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Metal and Mettle: Odyssean Elements of the Racialized Body and Oddsee's Hybridity in Suzan-Lori Parks' Father Comes Home from the Wars (Parts 1, 2 'amp; 3) (2015)

American journal of philology, 2022-12, Vol.143 (4), p.539-566

Eccleston, Sasha-Mae

2022

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The Cambridge Companion to American Women Playwrights

Murphy, Brenda

1999

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Philip Roth’s Radio Novels: Tuning in to I Married a Communist and The Plot against America

Studies in American fiction, 2022-03, Vol.49 (1), p.71-97

Kalisch, Michael

2022

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The Immigrant Critic as a Writer: Spirituality in Mikhail Nu’ayma’s Ayoub (1967)

Theory and practice in language studies, 2023-08, Vol.13 (8), p.2019-2025

2023

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The Death of Social Death: Im/possibility of Black Maternity in Angelina Weld Grimké's Rachel

SubStance, 2022-01, Vol.51 (2), p.3-20

Cunningham, Kym

2022

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An Interpretation of the Play After the Fall Based on Role- and -Value Cognitive Concept

Theory and practice in language studies, 2021-12, Vol.11 (12), p.1662-1667

Fang, Ying

2021

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Dialectic of Two Cultures: Edward Albee, C. P. Snow, and Who’s Afraid of Virginia Woolf? as Dramatized Epistemology

Partial answers, 2023, Vol.21 (1), p.91-111

Tranvik, Andreas

2023

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Study on Narrative Skills in John Irving’s Novels

Theory and practice in language studies, 2023, Vol.13 (1), p.202-206

2023

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An Orchestration of Narcissistic Expressions in John Osborne’s The Picture of Dorian Gray -A Moral Entertainment: A Reflection on Kohutian Self Psychology Psychoanalysis

Theory and practice in language studies, 2022-12, Vol.12 (12), p.2669-2677

2022

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Méprisé, mais pas méprisable – échec de la rhétorique de dissuasion dans Demain matin, Montréal m’attend de Michel Tremblay

Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2020, Vol.15 (4), p.301-308

Zacharow, Sebastian

2020

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A Few Bad Friends: Dynamics of Male Dominance and Failure of Masculine Bonding in David Mamet’s Glengarry Glen Ross

Arcadia, 2020-06, Vol.55 (1), p.122-141

Hashemi, Mahsa

2020

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Shades of Shakespeare in the Queering of Hill House

Critique - Bolingbroke Society, 2021-03, Vol.62 (2), p.152-165

Herren, Graley

2021

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Toward New Kinds of Truths: Staging Toni Morrison with “The Homophonic Trinity”

College literature, 2020-12, Vol.47 (4), p.664-670

Carpenter, Faedra Chatard

2020

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To Sound and to Absorb: Art, Solipsism and the Problem of Mediation in John Banville's the Blue Guitar and Wallace Stevens' "The Man with the Blue Guitar"

Critique - Bolingbroke Society, 2021-01, Vol.62 (1), p.112-122

Tan, Ian

2021

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Modernist Martyrdoms: Spender's Trial of a Judge and Anglo-German Verse Drama between the Wars

Modernism/modernity (Baltimore, Md.), 2021-09, Vol.28 (3), p.535-558

Feldman, Alex

2021

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Drama and Bloom's Canon

Symploke (Bloomington, Ind.), 2020-01, Vol.28 (1-2), p.455-460

MacKenzie, Gina Masucci

2020

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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Stonewall Offstage: Recontextualizing Tennessee Williams's Small Craft Warnings

Journal of modern literature, 2021-09, Vol.45 (1), p.150-168

Sakai, Takashi

2021

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People Know Him by Name: Time, Justice, and Memory in Toni Morrison’s Dreaming Emmett

College literature, 2020-12, Vol.47 (4), p.721-751

Williams, Rhaisa

2020

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A Mandate Fulfilled (1965–2017): The Writings of Herman Melville

Leviathan (Hempstead, N.Y.), 2019-06, Vol.21 (2), p.14-20

Parker, Hershel

2019

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What Counts: Social Drama and Connectedness in Flannery O'Connor's "The River" and "Revelation"

Mosaic (Winnipeg), 2016-09, Vol.49 (3), p.143-158

VISSER, IRENE

2016

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The Mouth of the Canyon

Indiana review, 2017-07, Vol.39 (1), p.5

Walker, Jessica

2017

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Unghosting Bones: Resistant Play(s) versus the Legacy of Carlisle Indian Industrial School

Studies in American Indian literatures, 2020-03, Vol.32 (1-2), p.159-187

Shook, Jen

2020

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‘All the world’s a [post-apocalyptic] stage: The Future of Shakespeare in Emily St. John Mandel’s Station Eleven

Critical survey (Oxford, England), 2021-06, Vol.33 (2), p.1-16

Conaway, Charles

2021

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Michel Fabre's Capacious Intelligence

Studies in the novel, 2019-04, Vol.51 (1), p.6-9

Muyumba, Walton

2019

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Metal and Mettle: Odyssean Elements of the Racialized Body and Oddsee's Hybridity in Suzan-Lori Parks' Father Comes Home from the Wars (Parts 1, 2 'amp; 3) (2015)

The Cambridge Companion to American Women Playwrights

Philip Roth’s Radio Novels: Tuning in to I Married a Communist and The Plot against America

The Immigrant Critic as a Writer: Spirituality in Mikhail Nu’ayma’s Ayoub (1967)

The Death of Social Death: Im/possibility of Black Maternity in Angelina Weld Grimké's Rachel

An Interpretation of the Play After the Fall Based on Role- and -Value Cognitive Concept

Dialectic of Two Cultures: Edward Albee, C. P. Snow, and Who’s Afraid of Virginia Woolf? as Dramatized Epistemology

Study on Narrative Skills in John Irving’s Novels

An Orchestration of Narcissistic Expressions in John Osborne’s The Picture of Dorian Gray -A Moral Entertainment: A Reflection on Kohutian Self Psychology Psychoanalysis

Méprisé, mais pas méprisable – échec de la rhétorique de dissuasion dans Demain matin, Montréal m’attend de Michel Tremblay

A Few Bad Friends: Dynamics of Male Dominance and Failure of Masculine Bonding in David Mamet’s Glengarry Glen Ross

Shades of Shakespeare in the Queering of Hill House

Toward New Kinds of Truths: Staging Toni Morrison with “The Homophonic Trinity”

To Sound and to Absorb: Art, Solipsism and the Problem of Mediation in John Banville's the Blue Guitar and Wallace Stevens' "The Man with the Blue Guitar"

Modernist Martyrdoms: Spender's Trial of a Judge and Anglo-German Verse Drama between the Wars

Drama and Bloom's Canon

Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Stonewall Offstage: Recontextualizing Tennessee Williams's Small Craft Warnings

People Know Him by Name: Time, Justice, and Memory in Toni Morrison’s Dreaming Emmett

A Mandate Fulfilled (1965–2017): The Writings of Herman Melville

What Counts: Social Drama and Connectedness in Flannery O'Connor's "The River" and "Revelation"

The Mouth of the Canyon

Unghosting Bones: Resistant Play(s) versus the Legacy of Carlisle Indian Industrial School

‘All the world’s a [post-apocalyptic] stage: The Future of Shakespeare in Emily St. John Mandel’s Station Eleven

Michel Fabre's Capacious Intelligence

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