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Mural paintings of the cubicle “dei fornai” in Domitilla catacombs in Rome: a study via non-invasive techniques

Archaeological and anthropological sciences, 2021-11, Vol.13 (11), Article 185

2021

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Non-invasive techniques applied to the alchemical codex of the State Archive of Florence

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2020-10, Vol.240, p.118562, Article 118562

2020

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Multianalytical Study of a Painting on Copper

Heritage, 2024-01, Vol.7 (1), p.301-323

2024

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The Non-Invasive Spectroscopic Study of a Parchment Object from the National Central Library of Florence: The Hebrew Scroll

Heritage, 2024-01, Vol.7 (1), p.206-224

2024

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Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

Heritage, 2019-09, Vol.2 (3), p.2160-2170

2019

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Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

Science and technology of archaeological research, 2019-12, Vol.5 (2), p.287-304

2019

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Wall paintings – diagnostic and archaeometric studies

Physical sciences reviews, 2019-04, Vol.4 (4)

2019

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Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR

Microchemical journal, 2016-01, Vol.124, p.889-897

2016

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The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints

Applied spectroscopy, 2016-01, Vol.70 (1), p.186-196

2016

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Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico

Journal of cultural heritage, 2020-09, Vol.45, p.362-369

2020

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Comparative Study of Fourier Transform Infrared Spectroscopy in Transmission, Attenuated Total Reflection, and Total Reflection Modes for the Analysis of Plastics in the Cultural Heritage Field

Applied spectroscopy, 2014-04, Vol.68 (4), p.389-397

2014

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Integration of both non-invasive and micro-invasive techniques for the archaeometric study of the stained-glass window Apparizione degli Angeli in the basilica of Santa Croce in Florence, Italy

Journal of cultural heritage, 2020-07, Vol.44, p.307-316

2020

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A Formulation for a New Environmentally Friendly Varnish for Paintings

Coatings (Basel), 2023-09, Vol.13 (9), p.1566

2023

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Contemporary artists' spinel pigments: Non-invasive characterization by means of electronic spectroscopy

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2017-02, Vol.173, p.510-515

2017

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Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques

Journal of cultural heritage, 2019-01, Vol.35, p.254-262

2019

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The artists’ materials of Fernando Melani: A precursor of the Poor Art artistic movement in Italy

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2013-03, Vol.104, p.527-537

2013

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Chemical Analysis in Cultural Heritage

1, 2020

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Discovering “The Italian Flag” by Fernando Melani (1907–1985)

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2016-11, Vol.168, p.52-59

2016

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Pre-hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico

Color research and application, 2016-06, Vol.41 (3), p.289-293

2016

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Sustainable formation of fatty acid alkyl esters by transesterification of triglycerides with chlorotrimethylsilane

RSC advances, 2012-01, Vol.2 (11), p.4864

2012

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Anselm Kiefer: a study of his artistic materials

Archaeological and anthropological sciences, 2016-09, Vol.8 (3), p.563-574

2016

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A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958–1959) by Pinot Gallizio

Heritage science, 2014-12, Vol.2 (1), p.1-29, Article 29

2014

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Wall paintings – diagnostic and archaeometric studies

Chemical Analysis in Cultural Heritage, 2020, p.253-272

2020

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Mural paintings of the cubicle “dei fornai” in Domitilla catacombs in Rome: a study via non-invasive techniques

Non-invasive techniques applied to the alchemical codex of the State Archive of Florence

Multianalytical Study of a Painting on Copper

The Tomb of the Diver and the frescoed tombs in Paestum (southern Italy): New insights from a comparative archaeometric study

The Non-Invasive Spectroscopic Study of a Parchment Object from the National Central Library of Florence: The Hebrew Scroll

Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

Wall paintings – diagnostic and archaeometric studies

Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR

The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints

Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico

Comparative Study of Fourier Transform Infrared Spectroscopy in Transmission, Attenuated Total Reflection, and Total Reflection Modes for the Analysis of Plastics in the Cultural Heritage Field

Integration of both non-invasive and micro-invasive techniques for the archaeometric study of the stained-glass window Apparizione degli Angeli in the basilica of Santa Croce in Florence, Italy

A Formulation for a New Environmentally Friendly Varnish for Paintings

Contemporary artists' spinel pigments: Non-invasive characterization by means of electronic spectroscopy

Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques

The artists’ materials of Fernando Melani: A precursor of the Poor Art artistic movement in Italy

Chemical Analysis in Cultural Heritage

The Tomb of the Diver and the frescoed tombs in Paestum

Discovering “The Italian Flag” by Fernando Melani (1907–1985)

Pre-hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico

Sustainable formation of fatty acid alkyl esters by transesterification of triglycerides with chlorotrimethylsilane

Anselm Kiefer: a study of his artistic materials

A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958–1959) by Pinot Gallizio

Wall paintings – diagnostic and archaeometric studies

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