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John Cage's Cartridge Music (1960): 'A Galaxy Reconfigured'

Contemporary music review, 2014-11, Vol.33 (5-6), p.556-569

Bernstein, David W.

2014

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'Listening to the Sounds of the People': Frederic Rzewski and Musica Elettronica Viva (1966-1972)

Contemporary music review, 2010-12, Vol.29 (6), p.535-550

Bernstein, David W.

2010

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Cage (Re)Considered

Contemporary music review, 2014-11, Vol.33 (5-6), p.449-450

Bernstein, David W.

2014

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John Cage's Cartridge Music (1960): 'A Galaxy Reconfiqured'

Contemporary music review, 2014-10, Vol.33 (5-6), p.556

Bernstein, David W

2014

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"Paths of Harmony" in the First Movement of Brahms's [sp] Cello Sonata in E Minor, Op. 38

Current musicology, 2003-04 (75), p.169-183

Bernstein, David W

2003

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John Cage. By David Nicholls. Urbana: University of Illinois Press, 2007

Journal of the Society for American Music, 2012-02, Vol.6 (1), p.115-118

Bernstein, David W.

2012

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Techniques of appropriation in music of John Cage

Contemporary music review, 2001-01, Vol.20 (4), p.71-90

Bernstein, David W.

2001

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The San Francisco Tape Music Center : 1960s counterculture and the avant-garde

2008

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Dialectics in the Arts: The Rise of Experimentalism in American Music

American Music, 2000-03, Vol.18 (1), p.103-109

Bernstein, David W.

2000

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Georg Capellen's Theory of Reduction: Radical Harmonic Theory at the Turn of the Twentieth Century

Journal of music theory, 1993-04, Vol.37 (1), p.85-116

1993

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Remembering Pauline Oliveros 1932-2016

Society for American Music Bulletin, 2017, Vol.43 (1), p.22

Bernstein, David W

2017

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The Cambridge Companion to John Cage

Nicholls, David

2002

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John Cage

Journal of the Society for American Music, 2012, Vol.6 (1), p.115

2012

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Judicial Systems in Transition Economies: Assessing the Past, Looking to the Future

1, 2005

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The Music of John Cage James Pritchett

Music theory spectrum, 1996-10, Vol.18 (2), p.265-273

Bernstein, David W.

1996

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The Music of John Cage . James Pritchett

Music theory spectrum, 1996-10, Vol.18 (2), p.265-273

Bernstein, David W.

1996

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How Hammons changed M&A law

International Financial Law Review, 2010-05

Bernstein, David W

2010

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John Cage and David Tudor: Correspondence on Interpretation and Performance. By Martin Iddon. Cambridge: Cambridge University Press, 2013, xiii + 225 pages

Music Theory Spectrum, 2015, Vol.37 (2), p.318-322

Bernstein, David W.

2015

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Music I: to the late 1940s

The Cambridge Companion to John Cage, 2002, p.61-84

Bernstein, David W.

2002

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Cage and high modernism

The Cambridge Companion to John Cage, 2002, p.186-213

Bernstein, David W.

2002

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Nineteenth-century harmonic theory: the Austro-German legacy

The Cambridge History of Western Music Theory, 2002, p.778-811

2002

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John Cage and David Tudor: Correspondence on Interpretation and Performance

Music Theory Spectrum, 2015, Vol.37 (2), p.318-322

BERNSTEIN, DAVID W.

2015

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John Cage. By NichollsDavid. Urbana: University of Illinois Press, 2007

Bernstein, David W.

2012

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The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde

Popular Music, 2009, Vol.28 (3), p.433-434

Hill, Sarah

2009

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Christopher Shultis, "Silencing the Sounded Self: John Cage and the American Experimental Tradition" (Book Review)

American Music, 2000, Vol.18 (1), p.103

Bernstein, David W

2000

Volltextzugriff (PDF)

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John Cage's Cartridge Music (1960): 'A Galaxy Reconfigured'

'Listening to the Sounds of the People': Frederic Rzewski and Musica Elettronica Viva (1966-1972)

Cage (Re)Considered

John Cage's Cartridge Music (1960): 'A Galaxy Reconfiqured'

"Paths of Harmony" in the First Movement of Brahms's [sp] Cello Sonata in E Minor, Op. 38

John Cage. By David Nicholls. Urbana: University of Illinois Press, 2007

Techniques of appropriation in music of John Cage

The San Francisco Tape Music Center : 1960s counterculture and the avant-garde

Dialectics in the Arts: The Rise of Experimentalism in American Music

Georg Capellen's Theory of Reduction: Radical Harmonic Theory at the Turn of the Twentieth Century

Remembering Pauline Oliveros 1932-2016

The Cambridge Companion to John Cage

John Cage

Judicial Systems in Transition Economies: Assessing the Past, Looking to the Future

The Music of John Cage James Pritchett

The Music of John Cage . James Pritchett

How Hammons changed M&A law

John Cage and David Tudor: Correspondence on Interpretation and Performance. By Martin Iddon. Cambridge: Cambridge University Press, 2013, xiii + 225 pages

Music I: to the late 1940s

Cage and high modernism

Nineteenth-century harmonic theory: the Austro-German legacy

John Cage and David Tudor: Correspondence on Interpretation and Performance

John Cage. By NichollsDavid. Urbana: University of Illinois Press, 2007

The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde

Christopher Shultis, "Silencing the Sounded Self: John Cage and the American Experimental Tradition" (Book Review)

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