UB Paderborn / Katalog / Suche / in CDI

Afterword

Comparative drama, 2022-04, Vol.56 (1/2), p.227-229

Holden, Nicholas

2022

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Verse Drama in England, 1900-2015: Art, Modernity and the National Stage

Comparative drama, 2019-03, Vol.53 (1-2), p.161

Wiggins, Kayla Mckinney

2019

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What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan

Comparative drama, 2023-12, Vol.57 (3), p.167-193

Gao, Yang

2023

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To Remind You Of My Love: London's Love Affair With The American Musical

Comparative drama, 2022-03, Vol.56 (1), p.93-124

MacDonald, Laura

2022

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Antonio Buero-Vallejo: Four Tragedies of Conscience

Comparative drama, 2009-07, Vol.43 (2), p.289

2009

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Romeo and Juliet: Parallel Texts of Quarto 1 (1597) and Quarto 2 (1599)

Comparative drama, 2009-07, Vol.43 (2), p.285

2009

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Keeping the Violence Out of Sight: Representing Systems of Oppression with Offstage Violence

Comparative drama, 2024-03, Vol.58 (1), p.131-150

Gilbert, Richard

2024

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"It's only a play": Ibsen's A Doll's House , and the Relevance of Historical Theatre

Comparative drama, 2022-09, Vol.56 (3), p.COV1

Quirk, Catherin

2022

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1619: The Dramatic Performance Traditions of North America's First Enslaved Africans

Comparative drama, 2021-12, Vol.55 (4), p.417-442

Dewulf, Jeroen

2021

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Introduction: There's No Place Like London: Theatrical Landscapes of a City in Recovery

Comparative drama, 2022-03, Vol.56 (1), p.1-11

2022

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Travel and Travail: Early Modern Women, English Drama, and the Wider World

Comparative drama, 2019-03, Vol.53 (1-2), p.166

2019

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Vondel's "Brothers" and the Power of Imagination

Comparative drama, 2015-04, Vol.49 (1), p.49-69

Bussels, Stijn

2015

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“Thou shalt knowen of oure privetee / Moore than a maister of dyvynytee”: Devils and Damnation in Chaucer’s Canterbury Tales and Marlowe’s Doctor Faustus

Comparative drama, 2021-06, Vol.55 (2), p.166-184

Greene, Darragh

2021

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Le Theatre du Soleil: The First Fifty-Five Years

Comparative Drama, 2022-12, Vol.56 (4), p.438-442

Jones, Nancy

2022

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Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Vision

Comparative drama, 2017-03, Vol.51 (1), p.129

2017

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Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen

Comparative drama, 2021-12, Vol.55 (4), p.443-463

Ma, Sheng-mei

2021

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Impregnable Towers and Pregnable Maidens in Early Modern English Drama

Comparative drama, 2019-03, Vol.53 (1/2), p.85-108

Reid, Lindsay Ann

2019

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Mapping Shakespeare's world

Comparative drama, 2016-12, Vol.50 (4), p.430

2016

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Xenophon and Plato in Elizabethan Culture: The Tyrant's Fear Before "Macbeth"

Comparative drama, 2017-12, Vol.51 (4), p.476-505

Dall'Olio, Francesco

2017

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"I Knew Not How to Call Her Now": The Bigamist's Second Wife in "The Witch Of Edmonton" and "All's Lost By Lust"

Comparative drama, 2016-12, Vol.50 (4), p.317-339

Nicol, David

2016

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“Home Away from Home”: Diasporic Consciousness and Everyday Third Places in Tom Murphy’s Conversations on a Homecoming (1985) and Inua Ellams’ Barber Shop Chronicles (2017)

Comparative drama, 2022-10, Vol.56 (3), p.256-282

Hong, Moonyoung

2022

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From Wilder’s Our Town (1938) to Churchill’s Escaped Alone (2016): Mediatization and the Collapse of the Large Into the Local

Comparative drama, 2022-10, Vol.56 (3), p.313-335

Proudfit, Scott

2022

Volltextzugriff (PDF)

“It’s only a play”: Ibsen’s A Doll’s House (1879), Adamson’s Wife (2019), and the Relevance of Historical Theatre

Comparative drama, 2022-09, Vol.56 (3), p.231-255

Quirk, Catherine

2022

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Stealing Shives: Titus Andronicus as Chaucerian Anti-Romance

Comparative drama, 2021-06, Vol.55 (2), p.185-210

Schreyer, Kurt

2021

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Paul Griffiths's let me tell you, Hamlet, and the Intertextual Mode of Literary Adaptation

Comparative drama, 2023-06, Vol.57 (1), p.57-85

Hamlin, Hannibal

2023

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Afterword

Verse Drama in England, 1900-2015: Art, Modernity and the National Stage

What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan

To Remind You Of My Love: London's Love Affair With The American Musical

Antonio Buero-Vallejo: Four Tragedies of Conscience

Romeo and Juliet: Parallel Texts of Quarto 1 (1597) and Quarto 2 (1599)

Keeping the Violence Out of Sight: Representing Systems of Oppression with Offstage Violence

"It's only a play": Ibsen's A Doll's House , and the Relevance of Historical Theatre

1619: The Dramatic Performance Traditions of North America's First Enslaved Africans

Introduction: There's No Place Like London: Theatrical Landscapes of a City in Recovery

Travel and Travail: Early Modern Women, English Drama, and the Wider World

Vondel's "Brothers" and the Power of Imagination

“Thou shalt knowen of oure privetee / Moore than a maister of dyvynytee”: Devils and Damnation in Chaucer’s Canterbury Tales and Marlowe’s Doctor Faustus

Le Theatre du Soleil: The First Fifty-Five Years

Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Vision

Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen

Impregnable Towers and Pregnable Maidens in Early Modern English Drama

Mapping Shakespeare's world

Xenophon and Plato in Elizabethan Culture: The Tyrant's Fear Before "Macbeth"

"I Knew Not How to Call Her Now": The Bigamist's Second Wife in "The Witch Of Edmonton" and "All's Lost By Lust"

“Home Away from Home”: Diasporic Consciousness and Everyday Third Places in Tom Murphy’s Conversations on a Homecoming (1985) and Inua Ellams’ Barber Shop Chronicles (2017)

From Wilder’s Our Town (1938) to Churchill’s Escaped Alone (2016): Mediatization and the Collapse of the Large Into the Local

“It’s only a play”: Ibsen’s A Doll’s House (1879), Adamson’s Wife (2019), and the Relevance of Historical Theatre

Stealing Shives: Titus Andronicus as Chaucerian Anti-Romance

Paul Griffiths's let me tell you, Hamlet, and the Intertextual Mode of Literary Adaptation

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