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The Routledge Companion to Global Film Music in the Early Sound Era

Barham, Jeremy

1, 2024

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The Cambridge Companion to Mahler

Barham, Jeremy

2007

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Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as “Overscore”

Music and the moving image, 2010-04, Vol.3 (1), p.22-47

Barham, Jeremy

2010

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'Not Necessarily Mahler': Remix, Samples and Borrowing in the Age of Wiki

Contemporary music review, 2014-03, Vol.33 (2), p.128-147

Barham, Jeremy

2014

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Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7

19th century music, 2011-03, Vol.34 (3), p.271-301

Barham, Jeremy

2011

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Programming Mahler: Meaning, Re-description, and the Post-Adornian Counterlife

Nineteenth-century music review, 2011-12, Vol.8 (2), p.255-271

Barham, Jeremy

2011

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Mahler: Centenary Commentaries on Musical Meaning

Nineteenth-century music review, 2011-12, Vol.8 (2), p.175-177

Barham, Jeremy

2011

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Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek. pp. 248. Kulturstiftung der Länder, 157. (Kulturstiftung der Länder und Bayerische Staatsbibliothek, Munich, 2003. €14.80. ISSN 0941-7036.)

Music & letters, 2006-01, Vol.87 (1), p.147-153

Barham, Jeremy

2006

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Film and Tango: The contribution of Luis César Amadori to the Argentine film industry in the late 1930s

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.614-622

1, 2024

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Composing for the Screen, Composing for the Stage: Hungarian film composers in the interwar period

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.306-320

1, 2024

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Sound and Music In the Early Indian Talkie 1931-1936

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.459-478

1, 2024

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The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.75-96

1, 2024

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Eternally Feminine: Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and cultural representations of womanhood in the scoring of early sound films from Weimar-Republic Germany

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.97-121

Barham, Jeremy

1, 2024

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Myth-Building through Diegetic African Music in Early South African Sound Films

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.435-447

1, 2024

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A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes: Early sound film in The Netherlands: developments & debates 1

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.49-64

1, 2024

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Essentially Egyptian: The development of a syncretic film song style

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.407-424

1, 2024

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Who is Singing over there? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.332-350

1, 2024

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Composing the Nation: The role of fado in A Severa, the first Portuguese sound film (1931)

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.229-241

1, 2024

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Film Songwriting Practices in Pre-War Hong Kong Cinema: A case study of director Chan Pei

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.530-549

1, 2024

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Imaginaries from Buenos Aires: From tango poetics of the 1920s toward sound films in the 1930s

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.605-613

1, 2024

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Between Cinearte and Phono-Arte: On the arrival of Brazilian sound film in two magazines

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.661-675

1, 2024

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Coming to Terms with Music as Narrative Architecture: Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932)

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.143-157

1, 2024

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When 'Early' Sound Cinema was 'Late': Differential chronologies in Chile, Uruguay, Cuba and Colombia

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.696-711

1, 2024

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"A Very Great Error Of Judgment": Caution and timidity in the musical provision of Britain's early talkie features

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.35-48

1, 2024

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Songs Beyond "El Rancho Grande": Trans/national and cross-media dimensions in the Mexican Comedia Ranchera

The Routledge Companion to Global Film Music in the Early Sound Era, 2024, p.623-633

1, 2024

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The Routledge Companion to Global Film Music in the Early Sound Era

The Cambridge Companion to Mahler

Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as “Overscore”

'Not Necessarily Mahler': Remix, Samples and Borrowing in the Age of Wiki

Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7

Programming Mahler: Meaning, Re-description, and the Post-Adornian Counterlife

Mahler: Centenary Commentaries on Musical Meaning

Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek. pp. 248. Kulturstiftung der Länder, 157. (Kulturstiftung der Länder und Bayerische Staatsbibliothek, Munich, 2003. €14.80. ISSN 0941-7036.)

Film and Tango: The contribution of Luis César Amadori to the Argentine film industry in the late 1930s

Composing for the Screen, Composing for the Stage: Hungarian film composers in the interwar period

Sound and Music In the Early Indian Talkie 1931-1936

The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema

Eternally Feminine: Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and cultural representations of womanhood in the scoring of early sound films from Weimar-Republic Germany

Myth-Building through Diegetic African Music in Early South African Sound Films

A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes: Early sound film in The Netherlands: developments & debates 1

Essentially Egyptian: The development of a syncretic film song style

Who is Singing over there? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans

Composing the Nation: The role of fado in A Severa, the first Portuguese sound film (1931)

Film Songwriting Practices in Pre-War Hong Kong Cinema: A case study of director Chan Pei

Imaginaries from Buenos Aires: From tango poetics of the 1920s toward sound films in the 1930s

Between Cinearte and Phono-Arte: On the arrival of Brazilian sound film in two magazines

Coming to Terms with Music as Narrative Architecture: Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932)

When 'Early' Sound Cinema was 'Late': Differential chronologies in Chile, Uruguay, Cuba and Colombia

"A Very Great Error Of Judgment": Caution and timidity in the musical provision of Britain's early talkie features

Songs Beyond "El Rancho Grande": Trans/national and cross-media dimensions in the Mexican Comedia Ranchera

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