UB Paderborn / Katalog / Suche / in CDI

Ophelia and Victorian visual culture : representing body politics in the nineteenth century

Rhodes, Kimberly

2008

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Q/F: The Texts of King Lear

Library, 2021-03, Vol.22 (1), p.3-32

Salkeld, Duncan

2021

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Painting Shakespeare : the artist as critic, 1720-1820

Sillars, Stuart

2006

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Case study: the Shakespeare Birthplace Trust How a major collections review was undertaken

Museums journal, 2020-01, Vol.120 (1), p.61

Sklar, Rosalyn

2020

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The Charlemont Library, the Sotheby Warehouse Fire of 1865, and the Vexed Provenance of British Library MS Egerton 1994

Library, 2022-03, Vol.23 (1), p.47-67

2022

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New Book Chronicle

Antiquity, 2019-08, Vol.93 (370), p.1111-1117

Nesbitt, Claire

2019

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Wordsworth's Fun by Matthew Bevis (review)

Eighteenth - Century Studies, 2021-04, Vol.54 (3), p.757-759

Fulk, Mark

2021

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Learned without Book: English Grammar Schools and the Place of Textbooks in Early Modern Education

The Sixteenth century journal, 2022-03, Vol.53 (1), p.169

Schrire, Ray

2022

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Suspending ekphrasis: Christopher Marlowe's 'Brazen World' in Part 2 of Tamburlaine the Great and its influence

Word & image (London. 1985), 2023-10, Vol.39 (4), p.402-416

Potter, Lucy

2023

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Falstaff on Tour: County, Town and Country in the Late Elizabethan Theatre

Renaissance studies, 2023-06, Vol.37 (3), p.384-398

Rhodes, Neil

2023

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Reading and the Making of Time in the Eighteenth Century by Christina Lupton (review)

Eighteenth - Century Studies, 2020-10, Vol.54 (1), p.253-255

Molesworth, Jesse

2020

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The Woman Hater by Frances Burney, and: The Belle’s Strategem by Hannah Cowley (review)

Eighteenth - Century Studies, 2021-07, Vol.54 (4), p.1005-1007

Balzo, Angelina Del

2021

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Filling in the Blanks in Early Modern Drama

The Huntington Library quarterly, 2022-06, Vol.85 (2), p.259-287

Dunne, Derek

2022

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Venice Preserved by Thomas Otway (review)

Eighteenth - Century Studies, 2020-01, Vol.53 (2), p.299-301

Del Balzo, Angelina

2020

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The Porter and the Jesuits: Macbeth and the Forgotten History of Equivocation

Renaissance studies, 2021-11, Vol.35 (5), p.837-856

Vince, Máté

2021

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Early Modern Spectatorship: Interpreting English Culture, 1500–1780 ed. by Ronald Huebert and David McNeil (review)

Eighteenth - Century Studies, 2021, Vol.54 (2), p.506-508

Jarvis, J. Ereck

2021

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The Graveyard and the Frontier: Hamlet among the Buffaloes

Representations (Berkeley, Calif.), 2022-08, Vol.159 (1), p.58-89

James, Heather

2022

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Proliferating Performance, Propagating Print: The Many Lives of Restoration Drama

The Huntington Library quarterly, 2022-04, Vol.85 (1), p.113-130

Watkins, Stephen

2022

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Jane Austen and Comedy ed. by Erin M. Goss, and: Satire, Celebrity, and Politics in Jane Austen by Jocelyn Harris, and: Jane Austen: Writing, Society, Politics by Tom Keymer (review)

Eighteenth - Century Studies, 2022, Vol.55 (2), p.239-242

Murray, Douglas

2022

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Shakespeare, Technicity, Theatre by W. B. Worthen, and: Shakespeare, Spectatorship, and the Technologies of Performance by Pascale Aebischer (review)

Technology and Culture, 2021-04, Vol.62 (2), p.652-654

Kriger, Sarah

2021

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From Restorer to Editor: The Evolution of Lewis Theobald’s Textual Critical Practice

Library, 2019-06, Vol.20 (2), p.147-171

Watson, Carly

2019

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The Cambridge History of the Gothic. Vol. 1: Gothic in the Long Eighteenth Century ed. by Angela Wright and Dale Townshend, and: The Cambridge History of the Gothic. Vol. 2: Gothic in the Nineteenth Century ed. by Dale Townshend and Angela Wright (review)

Eighteenth - Century Studies, 2021-07, Vol.54 (4), p.1012-1015

DeLucia, JoEllen Mary

2021

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A Recently Discovered Esther Inglis Manuscript

Library, 2018-12, Vol.19 (4), p.490-499

Ziegler, Georgianna

2018

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Bibliographical Principles and George Eld’s Quarto of Shakespeare’s Sonnets

Library, 2019-06, Vol.20 (2), p.216-223

Jackson, MacDonald P

2019

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Marina and the Market for Shakespeare in Eighteenth-Century Performance

Eighteenth-century studies, 2018-12, Vol.51 (2), p.163-178

Brown, Andrew S

2018

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Ophelia and Victorian visual culture : representing body politics in the nineteenth century

Q/F: The Texts of King Lear

Painting Shakespeare : the artist as critic, 1720-1820

Case study: the Shakespeare Birthplace Trust How a major collections review was undertaken

The Charlemont Library, the Sotheby Warehouse Fire of 1865, and the Vexed Provenance of British Library MS Egerton 1994

New Book Chronicle

Wordsworth's Fun by Matthew Bevis (review)

Learned without Book: English Grammar Schools and the Place of Textbooks in Early Modern Education

Suspending ekphrasis: Christopher Marlowe's 'Brazen World' in Part 2 of Tamburlaine the Great and its influence

Falstaff on Tour: County, Town and Country in the Late Elizabethan Theatre

Reading and the Making of Time in the Eighteenth Century by Christina Lupton (review)

The Woman Hater by Frances Burney, and: The Belle’s Strategem by Hannah Cowley (review)

Filling in the Blanks in Early Modern Drama

Venice Preserved by Thomas Otway (review)

The Porter and the Jesuits: Macbeth and the Forgotten History of Equivocation

Early Modern Spectatorship: Interpreting English Culture, 1500–1780 ed. by Ronald Huebert and David McNeil (review)

The Graveyard and the Frontier: Hamlet among the Buffaloes

Proliferating Performance, Propagating Print: The Many Lives of Restoration Drama

Jane Austen and Comedy ed. by Erin M. Goss, and: Satire, Celebrity, and Politics in Jane Austen by Jocelyn Harris, and: Jane Austen: Writing, Society, Politics by Tom Keymer (review)

Shakespeare, Technicity, Theatre by W. B. Worthen, and: Shakespeare, Spectatorship, and the Technologies of Performance by Pascale Aebischer (review)

From Restorer to Editor: The Evolution of Lewis Theobald’s Textual Critical Practice

The Cambridge History of the Gothic. Vol. 1: Gothic in the Long Eighteenth Century ed. by Angela Wright and Dale Townshend, and: The Cambridge History of the Gothic. Vol. 2: Gothic in the Nineteenth Century ed. by Dale Townshend and Angela Wright (review)

A Recently Discovered Esther Inglis Manuscript

Bibliographical Principles and George Eld’s Quarto of Shakespeare’s Sonnets

Marina and the Market for Shakespeare in Eighteenth-Century Performance

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