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The Corporeality of Listening: Experiencing Soundscapes on Audio Guides

Soundscapes of the Urban Past, 2013, Vol.5, p.195-208

2013

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About the Beauty of War and the Attractivity of Violence

Does War Belong in Museums?, 2014, Vol.4, p.123-130

2014

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Introduction: Reading and Listening at Batoche

Orality and Literacy, 2011, p.3

2011

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To Be a Good American: The New York City Teachers Union and Race during the Second World War

Civil Rights in New York City, 2011, p.10

2011

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Racial Events, Diplomacy, and Dinkins’s Image

Civil Rights in New York City, 2011, p.182

2011

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Introduction: Spending Time in the Hamptons

The End of the Hamptons, 2005, p.1

Dolgon, Corey

2005

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The Sovversivi and Their Cultural World

Italian Immigrant Radical Culture, 2011, p.37-66

Bencivenni, Marcella

2011

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Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

Technology and Film Scholarship, 2017, p.79-100

2017

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At the Edge of the Forest: Narrative, Order, and Questions of Meaning in Khmer History and Society

At the Edge of the Forest, 2018, p.1-18

2018

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RACE—THE SLIDING SIGNIFIER

The Fateful Triangle, 2017, p.31-79

2017

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Death as a Modern Quandary

Satisfaction Not Guaranteed, 2012, p.131-168

Stearns, Peter N

2012

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INTRODUCTION: PROPAGANDA PERFORMANCE, HISTORY, AND LANDSCAPE

Staging Chinese Revolution, 2016, p.1-55

Chen, Xiaomei

2016

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Constructing research: in place of an introduction

Four Histories about Early Dutch Football, 1910-1920, 2016, p.1

Nicholas Piercey

1, 2016

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General Introduction: Media Archaeology: Foucault’s Legacy

Film History as Media Archaeology, 2016, Vol.50, p.17-68

Elsaesser, Thomas

2016

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Curiosity and the Fate of Chronicles and Narratives

Museums in a Digital Culture, 2017, p.57-74

2017

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Sovereignty out from under Glass?: Native Hawaiian Rhetorics at the Bishop Museum

Huihui, 2014, p.125-143

2014

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Introduction

The Senses of Humor, 2015, p.1

DANIEL WICKBERG

1, 2015

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INTRODUCTION

Selling Women's History, 2017, p.1

Emily Westkaemper

2017

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The Case for the Defense

The New History, 2017, p.293-298

2017

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How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes: The Case of Togo

Global Photographies, 2018, Vol.76, p.57-68

2018

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MEMORY DEVIANTS: Breaking the Collective

Desegregating the Past, 2017, p.145-185

Autry, Robyn

2017

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Trauma Is as Trauma Does: The Politics of Affect in Catastrophic Times

Critical Trauma Studies, 2016, p.19

2016

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Conclusion: “I Danced, I Don’t Know How”: Media, Race, and the Posthuman

Undisciplined, 2016, Vol.9, p.183

Farooq, Nihad

2016

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Archaeologies of Interactivity: The “Rube” as Symptom of Media Change

Film History as Media Archaeology, 2016, Vol.50, p.191-208

Elsaesser, Thomas

2016

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The Moving Pattern of Images: Greek History and Individual Perspectives

The Films of Theo Angelopoulos, 2016, p.55-72

Horton, Andrew

REV - Revised, 2016

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The Corporeality of Listening: Experiencing Soundscapes on Audio Guides

About the Beauty of War and the Attractivity of Violence

Introduction: Reading and Listening at Batoche

To Be a Good American: The New York City Teachers Union and Race during the Second World War

Racial Events, Diplomacy, and Dinkins’s Image

Introduction: Spending Time in the Hamptons

The Sovversivi and Their Cultural World

Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

At the Edge of the Forest: Narrative, Order, and Questions of Meaning in Khmer History and Society

RACE—THE SLIDING SIGNIFIER

Death as a Modern Quandary

INTRODUCTION: PROPAGANDA PERFORMANCE, HISTORY, AND LANDSCAPE

Constructing research: in place of an introduction

General Introduction: Media Archaeology: Foucault’s Legacy

Curiosity and the Fate of Chronicles and Narratives

Sovereignty out from under Glass?: Native Hawaiian Rhetorics at the Bishop Museum

Introduction

INTRODUCTION

The Case for the Defense

How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes: The Case of Togo

MEMORY DEVIANTS: Breaking the Collective

Trauma Is as Trauma Does: The Politics of Affect in Catastrophic Times

Conclusion: “I Danced, I Don’t Know How”: Media, Race, and the Posthuman

Archaeologies of Interactivity: The “Rube” as Symptom of Media Change

The Moving Pattern of Images: Greek History and Individual Perspectives

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