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Slavery's Traces: In Search of Ashley's Sack

Southern spaces, 2016-11

Auslander, Mark

2016

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Touching the Past: Materializing Time in Traumatic “Living History” Reenactments

Signs and Society , 2013, 1(1), , pp.161-183

Auslander, Mark

2013

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Contesting the Roadways: The Moore's Ford Lynching Reenactment and a Confederate Flag Rally, July 25, 2015

Southern spaces, 2015-08

Auslander, Mark

2015

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Heroes: Principles of African Greatness by Kevin D. Dumouchelle (review)

African Arts, 2024-07, Vol.57 (2), p.92-94

Auslander, Mark

2024

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Before Nollywood: The Ideal Photo Studio by Amy Staples, and: Iké Udé: Nollywood Portraits Originating by Selene Wendt (review)

African arts, 2023, Vol.56 (4), p.87-91

Auslander, Mark

2023

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Enslaved Labor and Building the Smithsonian: Reading the Stones

Southern spaces, 2012-12, p.np-np

Auslander, Mark

2012

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Nannie's Stone: Commemoration and Resistance

Southern spaces, 2023-07

2023

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"Holding on to Those Who Can't Be Held": Reenacting a Lynching at Moore's Ford, Georgia

Southern spaces, 2010-11, p.np-np

Auslander, Mark

2010

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Putting Them in Museums? Reimagining the Path Forward

Museum anthropology, 2018-09, Vol.41 (2), p.137-139

Auslander, Mark

2018

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Sensitivity enhancement of guided-wave surface-plasmon resonance sensors

Optics letters, 2008-11, Vol.33 (21), p.2539

2008

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The Other Side of Paradise: Glimpsing Slavery in the University's Utopian Landscapes

Southern spaces, 2010-05, p.np-np

Auslander, Mark

2010

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Film and Video: “The Horse is a Mirror of your Soul:” Teaching with the Documentary “Buck” (2011) Directed by Cindy Meehl

General anthropology, 2021-09, Vol.28 (2), p.14-15

2021

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In Search of Lost Futures: Anthropological Explorations in Multimodality, Deep Interdisciplinarity, and Autoethnography

1, 2021

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Vehicles: cars, canoes, and other metaphors of moral ambivalence

2014

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Research note : by iron possessed : Fabrice Monteiro's "Maroons : the fugitive slaves"

African arts, 2016-09, Vol.49 (3), p.62-67

Auslander, Mark

2016

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By Iron Possessed: Fabrice Monteiro's Maroons: The Fugitive Slaves

African arts, 2016-09, Vol.49 (3), p.62-67

Auslander, Mark

2016

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Rose’s Gift: Slavery, Kinship, and the Fabric of Memory

Present pasts (London), 2017-03, Vol.8 (1), p.1

Auslander, Mark

2017

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Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"

Southern spaces, 2022-02

2022

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Objects of kinship: reconstituting descent in the shadow of slavery

Transition (Kampala, Uganda), 2017-01 (122), p.206

Auslander, Mark

2017

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Objects of Kinship: reconstituting descent in the shadow of slavery

Transition (Kampala, Uganda), 2017, Vol.122 (1), p.206-216

Auslander, Mark

2017

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Objects of Kinship

Transition (Kampala, Uganda), 2017-01 (122), p.206-216

Mark Auslander

2017

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Objects of Kinship

Transition (Kampala, Uganda), 2017-01 (122), p.207-229

Auslander, Mark

2017

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Exhibition review : Chief S. O. Alonge : photographer to the royal court of Benin, Nigeria

African arts, 2016-03, Vol.49 (1), p.88-91

Auslander, Mark

2016

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Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria National Museum of African Art, Washington, DC September 17, 2014—July 31, 2016

African arts, 2016-03, Vol.49 (1), p.88-91

Auslander, Mark

2016

Volltextzugriff (PDF)

Photographer to the Royal Court of Benin, Nigeria by Chief S.O. Alonge (review)

African arts, 2016, Vol.49 (1), p.88-91

Auslander, Mark

2016

Volltextzugriff (PDF)

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Slavery's Traces: In Search of Ashley's Sack

Touching the Past: Materializing Time in Traumatic “Living History” Reenactments

Contesting the Roadways: The Moore's Ford Lynching Reenactment and a Confederate Flag Rally, July 25, 2015

Heroes: Principles of African Greatness by Kevin D. Dumouchelle (review)

Before Nollywood: The Ideal Photo Studio by Amy Staples, and: Iké Udé: Nollywood Portraits Originating by Selene Wendt (review)

Enslaved Labor and Building the Smithsonian: Reading the Stones

Nannie's Stone: Commemoration and Resistance

"Holding on to Those Who Can't Be Held": Reenacting a Lynching at Moore's Ford, Georgia

Putting Them in Museums? Reimagining the Path Forward

Sensitivity enhancement of guided-wave surface-plasmon resonance sensors

The Other Side of Paradise: Glimpsing Slavery in the University's Utopian Landscapes

Film and Video: “The Horse is a Mirror of your Soul:” Teaching with the Documentary “Buck” (2011) Directed by Cindy Meehl

In Search of Lost Futures: Anthropological Explorations in Multimodality, Deep Interdisciplinarity, and Autoethnography

Vehicles: cars, canoes, and other metaphors of moral ambivalence

Research note : by iron possessed : Fabrice Monteiro's "Maroons : the fugitive slaves"

By Iron Possessed: Fabrice Monteiro's Maroons: The Fugitive Slaves

Rose’s Gift: Slavery, Kinship, and the Fabric of Memory

Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"

Objects of kinship: reconstituting descent in the shadow of slavery

Objects of Kinship: reconstituting descent in the shadow of slavery

Objects of Kinship

Objects of Kinship

Exhibition review : Chief S. O. Alonge : photographer to the royal court of Benin, Nigeria

Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria National Museum of African Art, Washington, DC September 17, 2014—July 31, 2016

Photographer to the Royal Court of Benin, Nigeria by Chief S.O. Alonge (review)

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