of Konrad Witz: An example of experimentation with innovative materials in 15th century

Microchemical journal, 2023-02, Vol.185, p.108236, Article 108236

2023

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Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite)

Journal of Raman spectroscopy, 2020-04, Vol.51 (4), p.680-692

2020

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Organic materials in the wall paintings in Pompei: a case study of Insula del Centenario

BMC chemistry, 2012-09, Vol.6

2012

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An analytical study to verify the suitability of free and gelled siloxanes for the treatment of modern oil paintings

Journal of cultural heritage, 2023-07, Vol.62, p.363-375

2023

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Hydrophobic and Photocatalytic Treatment for the Conservation of Painted ILecce stone/I in Outdoor Conditions: A New Cleaning Approach

Applied sciences, 2024-02, Vol.14 (3)

2024

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Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO 2 (plattnerite) and α‐PbO 2 (scrutinyite)

Journal of Raman spectroscopy, 2020-04, Vol.51 (4), p.680-692

2020

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Unveiled materials and techniques in wall paintings hidden for centuries in the church of San Francesco del Prato (Parma, Italy)

European physical journal plus, 2023-01, Vol.138 (1), p.98, Article 98

2023

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Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues

Environmental science and pollution research international, 2014-12, Vol.21 (23), p.13252-13263

2014

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Combination of a Solvent-dispensing and Micro-aspiration Device for Removal of Varnishes on Painted Surfaces

Studies in conservation, 2022-07, Vol.67 (5), p.263-270

2022

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Evaluation of the effect of cleaning on the morphological properties of ancient paper surface

Cellulose (London), 2013-08, Vol.20 (4), p.2027-2043

2013

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Research on the Organic Binders in Archaeological Wall Paintings

The 20th Century Wall Paintings in the Chapel of the Fallen in Parma Cathedral (Italy): Scientific Investigations for a Correct Conservation Project

The Polychromatic Inscriptions on the Relief Sculpture Deposition from the Cross by Benedetto Antelami in Parma Cathedral, Italy

A Study on Correggio Wall Paintings: Characterization of Technique and Materials of Abbey Church of S. Giovanni Evangelista in Parma, Italy

Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy)

Hydrophobic and Photocatalytic Treatment for the Conservation of Painted Lecce stone in Outdoor Conditions: A New Cleaning Approach

A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System

Giovanni Santi’s Late 15th-Century Paintings: Microscopic, Spectroscopic and Chromatographic Investigations on Pigments, Powdered Glass and Binding Media

Organic Matter and Pigments in the Wall Paintings of Me-Taw-Ya Temple in Bagan Valley, Myanmar

Enzymes as tools for conservation of works of art

Evidence for a Genetic Discontinuity between Neandertals and 24,000-Year-Old Anatomically Modern Europeans

Population dynamic of the extinct European aurochs: genetic evidence of a north-south differentiation pattern and no evidence of post-glacial expansion

A 28,000 years old Cro-Magnon mtDNA sequence differs from all potentially contaminating modern sequences

MATERIALS AND PAINT TECHNIQUE OF A SPECIAL MASTERPIECE: JACOPO TINTORETTO'S THE WEDDING FEAST AT CANA IN VENICE

An analytical study on an early twentieth-century Italian photographs collection by means of microscopic and spectroscopic techniques

The painting technique of Konrad Witz: An example of experimentation with innovative materials in 15th century

Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite)

Organic materials in the wall paintings in Pompei: a case study of Insula del Centenario

An analytical study to verify the suitability of free and gelled siloxanes for the treatment of modern oil paintings

Hydrophobic and Photocatalytic Treatment for the Conservation of Painted ILecce stone/I in Outdoor Conditions: A New Cleaning Approach

Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO 2 (plattnerite) and α‐PbO 2 (scrutinyite)

Unveiled materials and techniques in wall paintings hidden for centuries in the church of San Francesco del Prato (Parma, Italy)

Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues

Combination of a Solvent-dispensing and Micro-aspiration Device for Removal of Varnishes on Painted Surfaces

Evaluation of the effect of cleaning on the morphological properties of ancient paper surface

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