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Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance, Ella Hawkins (2022)

Studies in Costume & Performance, 2023-12, Vol.8 (2), p.308-311

Lowe, Eleanor

2023

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Shakespeare and Costume in Practice, Bridget Escolme (2020)

Studies in Costume & Performance, 2023-05, Vol.8 (1), p.133-135

Dorney, Kate

2023

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Revealing humanity in prison: An interview with Juan Carlos Meza on drama therapy, Shakespeare and a TEDxTalk

Drama therapy review, 2022-04, Vol.8 (1), p.137-142

2022

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Love and inequality

The Lancet, 2023-03, Vol.401 (10381), p.993-993

De Ambrogi, Marco

2023

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Review of Shakespeare's Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.67-68

Smith, Peter J.

2019

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Review of Shakespeare's Hamlet and As You Like It (directed by Federay Holmes and Elle While for the Globe Ensemble) at Shakespeare's Globe, London, 29 April and 30 May 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.69-72

Miller, Gemma

2019

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Review of Shakespeare and John Fletcher's The Two Noble Kinsmen (directed by Barrie Rutter) at Shakespeare's Globe, London, 28 May 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.73-76

Pellone, Elena

2019

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Review of Shakespeare's The Winter's Tale (directed by Blanche McIntyre) at Shakespeare's Globe, 27 June 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.81-82

Chernaik, Warren

2019

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Review of Shakespeare's Othello (directed by Claire van Kampen) at Shakespeare's Globe, London, 25 July 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.86-87

Lowman, Diane

2019

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Review of Shakespeare's The Tempest (directed by Antoni Cimolino for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 13 July 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.83-85

Ue, Tom

2019

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Kate Keepdown: Deb or Drab in Measure for Measure

ANQ (Lexington, Ky.), 2022-07, Vol.35 (3), p.204-208

Baker, Oliver Rowland

2022

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The undiscovered country

The Lancet (British edition), 2021-02, Vol.397 (10273), p.464-465

Ditum, Sarah

2021

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Interview: A Short Story

Psychological perspectives, 2024-04, Vol.67 (1-2), p.99-106

Molofsky, Merle

2024

Volltextzugriff (PDF)

Q/F: The Texts of King Lear

Library, 2021-03, Vol.22 (1), p.3-32

Salkeld, Duncan

2021

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The Brood-Devouring Earth: A Possible Source for the First Quatrain of Shakespeare’s Sonnet 19

Notes and queries, 2023-03, Vol.70 (1), p.16-17

Xu, Zixian

2023

Volltextzugriff (PDF)

Review of Shakespeare's The Winter's Tale (directed by Declan Donnellan for Cheek by Jowl) at Theatr Clwyd, Mold, 25 March 2017

Shakespeare (London, England), 2017-10, Vol.13 (4), p.356-358

Roberts, P. B.

2017

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Gangster Macbeths and Their Diseased Minds: Is Mental Illness a Successful 'Tool' to Make Macbeth Adaptations Work?

Quarterly review of film and video, 2023-01, Vol.40 (1), p.56-78

2023

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The art of valuation: Using visual analysis to price classical paintings by Swedish Masters

PloS one, 2024-01, Vol.19 (1), p.e0296906-e0296906

2024

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I will play the swan and die in music». Shakespeare y Lope de Vega ante la música teatral trágica

Anuario Lope de Vega, 2017-01, Vol.23, p.270-285

Gilabert, Gaston

2017

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Review of Hamlet, by William Shakespeare (Directed by Selina Cadell for Westbeth Entertainment, Mick Perrin Worldwide and John Gore) at the Greenwich House Theater in New York City, 20 February 2024

Shakespeare (London, England), 2024-07, Vol.20 (3), p.481-484

Tambasco, Tony

2024

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The pragmatics of royal discourse in William Shakespeare’s Henry

Journal of historical pragmatics, 2024-01, Vol.25 (1), p.1

Kizelbach, Urszula

2024

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Time out of joint

The Lancet (British edition), 2016-04, Vol.387 (10029), p.1713-1714

Boyce, Niall

2016

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Did Shakespeare Write Double Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

Psychological science, 2015-05, Vol.26 (5), p.570-582

2015

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‘The Sun for Sorrow Will Not Show His Head’: Shakespeare’s Romeo and Juliet and Virgil

Notes and queries, 2023-09, Vol.70 (3), p.174-175

Easting, Robert

2023

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Twelfth Night’s Moai: Le Solution Pour Maria’s ‘Fustian Riddle

Notes and queries, 2023-09, Vol.70 (3), p.170-174

Jones, Brett

2023

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Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance, Ella Hawkins (2022)

Shakespeare and Costume in Practice, Bridget Escolme (2020)

Revealing humanity in prison: An interview with Juan Carlos Meza on drama therapy, Shakespeare and a TEDxTalk

Love and inequality

Review of Shakespeare's Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

Review of Shakespeare's Hamlet and As You Like It (directed by Federay Holmes and Elle While for the Globe Ensemble) at Shakespeare's Globe, London, 29 April and 30 May 2018

Review of Shakespeare and John Fletcher's The Two Noble Kinsmen (directed by Barrie Rutter) at Shakespeare's Globe, London, 28 May 2018

Review of Shakespeare's The Winter's Tale (directed by Blanche McIntyre) at Shakespeare's Globe, 27 June 2018

Review of Shakespeare's Othello (directed by Claire van Kampen) at Shakespeare's Globe, London, 25 July 2018

Review of Shakespeare's The Tempest (directed by Antoni Cimolino for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 13 July 2018

Kate Keepdown: Deb or Drab in Measure for Measure

The undiscovered country

Interview: A Short Story

Q/F: The Texts of King Lear

The Brood-Devouring Earth: A Possible Source for the First Quatrain of Shakespeare’s Sonnet 19

Review of Shakespeare's The Winter's Tale (directed by Declan Donnellan for Cheek by Jowl) at Theatr Clwyd, Mold, 25 March 2017

Gangster Macbeths and Their Diseased Minds: Is Mental Illness a Successful 'Tool' to Make Macbeth Adaptations Work?

The art of valuation: Using visual analysis to price classical paintings by Swedish Masters

I will play the swan and die in music». Shakespeare y Lope de Vega ante la música teatral trágica

Review of Hamlet, by William Shakespeare (Directed by Selina Cadell for Westbeth Entertainment, Mick Perrin Worldwide and John Gore) at the Greenwich House Theater in New York City, 20 February 2024

The pragmatics of royal discourse in William Shakespeare’s Henry

Time out of joint

Did Shakespeare Write Double Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

‘The Sun for Sorrow Will Not Show His Head’: Shakespeare’s Romeo and Juliet and Virgil

Twelfth Night’s Moai: Le Solution Pour Maria’s ‘Fustian Riddle

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