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“Numbers, too, have significance”: Annotating Salman Rushdie

Journal of Commonwealth literature, 2017-03, Vol.52 (1), p.151-167

Mishra, Vijay

2017

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Salman Rushdie’s Authorial Self-fashioning in Joseph Anton

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.519-533

2017

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America’s Signal Crisis in Salman Rushdie’s Fury

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.484-500

2017

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“The Man Who Would Be Popular”: An Analysis of Salman Rushdie’s Twitter Feed

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.551-562

2017

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From Indianness to Englishness: The foreign selves of Michael Madhusudan Dutt, Nirad C. Chaudhuri, and Salman Rushdie’s Salahuddin Chamchawala

Journal of Commonwealth literature, 2018-09, Vol.53 (3), p.412-429

Chattopadhyay, Sayan

2018

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Salman Rushdie and Islamophobia

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.439-454

2017

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Profane cooks and minor condiments: Chutnification and “cooking the world” in Salman Rushdie’s Midnight’s Children

Journal of Commonwealth literature, 2022-03, Vol.57 (1), p.64-82

Ray, Shakuntala

2022

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Enabling spaces and the architecture of hybridity in Salman Rushdie’s The Enchantress of Florence

Journal of Commonwealth literature, 2011-09, Vol.46 (3), p.415-431

Thiara, Nicole Weickgenannt

2011

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Secularism and the death and return of the author: Rereading the Rushdie affair after Joseph Anton

Journal of Commonwealth literature, 2018-06, Vol.53 (2), p.316-331

Morton, Stephen

2018

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The fatwa and the philosophe: Rushdie, Voltaire, and Islam

Journal of Commonwealth literature, 2016-09, Vol.51 (3), p.465-482

Perchard, Adam

2016

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Authorship as Crisis in Salman Rushdie’s Fury

Journal of Commonwealth literature, 2005-03, Vol.40 (1), p.137-156

Brouillette, Sarah

2005

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Haroun and Luka: A study of Salman Rushdie’s talismanic stories

Journal of Commonwealth literature, 2014-06, Vol.49 (2), p.173-187

2014

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The Nation's Monstrous Women: Wives, Widows and Witches in Salman Rushdie's Midnight's Children

Journal of Commonwealth literature, 2008-06, Vol.43 (2), p.65-83

Weickgenannt, Nicole

2008

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“Can Only the Dead Speak?” Terror, Trauma and the Witness Traveller

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.467-483

2017

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Salman Rushdie and Aijaz Ahmad: Satire, Ideology and Shame

Journal of Commonwealth literature, 2004-06, Vol.39 (2), p.45-60

Teverson, Andrew

2004

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Padma or No Padma: Audience in the Adaptations of Midnight’s Children

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.501-518

2017

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Betrayed Sentiments: Joseph Anton and the Phraseology of Emotional Representation

Journal of Commonwealth literature, 2017-09, Vol.52 (3), p.534-550

2017

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“Turn Your Watch Upside Down in Bombay and You See the Time in London”: Catoptric Urban Configurations in Salman Rushdie's The Satanic Verses

Journal of Commonwealth literature, 2007-09, Vol.42 (3), p.5-24

Parashkevova, Vassilena

2007

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'You Must Remember This': Salman Rushdie's The Moor's Last Sigh

Journal of Commonwealth literature, 2000-01, Vol.35 (1), p.43-54

Baker, Stephen

2000

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Salman Rushdie’s The Satanic Verses: Hearing the Postcolonial Cinematic Novel

Journal of Commonwealth literature, 2005-09, Vol.40 (3), p.102-117

Ramachandran, Hema

2005

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Salman Rushdie, Author of the Captive’s Tale

Journal of Commonwealth literature, 2003-03, Vol.38 (1), p.113-133

Burningham, Bruce R.

2003

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“Both masters and victims of their times”: Engaging aporetic time in Midnight’s Children

Journal of Commonwealth literature, 2015-06, Vol.50 (2), p.164-178

O’Brien, Sean P.

2015

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Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger

Journal of Commonwealth literature, 2010-06, Vol.45 (2), p.275-293

Cristina Mendes, Ana

2010

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The future of disillusionment: Rushdie’s Fury and the politics of time

Journal of Commonwealth literature, 2013-06, Vol.48 (2), p.237-252

Frangos, Mike

2013

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‘‘You are an Anglo-Indian?’’ Eurasians and Hybridity and Cosmopolitanism in Salman Rushdie’s Midnight’s Children

Journal of Commonwealth literature, 2003-04, Vol.38 (2), p.125-145

Mijares, Loretta

2003

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“Numbers, too, have significance”: Annotating Salman Rushdie

Salman Rushdie’s Authorial Self-fashioning in Joseph Anton

America’s Signal Crisis in Salman Rushdie’s Fury

“The Man Who Would Be Popular”: An Analysis of Salman Rushdie’s Twitter Feed

From Indianness to Englishness: The foreign selves of Michael Madhusudan Dutt, Nirad C. Chaudhuri, and Salman Rushdie’s Salahuddin Chamchawala

Salman Rushdie and Islamophobia

Profane cooks and minor condiments: Chutnification and “cooking the world” in Salman Rushdie’s Midnight’s Children

Enabling spaces and the architecture of hybridity in Salman Rushdie’s The Enchantress of Florence

Secularism and the death and return of the author: Rereading the Rushdie affair after Joseph Anton

The fatwa and the philosophe: Rushdie, Voltaire, and Islam

Authorship as Crisis in Salman Rushdie’s Fury

Haroun and Luka: A study of Salman Rushdie’s talismanic stories

The Nation's Monstrous Women: Wives, Widows and Witches in Salman Rushdie's Midnight's Children

“Can Only the Dead Speak?” Terror, Trauma and the Witness Traveller

Salman Rushdie and Aijaz Ahmad: Satire, Ideology and Shame

Padma or No Padma: Audience in the Adaptations of Midnight’s Children

Betrayed Sentiments: Joseph Anton and the Phraseology of Emotional Representation

“Turn Your Watch Upside Down in Bombay and You See the Time in London”: Catoptric Urban Configurations in Salman Rushdie's The Satanic Verses

'You Must Remember This': Salman Rushdie's The Moor's Last Sigh

Salman Rushdie’s The Satanic Verses: Hearing the Postcolonial Cinematic Novel

Salman Rushdie, Author of the Captive’s Tale

“Both masters and victims of their times”: Engaging aporetic time in Midnight’s Children

Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger

The future of disillusionment: Rushdie’s Fury and the politics of time

‘‘You are an Anglo-Indian?’’ Eurasians and Hybridity and Cosmopolitanism in Salman Rushdie’s Midnight’s Children

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