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Routledge Handbook of Japanese Cinema

1st edition, 2021

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Does Film Theory Exist in Japan?

Review of Japanese culture and society, 2010-12, Vol.22, p.14-23

2010

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Between Silence and Sound: The liminal space of the Japanese "sound version"

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.213-230

1, 2021

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Home Movies of the Revolution: Proletarian filmmaking and counter-mobilization in interwar Japan

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.51-67

1, 2021

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Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.177-197

1, 2021

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A Historical Survey of Film Archiving in Japan

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.285-300

1, 2021

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Pointing Through the Screen: Archiving, surveillance, and atomization in the wake of Japan's 2011 triple disasters

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.263-278

1, 2021

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"Inter-Mediating" Global Modernity: Benshi film narrators, multisensory performance, and fan culture

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.198-212

1, 2021

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Kaiju Films as Exportable Content: Reassessing the function of the Japanese Film Export Promotion Association

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.113-127

1, 2021

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Regional Film Archive in Transit: Yasui Yoshio and Kobe Planet Film Archive

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.331-345

1, 2021

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Introduction

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.1-6

1, 2021

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Media Models of "Amateur" Film and Manga

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.153-169

1, 2021

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Marionettes No Longer: Politics in the early puppet animation of Kawamoto Kihachirō

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.231-246

1, 2021

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"Fugitives" from the Studio System: Ikebe Ryō, Sada Keiji, and the transition from cinema to television in the early 1960s

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.128-140

1, 2021

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Suspense and Border Crossing: Ozu Yasujirō's crime melodrama

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.13-30

1, 2021

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Rhetorics of Autonomy and Mobility in Japanese "AAA" Games: The Metal Gear Solid and Resident Evil series within a global media context

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.247-262

1, 2021

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Geysers of Another Nature: The optical unconscious of the Japanese science film

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.93-108

1, 2021

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Japanese Film History and the Challenges of IMAGICA WEST Corp

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.301-313

1, 2021

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Beyond Mt. Fuji and the Lenin Cap: Identity crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953)

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.31-50

1, 2021

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A Case Study of Japanese Film Exhibition in North America: The Japan Society, New York

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.314-330

1, 2021

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New Paths toward Preserving Japanese Cinema: The Toy Film Museum backstory

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.346-366

Bernardi, Joanne

1, 2021

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Making Sense of Nakai Masakazu's Film Theory, "Kino Satz"

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.81-92

1, 2021

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When Marnie was There: Female friendship film and the genealogy of queer girls' culture

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.68-80

1, 2021

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Solo Animation in Japan: Empathy for the drawn body

Routledge Handbook of Japanese Cinema, 2021, Vol.1, p.141-152

1, 2021

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Making Things and Drawing Boundaries: Experiments in the Digital Humanities

1, 2018

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Routledge Handbook of Japanese Cinema

Does Film Theory Exist in Japan?

Between Silence and Sound: The liminal space of the Japanese "sound version"

Home Movies of the Revolution: Proletarian filmmaking and counter-mobilization in interwar Japan

Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice

A Historical Survey of Film Archiving in Japan

Pointing Through the Screen: Archiving, surveillance, and atomization in the wake of Japan's 2011 triple disasters

"Inter-Mediating" Global Modernity: Benshi film narrators, multisensory performance, and fan culture

Kaiju Films as Exportable Content: Reassessing the function of the Japanese Film Export Promotion Association

Regional Film Archive in Transit: Yasui Yoshio and Kobe Planet Film Archive

Introduction

Media Models of "Amateur" Film and Manga

Marionettes No Longer: Politics in the early puppet animation of Kawamoto Kihachirō

"Fugitives" from the Studio System: Ikebe Ryō, Sada Keiji, and the transition from cinema to television in the early 1960s

Suspense and Border Crossing: Ozu Yasujirō's crime melodrama

Rhetorics of Autonomy and Mobility in Japanese "AAA" Games: The Metal Gear Solid and Resident Evil series within a global media context

Geysers of Another Nature: The optical unconscious of the Japanese science film

Japanese Film History and the Challenges of IMAGICA WEST Corp

Beyond Mt. Fuji and the Lenin Cap: Identity crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953)

A Case Study of Japanese Film Exhibition in North America: The Japan Society, New York

New Paths toward Preserving Japanese Cinema: The Toy Film Museum backstory

Making Sense of Nakai Masakazu's Film Theory, "Kino Satz"

When Marnie was There: Female friendship film and the genealogy of queer girls' culture

Solo Animation in Japan: Empathy for the drawn body

Making Things and Drawing Boundaries: Experiments in the Digital Humanities

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