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Everyday digital traces

Big data & society, 2023-07, Vol.10 (2)

2023

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Léon Bonvin's Landscapes with Figures, Japanese Prints, and the French Etching Revival

The Journal of the Walters Art Museum, 2023-01, Vol.76, p.1

Briggs, Jo

2023

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PRE-RAPHAELITE HAIR RELICS AND THE MATERIAL CULTURE OF MEMORY

The Journal of pre-Raphaelite studies (1992), 2022-04, Vol.31, p.23

Briggs, Jo

2022

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A Paris Life, A Baltimore Treasure: The Remarkable Lives of George A. Lucas and His Art Collection by Stanley Mazaroff

Nineteenth-century art worldwide, 2018-10, Vol.17 (2)

Briggs, Jo

2018

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Landscape with Flowers: Léon Bonvin’s Watercolors and Sèvres Porcelain

Master drawings, 2017, Vol.55 (2), p.195-198

Briggs, Jo

2017

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Condemned to Sparkle: The Reception, Presentation, and Production of Léon Bonvin's Floral Still Lifes

Oxford art journal, 2015-06, Vol.38 (2), p.247-262

Briggs, Jo

2015

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Trust and temporality in participatory research

Qualitative research : QR, 2023-08, Vol.23 (4), p.1000-1021

2023

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T-Shifting Identities and Practices: Interaction Designers in the Fourth Industrial Age

International journal of design, 2020-12, Vol.14 (3), p.85

2020

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Socio-materiality of trust: co-design with a resource limited community organisation

CoDesign, 2021-07, Vol.17 (3), p.258-277

2021

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In participatory budgeting we trust? Fairness, tactics and (in)accessibility in participatory governance

Local government studies, 2019-11, Vol.45 (6), p.1001-1020

2019

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Picturing Reform in Victorian Britain by Janice Carlisle (review)

Victorian studies, 2014, Vol.56 (4), p.699-700

Briggs, Jo

2014

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Recollection and Relocation in Gründerzeit Munich: Collective Memory and the Genre Paintings of Franz von Defregger

Art history, 2012-02, Vol.35 (1), p.106-125

Briggs, Jo

2012

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Investigating situated cultural practices through cross-sectoral digital collaborations: processes, policies, insights

Digital creativity (Exeter), 2012-06, Vol.23 (2), p.98-112

Briggs, Jo

2012

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Creative Toolkits for TIPS

Computer Security, p.39-55

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Revealing Cumulative Risks in Online Personal Information: A Data Narrative Study

Proceedings of the ACM on human-computer interaction, 2022-11, Vol.6 (CSCW2), p.1-25, Article 323

2022

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TAPESTRY: A De-Centralized Service for Trusted Interaction Online

IEEE transactions on services computing, 2022-05, Vol.15 (3), p.1385-1398

2022

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Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851

Victorian studies, 2013, Vol.55 (2), p.253-266

Briggs, Jo

2013

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"The old feelings of men in a new garment": John Everett Millais's 'A Huguenot' and masculine audiences in the mid-nineteenth century

Nineteenth-century art worldwide, 2012-06, Vol.11 (2), p.np-np

Briggs, Jo

2012

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"The old feelings of men in a new garment" : John Everett Millais's "A Huguenot" and masculine audiences in the mid-19th century

Nineteenth-century art worldwide, 2012-01, Vol.11 (3)

Briggs, Jo

2012

Volltextzugriff (PDF)

The making of a pre-Rephaelite icon : G. C. Williamson and Walters 38.419

The Journal of the Walters Art Museum, 2012-01, Vol.70-71, p.79-88

Briggs, Jo

2012

Volltextzugriff (PDF)

Gavarni at the Casino: Reflections of Class and Gender in the Visual Culture of 1848

Victorian studies, 2011-06, Vol.53 (4), p.639-664

Briggs, Jo

2011

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'A Martin Luther in Painting': Sir David Wilkie's Unfinished Christ before Pilate

Visual culture in Britain, 2011-02, Vol.12 (1), p.33-56

Briggs, Jo

2011

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Making Sense of Blockchain Applications: A Typology for HCI

Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018, p.1-14

2018

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THE MAKING OF A PRE-RAPHAELITE ICON: G.C. WILLIAMSON AND WALTERS 38.419

The Journal of the Walters Art Museum, 2012-01, Vol.70/71, p.79-88

BRIGGS, JO

2012

Volltextzugriff (PDF)

Projection Mapping in the City: Co-creating Public Digital Installations for Climate Awareness with Animation and Interaction Design Undergraduates

Proceedings of the 5th Annual Symposium on HCI Education, 2023, p.91-95

2023

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Everyday digital traces

Léon Bonvin's Landscapes with Figures, Japanese Prints, and the French Etching Revival

PRE-RAPHAELITE HAIR RELICS AND THE MATERIAL CULTURE OF MEMORY

A Paris Life, A Baltimore Treasure: The Remarkable Lives of George A. Lucas and His Art Collection by Stanley Mazaroff

Landscape with Flowers: Léon Bonvin’s Watercolors and Sèvres Porcelain

Condemned to Sparkle: The Reception, Presentation, and Production of Léon Bonvin's Floral Still Lifes

Trust and temporality in participatory research

T-Shifting Identities and Practices: Interaction Designers in the Fourth Industrial Age

Socio-materiality of trust: co-design with a resource limited community organisation

In participatory budgeting we trust? Fairness, tactics and (in)accessibility in participatory governance

Picturing Reform in Victorian Britain by Janice Carlisle (review)

Recollection and Relocation in Gründerzeit Munich: Collective Memory and the Genre Paintings of Franz von Defregger

Investigating situated cultural practices through cross-sectoral digital collaborations: processes, policies, insights

Creative Toolkits for TIPS

Revealing Cumulative Risks in Online Personal Information: A Data Narrative Study

TAPESTRY: A De-Centralized Service for Trusted Interaction Online

Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851

"The old feelings of men in a new garment": John Everett Millais's 'A Huguenot' and masculine audiences in the mid-nineteenth century

"The old feelings of men in a new garment" : John Everett Millais's "A Huguenot" and masculine audiences in the mid-19th century

The making of a pre-Rephaelite icon : G. C. Williamson and Walters 38.419

Gavarni at the Casino: Reflections of Class and Gender in the Visual Culture of 1848

'A Martin Luther in Painting': Sir David Wilkie's Unfinished Christ before Pilate

Making Sense of Blockchain Applications: A Typology for HCI

THE MAKING OF A PRE-RAPHAELITE ICON: G.C. WILLIAMSON AND WALTERS 38.419

Projection Mapping in the City: Co-creating Public Digital Installations for Climate Awareness with Animation and Interaction Design Undergraduates

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