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Joel Augustus Rogers' race vindication: a Chicago Pullman Porter & the making of the From Superman to Man

The Western journal of black studies, 2011-12, Vol.35 (4), p.281

Asukile, Thabiti

2011

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'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

Theatre history studies, 2018, Vol.37 (1), p.225-255

O'Malley, Lurana Donnels

2018

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Black Byronism

Byron journal, 2017-06, Vol.45 (1), p.39-54

Sandler, Matt

2017

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HOWARD UNIVERSITY, THE NEW NEGRO MOVEMENT, AND THE MAKING OF AFRICAN AMERICAN VISUAL ARTS IN WASHINGTON, DC: Part 1

Callaloo, 2016-01, Vol.39 (5), p.983-998

Dodson, Howard

2016

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Lost Voices of the Harlem Renaissance: Writing Assigned at Howard University, 1919-31

College composition and communication, 1998-12, Vol.50 (2), p.232-257

Zaluda, Scott

1998

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Rewriting History: The Publication of W. E. B. Du Bois's "Black Reconstruction in America" (1935)

Book history, 2009-01, Vol.12 (1), p.266-294

Parfait, Claire

2009

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"We Must Write Like the White Men": Race, Realism, and Dunbar's Anomalous First Novel

Novel : a forum on fiction, 2004-07, Vol.37 (3), p.303-325

JARRETT, GENE

2004

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THE CONFOUNDING PROBLEM OF RACE: PASSING AND ADOPTION IN CHARLES CHESNUTT'S "THE QUARRY"

Modern fiction studies, 2002-07, Vol.48 (2), p.314-340

Callahan, Cynthia A.

2002

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Adventures in exoticism: the "Black life" novels of white writers

The Western journal of black studies, 2002-03, Vol.26 (1), p.6-15

Fikes, Jr., Robert

2002

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Joel Augustus Rogers' race vindication: a Chicago Pullman Porter & the making of the From Superman to Man

'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

Black Byronism

HOWARD UNIVERSITY, THE NEW NEGRO MOVEMENT, AND THE MAKING OF AFRICAN AMERICAN VISUAL ARTS IN WASHINGTON, DC: Part 1

Lost Voices of the Harlem Renaissance: Writing Assigned at Howard University, 1919-31

Rewriting History: The Publication of W. E. B. Du Bois's "Black Reconstruction in America" (1935)

"We Must Write Like the White Men": Race, Realism, and Dunbar's Anomalous First Novel

THE CONFOUNDING PROBLEM OF RACE: PASSING AND ADOPTION IN CHARLES CHESNUTT'S "THE QUARRY"

Adventures in exoticism: the "Black life" novels of white writers

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