UB Paderborn / Katalog / Suche / in CDI

The Longest Night

SubStance, 1980-01, Vol.9 (2), p.25-28

Lovitt, Carl R.

1980

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Mixed and Misbegotten Metaphors: Text as Translation as Text

SubStance, 1977-07, Vol.6/7 (16), p.50-52

Lovitt, Carl R.

1977

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Rethinking Genre in the First-Year Composition Course: Helping Student Writers Get Things Done

Profession, 1997-01, p.113-125

1997

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Comment and Response

College English, 1986-09, Vol.48 (5), p.492-499

1986

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NOTES TOWARD A “REFLECTIVE INSTRUMENTALISM”: A Collaborative Look at Curricular Revision in Clemson University’s MAPC Program

Innovative Approaches to Teaching Technical Communication, 2004, p.93

2004

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"Locus Solus:" Literary Solitaire

SubStance, 1974-10, Vol.4 (10), p.95-109

Lovitt, Carl

1974

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A Comment on "From Astor Place to Kenyon Road"

College English, 1986-09, Vol.48 (5), p.498-498

Lovitt, Carl R.

1986

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The Rhetoric of Murderers' Confessional Narratives: The Model of Pierre Riviere's Memoir

The Journal of narrative technique, 1992-12, Vol.22 (1), p.23-34

Lovitt, Carl R.

1992

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The Rhetoric of Muderers' Confessional Narratives: The Model of Pierre Riviere's Memoir

The Journal of narrative technique, 1992-01, Vol.22 (1), p.23

Lovitt, Carl R

1992

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Permanence and Change

SubStance, 1983-01, Vol.12 (3), p.61-71

1983

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Metaphysical Postulates and Methods of Research

SubStance, 1983-01, Vol.12 (3), p.43-47

1983

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Observations on Determinism and Order

SubStance, 1983-01, Vol.12 (3), p.72-77

1983

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Assessment as a Team Effort: The Pearce Center Assessment Research Team

Lovitt, Carl R

1992

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MURDER IN THE FIRST PERSON: STRATEGY IN MURDERERS' NARRATIVES

LOVITT, CARL RAYMOND

1981

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The Psychological Structure of Fascism

New German critique, 1979-01, Vol.16 (16), p.64-87

1979

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Introduction: "Transformation.s"

SubStance, 1977-07, Vol.6/7 (16), p.3-6

1977

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The Fictional Development in "Le Maintien de l'Ordre"

SubStance, 1976-01, Vol.5 (13), p.45-51

1976

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India (The Black and the Archipelago) on Fire

SubStance, 1973-12, Vol.3 (8), p.49-60

1973

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Polylogue

Contemporary literature, 1978-07, Vol.19 (3), p.336-350

1978

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"Defoe's 'Almost Invisible Hand': Narrative Logic as a Structuring Principle in "Moll Flanders

The Scriblerian and the Kit-Cats, 1994, Vol.27 (1), p.16

Lovitt, Carl R

1994

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Interview with Michel Leiris

SubStance, 1975-01, Vol.4 (11/12), p.44-60

1975

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ça

SubStance, 1974-04, Vol.3 (9), p.167-170

1974

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Is Professional Writing Taught as a Service Course or as a Liberal Arts Course? Report on a National Survey

1990-04

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On the Oppositional Practices of Everyday Life

Social text, 1980-10, Vol.1 (3), p.3-43

1980

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Toward a Critique of the Political Economy of the Sign

SubStance, 1976-01, Vol.5 (15), p.111-116

1976

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The Longest Night

Mixed and Misbegotten Metaphors: Text as Translation as Text

Rethinking Genre in the First-Year Composition Course: Helping Student Writers Get Things Done

Comment and Response

NOTES TOWARD A “REFLECTIVE INSTRUMENTALISM”: A Collaborative Look at Curricular Revision in Clemson University’s MAPC Program

"Locus Solus:" Literary Solitaire

A Comment on "From Astor Place to Kenyon Road"

The Rhetoric of Murderers' Confessional Narratives: The Model of Pierre Riviere's Memoir

The Rhetoric of Muderers' Confessional Narratives: The Model of Pierre Riviere's Memoir

Permanence and Change

Metaphysical Postulates and Methods of Research

Observations on Determinism and Order

Assessment as a Team Effort: The Pearce Center Assessment Research Team

MURDER IN THE FIRST PERSON: STRATEGY IN MURDERERS' NARRATIVES

The Psychological Structure of Fascism

Introduction: "Transformation.s"

The Fictional Development in "Le Maintien de l'Ordre"

India (The Black and the Archipelago) on Fire

Polylogue

"Defoe's 'Almost Invisible Hand': Narrative Logic as a Structuring Principle in "Moll Flanders

Interview with Michel Leiris

ça

Is Professional Writing Taught as a Service Course or as a Liberal Arts Course? Report on a National Survey

On the Oppositional Practices of Everyday Life

Toward a Critique of the Political Economy of the Sign

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