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The Breslau Academy of Fine and Applied Arts

Beyond the Bauhaus, 2016, p.81

Barnstone, Deborah Ascher

2016

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Architecture and Urban Planning as Social Engineering: Selective Transfers between Germany and Sweden in the 1930s and 1940s

Journal of contemporary history, 2016-01, Vol.51 (1), p.22-39

Kuchenbuch, David

2016

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Positive and Negative Integration: The First World War in France and Germany

Art and Politics, 2016, p.17-30

Segal, Joes

2016

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The Peripatetic Viewer at Heartfield's "Film und Foto" Exhibition Room

October, 2014-10, Vol.150 (150), p.27-48

Zervigon, Andrés Mario

2014

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Architecture, Individualism, and Nation: Henry van de Velde's 1914 Werkbund Theater Building

The Art bulletin (New York, N.Y.), 2012-06, Vol.94 (2), p.251-273

Kuenzli, Katherine M.

2012

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Mass-Produced Merchandise and Standardized Stores: Karl Schneider's Designs for Sears, Roebuck and Co. (1938-45)

Getty research journal, 2012-01, Vol.4 (4), p.173-180

Musicant, Marlyn

2012

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Conclusion

The Total Work of Art in European Modernism, 2011, p.255

David Roberts

2011

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The Mole and the Multiple: A Chiasmus of Character

New literary history, 2011-04, Vol.42 (2), p.255-276

Murphet, Julian

2011

Volltextzugriff (PDF)

Berlin in Pictures: Weimar City and the Loss of Landscape

New German critique, 2010, Vol.37 (1), p.1-25

Paenhuysen, An

2010

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Modernism Reconsidered: The Kultur-Zivilisation Dichotomy in the Work of Adolf Rading

New German critique, 2009-10, Vol.36 (3), p.39-71

Barnstone, Deborah Ascher

2009

Volltextzugriff (PDF)

Toward a Cosmopolitan Ethics in Architecture: Bruno Taut's Translations out of Germany

New German critique, 2006-10, Vol.33 (3), p.7-39

Akcan, Esra

2006

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Modernism and the Museum Revisited

New German critique, 2006-10, Vol.33 (3), p.209-233

McBride, Douglas Brent

2006

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The Work of Art and the Problem of Politics in Berlin Dada

October, 2003-07, Vol.105 (105), p.73-92

Doherty, Brigid

2003

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A Nation in White: Germany’s Hygienic Consensus and the Ambiguities of Modernist Architecture

German politics and society, 2001-12, Vol.19 (4), p.1-42

Rollins, Williams

2001

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Wohnfords, or German Modern Architecture and the Appeal of Americanism

Utopian studies, 1997-03, Vol.8 (2), p.48-65

PEACH, MARK

1997

Volltextzugriff (PDF)

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The Breslau Academy of Fine and Applied Arts

Architecture and Urban Planning as Social Engineering: Selective Transfers between Germany and Sweden in the 1930s and 1940s

Positive and Negative Integration: The First World War in France and Germany

The Peripatetic Viewer at Heartfield's "Film und Foto" Exhibition Room

Architecture, Individualism, and Nation: Henry van de Velde's 1914 Werkbund Theater Building

Mass-Produced Merchandise and Standardized Stores: Karl Schneider's Designs for Sears, Roebuck and Co. (1938-45)

Conclusion

The Mole and the Multiple: A Chiasmus of Character

Berlin in Pictures: Weimar City and the Loss of Landscape

Modernism Reconsidered: The Kultur-Zivilisation Dichotomy in the Work of Adolf Rading

Toward a Cosmopolitan Ethics in Architecture: Bruno Taut's Translations out of Germany

Modernism and the Museum Revisited

The Work of Art and the Problem of Politics in Berlin Dada

A Nation in White: Germany’s Hygienic Consensus and the Ambiguities of Modernist Architecture

Wohnfords, or German Modern Architecture and the Appeal of Americanism

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