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THE RHETORICAL–THEATRICAL SENSIBILITY AS EQUIPMENT FOR LIVING

Etc., 2012-04, Vol.69 (2), p.186-196

2012

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Nat Turner: Misguided, 'fragmented, disjointed' Images

The Mississippi quarterly, 2019-01, Vol.72 (1), p.117-145

Cash, Jean W

2019

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Separatists, Integrationists, and William Styron's The Confessions of Nat Turner

The Mississippi quarterly, 2016-01, Vol.69 (1), p.65-92

LACKEY, MICHAEL

2016

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Intertextuality and the Historical Graphic Narrative: Kyle Baker's "Nat Turner" and the Styron Controversy

College literature, 2011-07, Vol.38 (3), p.168-193

Kunka, Andrew J.

2011

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Colonial Hauntings: Settler Colonialism and the Abject in Kenneth Cook's Fear Is the Rider

Journal of the Association for the Study of Australian Literature : JASAL, 2022-01, Vol.22 (1), p.1-10

Klik, Lukas

2022

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Silence Amid the Din of War: Sound and Vision in Brian Turner's My Life as a Foreign Country

WLA : war, literature & the arts, 2020-01, Vol.32, p.1-24

Mendible, Myra

2020

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Who Killed Robbie and Cecilia? Reading and Misreading Ian McEwan's Atonement

Critique - Bolingbroke Society, 2011-01, Vol.52 (1), p.55-73

Jacobi, Martin

2011

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Particles, Waves, and Stories: Janette Turner Hospital's Charades

Critique - Bolingbroke Society, 2007-07, Vol.48 (4), p.363-380

Callahan, David

2007

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Restless Americans: The Significance of Movement in American History (With a Nod to F. J. Turner)

Journal of American culture (Malden, Mass.), 2011-06, Vol.34 (2), p.161-174

Skidmore, Max J.

2011

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Gladys-Marie Fry's Night Riders in Black Folk History: Critical Race Theory and Black Folklore Practice

The Journal of American folklore, 2022-06, Vol.135 (537), p.332-337

Moody-Turner, Shirley

2022

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A Note on the William Carlos Williams Collection at The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York

William Carlos Williams review, 2013-10, Vol.30 (1-2), p.205-207

Maynard, James

2013

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“The Fantasy of Purity Is Appalling”: (De)constructing Identity in The Human Stain

Philip Roth studies, 2020-04, Vol.16 (1), p.92-110

Elliott, Richard

2020

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Mind the Audience: Forensic Rhetoric, Persuasion, and Identification by Reference to the Social Identity of Athenian dikastai

Rhetorica, 2024-01, Vol.42 (1), p.1-30

Adamidis, Vasileios

2024

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Additional Dialogue by...1 Versions of Shakespeare in the World's Multiplexes

Multicultural Shakespeare : translation, appropriation, and performance, 2013-12, Vol.10 (25), p.53

Paterson, Ronan

2013

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The Politics of Resentment and the Tyranny of the Minority: Rethinking Victimage for Resentful Times

Rhetoric Society quarterly, 2010-01, Vol.40 (4), p.303-325

Engels, Jeremy

2010

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The 1998 Neustadt International Prize for Literature: Jurors and Candidates

World literature today, 1998-01, Vol.72 (1), p.67-78

Clark, David Draper

1998

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Erasmus, "Apes of Cicero," and Conceptual Blending

Journal of the history of ideas, 2010-10, Vol.71 (4), p.523-545

Gouwens, Kenneth

2010

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FORMAL CAUSE, POIESIS, RHETORIC: A DIALOGUE

Etc., 2012-10, Vol.69 (4), p.441-458

2012

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The Contaminated Audience: Researching Amateur Theatre in Wales before 1939

New theatre quarterly, 2003-05, Vol.19 (2), p.169-176

Cochrane, Claire

2003

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State of nature

The New Criterion, 2015-11, Vol.34 (3), p.1

Green, Dominic

2015

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Ungrateful Children and Days of Mourning: Two Wampanoag Interpretations of the “First Thanksgiving” and Colonialism through the Centuries

The New England quarterly, 2020-12, Vol.93 (4), p.608-634

Silverman, David J.

2020

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On the Road: Robert Louis Stevenson's Views on Nature

New formations, 2008-03, Vol.64 (64), p.90-97

Gray, William

2008

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Distributive Measures: Theology and Economics in the Writings of Robert Crowley

Criticism (Detroit), 2005-03, Vol.47 (2), p.137-158

GRAHAM, KENNETH J. E.

2005

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In-Between the Color Lines with a Spy Camera: The Appalachian Urban Folk Photography of Isaiah Rice

Southern cultures, 2017-03, Vol.23 (1), p.92-113

2017

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“Thy Fame Shall Never Cease”: Ritualized Oratory and Mythmaking in Renaissance Reproductions of Elizabeth I's Tilbury Address

Narrative culture, 2021-01, Vol.8 (2), p.317-337

Seahorn, Christal

2021

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THE RHETORICAL–THEATRICAL SENSIBILITY AS EQUIPMENT FOR LIVING

Nat Turner: Misguided, 'fragmented, disjointed' Images

Separatists, Integrationists, and William Styron's The Confessions of Nat Turner

Intertextuality and the Historical Graphic Narrative: Kyle Baker's "Nat Turner" and the Styron Controversy

Colonial Hauntings: Settler Colonialism and the Abject in Kenneth Cook's Fear Is the Rider

Silence Amid the Din of War: Sound and Vision in Brian Turner's My Life as a Foreign Country

Who Killed Robbie and Cecilia? Reading and Misreading Ian McEwan's Atonement

Particles, Waves, and Stories: Janette Turner Hospital's Charades

Restless Americans: The Significance of Movement in American History (With a Nod to F. J. Turner)

Gladys-Marie Fry's Night Riders in Black Folk History: Critical Race Theory and Black Folklore Practice

A Note on the William Carlos Williams Collection at The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York

“The Fantasy of Purity Is Appalling”: (De)constructing Identity in The Human Stain

Mind the Audience: Forensic Rhetoric, Persuasion, and Identification by Reference to the Social Identity of Athenian dikastai

Additional Dialogue by...1 Versions of Shakespeare in the World's Multiplexes

The Politics of Resentment and the Tyranny of the Minority: Rethinking Victimage for Resentful Times

The 1998 Neustadt International Prize for Literature: Jurors and Candidates

Erasmus, "Apes of Cicero," and Conceptual Blending

FORMAL CAUSE, POIESIS, RHETORIC: A DIALOGUE

The Contaminated Audience: Researching Amateur Theatre in Wales before 1939

State of nature

Ungrateful Children and Days of Mourning: Two Wampanoag Interpretations of the “First Thanksgiving” and Colonialism through the Centuries

On the Road: Robert Louis Stevenson's Views on Nature

Distributive Measures: Theology and Economics in the Writings of Robert Crowley

In-Between the Color Lines with a Spy Camera: The Appalachian Urban Folk Photography of Isaiah Rice

“Thy Fame Shall Never Cease”: Ritualized Oratory and Mythmaking in Renaissance Reproductions of Elizabeth I's Tilbury Address

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