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Shakespeare and the Truth of Love: The Mystery of 'The Phoenix and Turtle'

Bednarz, J

1, 2012

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John Marston and the Revolution at Paul’s Playhouse (1599–1601)

Modern philology, 2020-08, Vol.118 (1), p.1-24

Bednarz, James P.

2020

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Does Hamlet Allude to the Coronation of James I?

Notes and queries, 2021-03, Vol.68 (1), p.102-104

Bednarz, James P

2021

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Jonson, Marston, Shakespeare and the Rhetoric of Topicality

The Ben Jonson journal, 2020-11, Vol.27 (2), p.155-176

Bednarz, James P.

2020

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‘Lampatho Doria’ as Ben Jonson in Marston’s What You Will

Notes and queries, 2018-03, Vol.65 (1), p.105-110

Bednarz, James P

2018

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“Of things as yet unborne”: The Poetics of Fantasy in John Marston's What You Will

The Ben Jonson journal, 2018-05, Vol.25 (1), p.119-132

Bednarz, James P.

2018

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Was John Marston the First ‘Playwright’?

Notes and queries, 2016-12, Vol.63 (4), p.gjw173

Bednarz, James P.

2016

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Suspect Evidence for the Late Dating of Twelfth Night

Notes and queries, 2015-12, Vol.62 (4), p.563-567

Bednarz, James P

2015

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A Later Date for Dekker's Satiromastix?

Notes and queries, 2015-06, Vol.62 (2), p.220-222

Bednarz, James P

2015

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Dekker's Response to the Chorus of Henry V in 1599

Notes and queries, 2012-03, Vol.59 (1), p.63-68

Bednarz, James P

2012

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John Marston's Induction to What You Will : A Re-examination

The Ben Jonson journal, 2010-11, Vol.17 (2), p.293-308

Bednarz, James P.

2010

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Was Volpone Acted at Cambridge in 1606?

The Ben Jonson journal, 2010-11, Vol.17 (2), p.183-196

Bednarz, James P.

2010

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Shakespeare’s Binding Language . John Kerrigan. Oxford: Oxford University Press, 2016. Pp. xi+622

Modern philology, 2017-11, Vol.115 (2), p.E102-E104

Bednarz, James P.

2017

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When Did Shakespeare Write the Choruses of Henry V?

Notes and queries, 2006-12, Vol.53 (4), p.486-489

Bednarz, J. P.

2006

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Brian Walsh , Shakespeare, the Queen's Men, and the Elizabethan Performance of History Shakespeare, the Queen’s Men, and the Elizabethan Performance of History . Brian Walsh. Cambridge and New York: Cambridge University Press, 2009. Pp. vi+239

Modern philology, 2013-05, Vol.110 (4), p.E243-E247

Bednarz, James P.

2013

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Publicity and the Early Modern Stage: People Made Public

1, 2021

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Biographical Politics

The Ben Jonson journal, 2004-01, Vol.11 (1), p.1-20

Bednarz, James P.

2004

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Writing and Revenge: John Marston's "Histriomastix"

Comparative drama, 2002-04, Vol.36 (1/2), p.21-51

Bednarz, James P.

2002

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Between Collaboration and Rivalry

The Ben Jonson journal, 2003-01, Vol.10 (1), p.209-234

Bednarz, James P.

2003

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The Collaborator as Thief: Ralegh's (Re)Vision of "The Faerie Queene"

ELH, 1996-07, Vol.63 (2), p.279-307

Bednarz, James P.

1996

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When did Shakespeare write the choruses of Henry V?

Notes and queries, 2006-12, Vol.53 (4), p.486-489

Bednarz, James P

2006

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Ben Jonson and Posterity: Reception, Reputation, Legacy. Martin Butler and Jane Rickard, eds. Cambridge: Cambridge University Press, 2020. xv + 256 pp. $99.99

Renaissance Quarterly, 2022, Vol.75 (2), p.732-733

Bednarz, James P.

2022

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Marston's Subversion of Shakespeare and Jonson: "Histriomastix" and the War of the Theaters

Medieval & Renaissance drama in England, 1993-01, Vol.6, p.103-128

Bednarz, James P.

1993

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Representing Jonson: "Histriomastix" and the Origin of the Poets' War

The Huntington Library quarterly, 1991-01, Vol.54 (1), p.1-30

Bednarz, James P.

1991

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The Actor as Playwright in Early Modern Drama. By Nora Johnson. Cambridge: Cambridge University Press, 2003; pp. 221. $60 cloth

Theatre survey, 2004-05, Vol.45 (1), p.151-153

Bednarz, James P.

2004

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Shakespeare and the Truth of Love: The Mystery of 'The Phoenix and Turtle'

John Marston and the Revolution at Paul’s Playhouse (1599–1601)

Does Hamlet Allude to the Coronation of James I?

Jonson, Marston, Shakespeare and the Rhetoric of Topicality

‘Lampatho Doria’ as Ben Jonson in Marston’s What You Will

“Of things as yet unborne”: The Poetics of Fantasy in John Marston's What You Will

Was John Marston the First ‘Playwright’?

Suspect Evidence for the Late Dating of Twelfth Night

A Later Date for Dekker's Satiromastix?

Dekker's Response to the Chorus of Henry V in 1599

John Marston's Induction to What You Will : A Re-examination

Was Volpone Acted at Cambridge in 1606?

Shakespeare’s Binding Language . John Kerrigan. Oxford: Oxford University Press, 2016. Pp. xi+622

When Did Shakespeare Write the Choruses of Henry V?

Brian Walsh , Shakespeare, the Queen's Men, and the Elizabethan Performance of History Shakespeare, the Queen’s Men, and the Elizabethan Performance of History . Brian Walsh. Cambridge and New York: Cambridge University Press, 2009. Pp. vi+239

Publicity and the Early Modern Stage: People Made Public

Biographical Politics

Writing and Revenge: John Marston's "Histriomastix"

Between Collaboration and Rivalry

The Collaborator as Thief: Ralegh's (Re)Vision of "The Faerie Queene"

When did Shakespeare write the choruses of Henry V?

Ben Jonson and Posterity: Reception, Reputation, Legacy. Martin Butler and Jane Rickard, eds. Cambridge: Cambridge University Press, 2020. xv + 256 pp. $99.99

Marston's Subversion of Shakespeare and Jonson: "Histriomastix" and the War of the Theaters

Representing Jonson: "Histriomastix" and the Origin of the Poets' War

The Actor as Playwright in Early Modern Drama. By Nora Johnson. Cambridge: Cambridge University Press, 2003; pp. 221. $60 cloth

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