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Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

Perspectives on politics, 2012-08, Vol.10 (3), p.723-726

Sakakeeny, Matt

2012

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Burying the King Again: Buddy Bolden's Jazz Funeral and Defleshed Memory

Rhetoric Society quarterly, 2018-10, Vol.48 (5), p.516-536

Maxson, J. David

2018

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Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

Popular music and society, 2008-05, Vol.31 (2), p.201-212

Roberts, Robin

2008

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On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

American quarterly, 2009-09, Vol.61 (3), p.649-669

Jabir, Johari

2009

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Stars of David and Sons of Sicily: Constellations Beyond the Canon in Early New Orleans Jazz

Jazz perspectives, 2009-08, Vol.3 (2), p.123-152

Raeburn, Bruce Boyd

2009

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Music Industry Showcase Sessions New Orleans, Louisiana

Music educators journal, 1992-03, Vol.78 (7), p.64-66

1992

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The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

Journal of historical research in music education, 2022-04, Vol.43 (2), p.205-227

Milburn, Claire

2022

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New Orleans: Interstate appeal

Billboard, 2000-04, Vol.112 (16), p.39

Spera, Keith

2000

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain

Journal of popular culture, 1968-10, Vol.2 (2), p.173

Goodey, Brian R

1968

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War and Play: The Civil War in New Orleans

The Mississippi quarterly, 1972-12, Vol.26 (1), p.3-28

SOMERS, DALE A.

1972

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Performing the Post-Traumatic City: Treme and the Politics of Urban Space

American studies (Lawrence), 2017-01, Vol.5/6 (4/1), p.119-231

Pattison, Dale

2017

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Reid Wick with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1322-1333

2006

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The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

Black music research journal, 1997-03, Vol.17 (1), p.59-80

Washburne, Christopher

1997

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Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty

American music (Champaign, Ill.), 2022-09, Vol.40 (3), p.388-413

Prouty, Ken

2022

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A Narrative History of African American Marching Band: Toward A Historicultural Understanding

Journal of historical research in music education, 2019-10, Vol.41 (1), p.5-32

Clark, Robert H.

2019

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Hurricane Katrina: A Cultural Chernobyl

The Journal of arts management, law, and society, 2008-09, Vol.38 (3), p.217-232

2008

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“We Dem Folks . . . To Be Continued”: Disrupting the Negative Social Imagery of African American Youth Through a Close Study of the To Be Continued Brass Band Across Screen Media

Jazz and culture (Champaign, Ill.), 2023-12, Vol.6 (2), p.37-63

McNeill, Marvin

2023

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"I Figure Singing and Playing Is the Same": Louis Armstrong and Barbershop Harmony

Jazz perspectives, 2017-01, Vol.10 (1), p.97-116

Hobson, Vic

2017

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The Nineteenth-Century Origins of Jazz

Black music research journal, 2002-01, Vol.22 (1), p.151-174

Gushee, Lawrence

2002

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TechLearn 2023 Conference

Training, 2023-05, Vol.60 (2), p.1A-12A

Freifeld, Lorri

2023

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The Storyville Exodus Revisited, or Why Louis Armstrong Didn’t Leave in November 1917, Like the Movie Said He Did

The Southern quarterly, 2015, Vol.52 (2), p.10-33

Raeburn, Bruce Boyd

2015

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Audio reviews

Popular music and society, 1998-12, Vol.22 (4), p.101-122

1998

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"It Can't Rain Every Day": The Year-Round Experience of Carnival

Western folklore, 1999-07, Vol.58 (3/4), p.279-298

Lohman, Jon

1999

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Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

Burying the King Again: Buddy Bolden's Jazz Funeral and Defleshed Memory

Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

Stars of David and Sons of Sicily: Constellations Beyond the Canon in Early New Orleans Jazz

Music Industry Showcase Sessions New Orleans, Louisiana

The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

New Orleans: Interstate appeal

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Ellis Marsalis with Charles Henry Rowell

New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain

War and Play: The Civil War in New Orleans

Performing the Post-Traumatic City: Treme and the Politics of Urban Space

Reid Wick with Charles Henry Rowell

The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty

A Narrative History of African American Marching Band: Toward A Historicultural Understanding

Hurricane Katrina: A Cultural Chernobyl

“We Dem Folks . . . To Be Continued”: Disrupting the Negative Social Imagery of African American Youth Through a Close Study of the To Be Continued Brass Band Across Screen Media

"I Figure Singing and Playing Is the Same": Louis Armstrong and Barbershop Harmony

The Nineteenth-Century Origins of Jazz

TechLearn 2023 Conference

The Storyville Exodus Revisited, or Why Louis Armstrong Didn’t Leave in November 1917, Like the Movie Said He Did

Audio reviews

"It Can't Rain Every Day": The Year-Round Experience of Carnival

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