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Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall

1, 2021

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Maerten van Heemskerck's Collection Imagery in the Netherlandish Pictorial Memory

Intellectual history review, 2010-03, Vol.20 (1), p.27-51

DiFuria, Arthur J.

2010

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Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25

Renaissance quarterly, 2019, Vol.72 (3), p.1021-1023

DiFuria, Arthur J.

2019

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Remembering the Eternal in 1553 Maerten van Heemskerck's Self-Portrait before the Colosseum

Nederlands kunsthistorisch jaarboek, 2009, Vol.59 (1), p.90-108

DiFuria, Arthur J

2009

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The Celebrated Museum of the Roman College of the Society of Jesus. Athanasius Kircher. Ed. Peter Davidson. Trans. Anastasi Callinicos and Daniel Höhr. With Jane Stevenson. Early Modern Catholicism and the Visual Arts Series 13. Philadelphia: Saint Joseph’s University Press, 2015. 172 pp. $120

Renaissance quarterly, 2017, Vol.70 (1), p.278-279

DiFuria, Arthur J.

2017

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Architekturen des Sehens Bauten in Bildern des Quattrocento. Johannes Grave. Eikones. Paderborn: Wilhelm Fink, 2015. 400 pp. €54

Renaissance quarterly, 2016, Vol.69 (4), p.1446-1448

DiFuria, Arthur J.

2016

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Confronting the Golden Age: Imitation and Innovation in Dutch Genre Painting, 1680–1750. Junko Aono. Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2015. 230 pp. €99

Renaissance quarterly, 2016, Vol.69 (2), p.677-679

DiFuria, Arthur J.

2016

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The Netherlandish Relief-like Style in the Age of Art

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.211-236

2021

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Anne T. Woollett, Yvonne Szafran, and Alan Phenix. Drama and Devotion: Heemskerck’s Ecce Homo Altarpiece from Warsaw . Los Angeles: J. Paul Getty Museum, 2012. xi + 92 pp. $25. ISBN: 978–1–60606–112–1

Renaissance quarterly, 2013-03, Vol.66 (1), p.209-210

DiFuria, Arthur J.

2013

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Towards an Understanding of Mayken Verhulst and Volcxken Diericx

Women Artists and Patrons in the Netherlands, 1500-1700, 2019, p.157-178

2019

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Koenraad Jonckheere.Willem Key, 1516–1568: Portrait of a Humanist Painter. Pictura Nova: Studies in Sixteenth- and Seventeenth-Century Flemish Painting and Drawing 17.Turnhout Brepols Publishers 2011.346 pp. €140. ISBN: 978–2–503–53678–1

Renaissance quarterly, 2012, Vol.65 (1), p.208-209

DiFuria, Arthur J.

2012

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Elina Gertsman. The Dance of Death in the Middle Ages: Image, Text, Performance. Studies in the Visual Cultures of the Middle Ages 3. Turnhout: Brepols Publishers, 2010. xi + 356 pp. + 2 color and 2 b/w pls. index. append. illus. bibl. €85. ISBN: 978–2–503–53063–5

Renaissance quarterly, 2011, Vol.64 (3), p.922-923

DiFuria, Arthur J.

2011

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Reviews : "The Renaissance palace in Florence : magnificence and splendour in 15th-century Italy," by James R. Lindow

Speculum, 2010-04, Vol.85 (2), p.424-425

DiFuria, Arthur J

2010

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James R. Lindow, The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy . Aldershot, Eng., and Burlington, Vt.: Ashgate, 2007. Pp. xii, 265 plus 8 color plates; 42 black-and-white illustrations. $99.95

Speculum, 2010-04, Vol.85 (2), p.424-425

DiFuria, Arthur J.

2010

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Women Artists and Patrons in the Netherlands, 1500-1700

1, 2019

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Raphael

The Sixteenth century journal, 2009-12, Vol.40 (4), p.1313-1314

DiFuria, Arthur J.

2009

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Groundwork: A History of the Renaissance Picture. David Young Kim. Princeton, NJ: Princeton University Press, 2022. 264 pp. $65

Renaissance Quarterly, 2023, Vol.76 (4), p.1482-1483

DiFuria, Arthur J.

2023

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Raphael’s Bankers: Agostino Chigi, Bindo Altoviti, and Jakob Fugger

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.17-32

2021

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Surpassing Nature: Raphael’s Artistic Apotheosis

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.33-78

2021

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Religious Reform, Sacred Space, and Bad Behavior in Late Sixteenth-Century Orsanmichele

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.161-188

2021

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A Question of Faith: “Making Strange” in Caravaggio’s Calling of Saint Matthew

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.311-340

2021

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What Becomes a Legend: Correggio at the Crossroads of Biography and Style

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.101-122

2021

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Matter and Meaning in Piero della Francesca’s Legend of the True Cross

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.191-210

2021

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Painting the Invisible God at Sinai

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.295-310

2021

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The Rediscovered Iconography of Palazzo Milesi’s Façade by Polidoro da Caravaggio, Plutarch’s Parallel Lives, and a New Drawing

Space, Image, and Reform in Early Modern Art, 2021, Vol.77, p.125-144

2021

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Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall

Maerten van Heemskerck's Collection Imagery in the Netherlandish Pictorial Memory

Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25

Remembering the Eternal in 1553 Maerten van Heemskerck's Self-Portrait before the Colosseum

The Celebrated Museum of the Roman College of the Society of Jesus. Athanasius Kircher. Ed. Peter Davidson. Trans. Anastasi Callinicos and Daniel Höhr. With Jane Stevenson. Early Modern Catholicism and the Visual Arts Series 13. Philadelphia: Saint Joseph’s University Press, 2015. 172 pp. $120

Architekturen des Sehens Bauten in Bildern des Quattrocento. Johannes Grave. Eikones. Paderborn: Wilhelm Fink, 2015. 400 pp. €54

Confronting the Golden Age: Imitation and Innovation in Dutch Genre Painting, 1680–1750. Junko Aono. Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2015. 230 pp. €99

The Netherlandish Relief-like Style in the Age of Art

Anne T. Woollett, Yvonne Szafran, and Alan Phenix. Drama and Devotion: Heemskerck’s Ecce Homo Altarpiece from Warsaw . Los Angeles: J. Paul Getty Museum, 2012. xi + 92 pp. $25. ISBN: 978–1–60606–112–1

Towards an Understanding of Mayken Verhulst and Volcxken Diericx

Koenraad Jonckheere.Willem Key, 1516–1568: Portrait of a Humanist Painter. Pictura Nova: Studies in Sixteenth- and Seventeenth-Century Flemish Painting and Drawing 17.Turnhout Brepols Publishers 2011.346 pp. €140. ISBN: 978–2–503–53678–1

Elina Gertsman. The Dance of Death in the Middle Ages: Image, Text, Performance. Studies in the Visual Cultures of the Middle Ages 3. Turnhout: Brepols Publishers, 2010. xi + 356 pp. + 2 color and 2 b/w pls. index. append. illus. bibl. €85. ISBN: 978–2–503–53063–5

Reviews : "The Renaissance palace in Florence : magnificence and splendour in 15th-century Italy," by James R. Lindow

James R. Lindow, The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy . Aldershot, Eng., and Burlington, Vt.: Ashgate, 2007. Pp. xii, 265 plus 8 color plates; 42 black-and-white illustrations. $99.95

Women Artists and Patrons in the Netherlands, 1500-1700

Raphael

Groundwork: A History of the Renaissance Picture. David Young Kim. Princeton, NJ: Princeton University Press, 2022. 264 pp. $65

Raphael’s Bankers: Agostino Chigi, Bindo Altoviti, and Jakob Fugger

Surpassing Nature: Raphael’s Artistic Apotheosis

Religious Reform, Sacred Space, and Bad Behavior in Late Sixteenth-Century Orsanmichele

A Question of Faith: “Making Strange” in Caravaggio’s Calling of Saint Matthew

What Becomes a Legend: Correggio at the Crossroads of Biography and Style

Matter and Meaning in Piero della Francesca’s Legend of the True Cross

Painting the Invisible God at Sinai

The Rediscovered Iconography of Palazzo Milesi’s Façade by Polidoro da Caravaggio, Plutarch’s Parallel Lives, and a New Drawing

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