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George Gissing and the Fictional Work of Biography

Studies in English Literature, 1500 - 1900, 2015-09, Vol.55 (4), p.879-897

KOTCH, AMANDA

2015

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Subjective Realism and Diligent Imagination: G.H. Lewes’s Theory of Psychology and George Eliot’s Impressions of Theophrastus Such

Victorian review, 2019, Vol.44 (2), p.197-214

Thompson, Scott C

2019

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The Novel of Purpose: Literature and Social Reform in the Anglo-American World

Victorian Studies, 2008, Vol.50 (2), p.353-355

Hack, Daniel

2008

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Reading the Victorian Novel’s Future in Never Let Me Go

Studies in the novel, 2023-12, Vol.55 (4), p.374-389

Du, Angela Yang

2023

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“Her soul cried out for some explanation”: Knowledge and Acknowledgment in George Eliot's Romola

George Eliot-George Henry Lewes studies, 2016-05, Vol.68 (1), p.43-59

Hoffman, Meechal

2016

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Large-Scale Sympathy and Simultaneity in George Eliot's "Romola"

Studies in English literature, 1500-1900, 2014-09, Vol.54 (4), p.853-874

JEWUSIAK, JACOB

2014

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Epic-graphic Proportions in George Eliot’s Middlemarch

Studies in English literature, 1500-1900, 2021-09, Vol.60 (4), p.805-824

Hall, Amelia

2021

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Middlemarch's Medium: Description, Sympathy, and Realism's Ambient Worlds

ELH, 2018-12, Vol.85 (4), p.999-1023

Hildebrand, Jayne

2018

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"The Natural History of My Inward Self": Sensing Character in George Eliot's "Impressions of Theophrastus Such"

PMLA : Publications of the Modern Language Association of America, 2014-01, Vol.129 (1), p.35-51

BRILMYER, S. PEARL

2014

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"THE BALANCE OF SEPARATENESS AND COMMUNICATION": COSMOPOLITAN ETHICS IN GEORGE ELIOT'S "DANIEL DERONDA"

ELH, 2012-06, Vol.79 (2), p.389-416

ALBRECHT, THOMAS

2012

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Writing the Philosemitic Novel: Daniel Deronda Revisited

Prooftexts, 2008-03, Vol.28 (2), p.129-156

Levenson, Alan T

2008

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POSSESSED INDIVIDUALISM IN GEORGE ELIOT'S DANIEL DERONDA

Victorian literature and culture, 2006-03, Vol.34 (1), p.271-289

Willburn, Sarah

2006

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"DANIEL DERONDA" AND THE LIMITS OF SERMONIC VOICE

Studies in the novel, 2008-12, Vol.40 (4), p.407-425

COLEMAN, DAWN

2008

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Tradition, Convergence, and Innovation The Literary Legacy of Anne Thackeray Ritchie

Victorian review, 2010-04, Vol.36 (1), p.164-184

MACKAY, CAROL HANBERY

2010

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The Anthology and the Rise of the Novel: From Richardson to George Eliot/George Eliot and Victorian Historiography: Imagining the National Past/Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film

Studies in the Novel, 2004, Vol.36 (2), p.251

Moody, Ellen

2004

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Recent Studies in the Nineteenth Century

Studies in English literature, 1500-1900, 1979-10, Vol.19 (4), p.721-755

Kroeber, Karl

1979

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George Gissing and the Fictional Work of Biography

Subjective Realism and Diligent Imagination: G.H. Lewes’s Theory of Psychology and George Eliot’s Impressions of Theophrastus Such

The Novel of Purpose: Literature and Social Reform in the Anglo-American World

Reading the Victorian Novel’s Future in Never Let Me Go

“Her soul cried out for some explanation”: Knowledge and Acknowledgment in George Eliot's Romola

Large-Scale Sympathy and Simultaneity in George Eliot's "Romola"

Epic-graphic Proportions in George Eliot’s Middlemarch

Middlemarch's Medium: Description, Sympathy, and Realism's Ambient Worlds

"The Natural History of My Inward Self": Sensing Character in George Eliot's "Impressions of Theophrastus Such"

"THE BALANCE OF SEPARATENESS AND COMMUNICATION": COSMOPOLITAN ETHICS IN GEORGE ELIOT'S "DANIEL DERONDA"

Writing the Philosemitic Novel: Daniel Deronda Revisited

POSSESSED INDIVIDUALISM IN GEORGE ELIOT'S DANIEL DERONDA

"DANIEL DERONDA" AND THE LIMITS OF SERMONIC VOICE

Tradition, Convergence, and Innovation The Literary Legacy of Anne Thackeray Ritchie

The Anthology and the Rise of the Novel: From Richardson to George Eliot/George Eliot and Victorian Historiography: Imagining the National Past/Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film

Recent Studies in the Nineteenth Century

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