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Seeing Shakespeare's Style

Bruster, Douglas

1, 2023

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Shakespeare’s Pauses, Authorship, and Early Chronology

Studia Metrica et Poetica (Online), 2015-12, Vol.2 (2), p.25-47

Bruster, Douglas

2015

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CALHOUN, Joshua. 2020. The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England

Textual cultures : text, contexts, interpretation, 2022-01, Vol.14 (2)

Bruster, Douglas

2022

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The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England by Joshua Calhoun (review)

Textual cultures : text, contexts, interpretation, 2021, Vol.14 (2), p.239-241

Bruster, Douglas

2021

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Shakespeare's Rare Words and Chronology

Shakespeare quarterly, 2022-10, Vol.72 (3), p.279-324

2022

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The New Oxford Shakespeare Authorship Companion ed. by Gary Taylor and Gabriel Egan (review)

Shakespeare quarterly, 2019, Vol.70 (1), p.88-90

Bruster, Douglas

2019

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Beautified Q1 Hamlet

Critical survey (Oxford, England), 2019-07, Vol.31 (1-2), p.58-71

Bruster, Douglas

2019

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HughCraig and BrettGreatley‐Hirsch, Style, Computers, and Early Modern Drama: Beyond Authorship . Cambridge: Cambridge University Press, 2017. xviii + 283 pp. £75.00. ISBN 978‐1‐107‐19101‐3 (hb)

Renaissance studies, 2020-04, Vol.34 (2), p.325-327

Bruster, Douglas S.

2020

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Shakespeare's Lady 8

Shakespeare quarterly, 2015-04, Vol.66 (1), p.47-88

Bruster, Douglas

2015

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To Be Or Not To Be

Bruster, Douglas

1, 2007

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Laura Estill. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays. Lanham: University of Delaware Press, 2015. Pp xxviii, 254

Early theatre, 2016-06, Vol.19 (1)

Bruster, Douglas

2016

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Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays by Laura Estill (review)

Early theatre, 2016, Vol.19 (1), p.179-182

Bruster, Douglas

2016

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Performing Economic Thought: English Drama and Mercantile Writing 1600–1642. Bradley Ryner. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2014. xi + 218 pp. £70

Renaissance quarterly, 2015, Vol.68 (1), p.409-411

Bruster, Douglas

2015

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Shakespearean Spellings and Handwriting in the Additional Passages Printed in the 1602 Spanish Tragedy

Notes and queries, 2013-09, Vol.60 (3), p.420-424

Bruster, D.

2013

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Determining the Shakespeare canon: Arden of Faversham and A Lover ' s Complaint

Shakespeare (London, England), 2015-01, Vol.11 (1), p.105-108

Bruster, Douglas

2015

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Determining the Shakespeare canon: Arden of Faversham and A Lover's Complaint

Shakespeare (London, England), 2015-01, Vol.11 (1), p.105-108

Bruster, Douglas

2015

Volltextzugriff (PDF)

Shakespeare as Rorschach: A Response to David Hillman

Shakespeare quarterly, 2013-10, Vol.64 (3), p.334-342

Bruster, Douglas

2013

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Shakespeare, Period

Early Modern Histories of Time, 2019, p.181

2019

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Wordplay in Earliest Shakespeare

Philological quarterly, 2017-06, Vol.96 (3), p.293-322

2017

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Shakespeare and the Book Trade by Lukas Erne (review)

Comparative drama, 2013-12, Vol.47 (4), p.557-559

Bruster, Douglas

2013

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Shakespearean spellings and handwriting in the additional passages printed in the 1602 Spanish Tragedy

Notes and queries, 2013-09, Vol.258 (3), p.420-424

Bruster, Douglas

2013

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The Representation Market of Early Modern England

Renaissance drama, 2013-09, Vol.41 (12), p.1-23

Bruster, Douglas

2013

Volltextzugriff (PDF)

Patrick Cheney , Shakespeare’s Literary Authorship Shakespeare’s Literary Authorship . Patrick Cheney. Cambridge: Cambridge University Press, 2008. Pp. xxv+296

Modern philology, 2012-02, Vol.109 (3), p.E169-E172

Bruster, Douglas

2012

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A new chronology for Shakespeare’s plays

Digital Scholarship in the Humanities, 2016-06, Vol.31 (2), p.301-320

2016

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Shakespeare the Stationer

Shakespeare's Stationers, 2012, p.112-131

2012

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Seeing Shakespeare's Style

Shakespeare’s Pauses, Authorship, and Early Chronology

CALHOUN, Joshua. 2020. The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England

The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England by Joshua Calhoun (review)

Shakespeare's Rare Words and Chronology

The New Oxford Shakespeare Authorship Companion ed. by Gary Taylor and Gabriel Egan (review)

Beautified Q1 Hamlet

HughCraig and BrettGreatley‐Hirsch, Style, Computers, and Early Modern Drama: Beyond Authorship . Cambridge: Cambridge University Press, 2017. xviii + 283 pp. £75.00. ISBN 978‐1‐107‐19101‐3 (hb)

Shakespeare's Lady 8

To Be Or Not To Be

Laura Estill. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays. Lanham: University of Delaware Press, 2015. Pp xxviii, 254

Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays by Laura Estill (review)

Performing Economic Thought: English Drama and Mercantile Writing 1600–1642. Bradley Ryner. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2014. xi + 218 pp. £70

Shakespearean Spellings and Handwriting in the Additional Passages Printed in the 1602 Spanish Tragedy

Determining the Shakespeare canon: Arden of Faversham and A Lover ' s Complaint

Determining the Shakespeare canon: Arden of Faversham and A Lover's Complaint

Shakespeare as Rorschach: A Response to David Hillman

Shakespeare, Period

Wordplay in Earliest Shakespeare

Shakespeare and the Book Trade by Lukas Erne (review)

Shakespearean spellings and handwriting in the additional passages printed in the 1602 Spanish Tragedy

The Representation Market of Early Modern England

Patrick Cheney , Shakespeare’s Literary Authorship Shakespeare’s Literary Authorship . Patrick Cheney. Cambridge: Cambridge University Press, 2008. Pp. xxv+296

A new chronology for Shakespeare’s plays

Shakespeare the Stationer

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