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Imaging, photophysical properties and DFT calculations of manganese blue (barium manganate(VI) sulphate)--a modern pigment

Chemical communications (Cambridge, England), 2014-12, Vol.50 (97), p.15297-15300

2014

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A Note on an Occurrence of Egyptian Blue in Garofalo's "The Holy Family with Saints Elizabeth, Zacharias, John the Baptist (and Francis?)"

National Gallery technical bulletin, 2019-01, Vol.40, p.74-85

2019

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Not All Black and White: Drawing in Three Flower Paintings by Paulus Theodorus van Brussel

National Gallery technical bulletin, 2016-01, Vol.37, p.20-37

2016

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Imaging, photophysical properties and DFT calculations of manganese blue (barium manganate(vi) sulphate) - a modern pigmentElectronic supplementary information (ESI) available: Table S1 showing a comparison between the TD-UB3LYP theoretical transition energies for the C2v anion geometry with (i) the experimental absorption bands obtained in the present study and (ii) Brunold's previous literature data, which extended to the spectrum region below 500 nm. Table S2 listing a comparison between abso

2014-11

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Sebastiano and Michelangelo: Infrared Insights into their Collaboration

National Gallery technical bulletin, 2017-01, Vol.38, p.32-55

2017

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Fra Bartolommeo's "Virgin adoring the Child with Saint Joseph": New Evidence on its Creation and Origins

National Gallery technical bulletin, 2016-01, Vol.37, p.4-19

2016

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Rediscovering Reni: The Technical Investigation, Treatment, and Reattribution of "The Toilet of Venus"

National Gallery technical bulletin, 2019-01, Vol.40, p.18-41

2019

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'Some Panels from Sassetta's Sansepolcro Altarpiece' revisited

National Gallery technical bulletin, 2009-01, Vol.30, p.8-25

BILLINGE, RACHEL

2009

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Jacob Jordaens, "Portrait of Cornelis van Diest (?) and his Wife": a new Technical and Art Historical Assessment

National Gallery technical bulletin, 2017-01, Vol.38, p.56-75

2017

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Giovanni Bellini's Painting Technique

National Gallery technical bulletin, 2018-01, Vol.39, p.3-144

2018

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Goya's Portraits in the National Gallery: their Technique, Materials and Development

National Gallery technical bulletin, 2016-01, Vol.37, p.78-104

2016

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Renoir's "Umbrellas" Unfurled Again

National Gallery technical bulletin, 2012-01, Vol.33, p.73-81

2012

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The Use of Gilded Tin in Giotto's "Pentecost"

National Gallery technical bulletin, 2008-01, Vol.29, p.76-80

2008

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A New Camera for High-Resolution Infrared Imaging of Works of Art

Studies in conservation, 2006-01, Vol.51 (4), p.277-290

2006

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Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan

National Gallery technical bulletin, 2011-01, Vol.32, p.57-77

2011

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Titian's Painting Technique from 1540

National Gallery technical bulletin, 2015-01, Vol.36, p.1-136

2015

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Titian's Painting Technique to c. 1540

National Gallery technical bulletin, 2013-01, Vol.34, p.1-136

2013

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Painting Practice in Milan in the 1490s: The Influence of Leonardo

National Gallery technical bulletin, 2011-01, Vol.32, p.78-112

2011

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Niccolò di Pietro Gerini's "Baptism Altarpiece": Technique, Conservation and Original Design

National Gallery technical bulletin, 2012-01, Vol.33, p.27-49

2012

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The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen

National Gallery technical bulletin, 2005-01, Vol.26, p.23-42

2005

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Leonardo da Vinci's Use of Underdrawing in the 'Virgin of the Rocks' in the National Gallery and 'St. Jerome' in the Vatican

Burlington magazine, 2005-07, Vol.147 (1228), p.450-463

2005

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The Triptych of "Saint Catherine and the Philosophers" attributed to Goossen van der Weyden in Southampton City Art Gallery

National Gallery technical bulletin, 2003-01, Vol.24, p.64-74

2003

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Some panels from Sassetta's Sansepolcro altarpiece' revisited

Technical Bulletin : National Gallery, London, 2009-01, p.8-25

Billinge, Rachel

2009

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Bernardo Daddi's "Coronation of the Virgin": The Reunion of Two Long-Separated Panels

National Gallery technical bulletin, 2007-01, Vol.28, p.4-25

2007

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The Underdrawing of Pontormo's 'Joseph with Jacob in Egypt'

Burlington magazine, 2002-11, Vol.144 (1196), p.660-670

2002

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Imaging, photophysical properties and DFT calculations of manganese blue (barium manganate(VI) sulphate)--a modern pigment

A Note on an Occurrence of Egyptian Blue in Garofalo's "The Holy Family with Saints Elizabeth, Zacharias, John the Baptist (and Francis?)"

Not All Black and White: Drawing in Three Flower Paintings by Paulus Theodorus van Brussel

Sebastiano and Michelangelo: Infrared Insights into their Collaboration

Fra Bartolommeo's "Virgin adoring the Child with Saint Joseph": New Evidence on its Creation and Origins

Rediscovering Reni: The Technical Investigation, Treatment, and Reattribution of "The Toilet of Venus"

'Some Panels from Sassetta's Sansepolcro Altarpiece' revisited

Jacob Jordaens, "Portrait of Cornelis van Diest (?) and his Wife": a new Technical and Art Historical Assessment

Giovanni Bellini's Painting Technique

Goya's Portraits in the National Gallery: their Technique, Materials and Development

Renoir's "Umbrellas" Unfurled Again

The Use of Gilded Tin in Giotto's "Pentecost"

A New Camera for High-Resolution Infrared Imaging of Works of Art

Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan

Titian's Painting Technique from 1540

Titian's Painting Technique to c. 1540

Painting Practice in Milan in the 1490s: The Influence of Leonardo

Niccolò di Pietro Gerini's "Baptism Altarpiece": Technique, Conservation and Original Design

The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen

Leonardo da Vinci's Use of Underdrawing in the 'Virgin of the Rocks' in the National Gallery and 'St. Jerome' in the Vatican

The Triptych of "Saint Catherine and the Philosophers" attributed to Goossen van der Weyden in Southampton City Art Gallery

Some panels from Sassetta's Sansepolcro altarpiece' revisited

Bernardo Daddi's "Coronation of the Virgin": The Reunion of Two Long-Separated Panels

The Underdrawing of Pontormo's 'Joseph with Jacob in Egypt'

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