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MAXENT GRAMMARS FOR THE METRICS OF SHAKESPEARE AND MILTON

Language (Baltimore), 2012-12, Vol.88 (4), p.691-731

2012

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“The Fragments, Scraps, the Bits and Greasy Relics”: Shakespeare and the Eighteenth-Century Poetic Miscellany

Eighteenth-century life, 2017-01, Vol.41 (1), p.7-31

Salamone, Christopher

2017

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Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

Multicultural Shakespeare : translation, appropriation, and performance, 2016-12, Vol.14 (1), p.73-85

Hamana, Emi

2016

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“Thou art translated”: Remapping Hideki Noda and Satoshi Miyagi’s A Midsummer Night’s Dream in Post-March 11 Japan

Multicultural Shakespeare : translation, appropriation, and performance, 2016-12, Vol.14 (1), p.51-72

Eglinton, Mika

2016

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"Othello" in Tokyo: Performing Race and Empire in 1903 Japan

Shakespeare quarterly, 2011-12, Vol.62 (4), p.514-540

Tierney, Robert

2011

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Tacky “Shakespeares” in Japan

Multicultural Shakespeare : translation, appropriation, and performance, 2013-12, Vol.10 (25), p.83-97

Yoshihara, Yukari

2013

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Shakespeare in Toyo-o Iwata: In Regard to the Context of Hamlet directed by Tsuneari Fukuda (1955)

Comparative Theatre Review, 2020, Vol.19(1), pp.23-37

INOUE, Masaru

2020

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Theatrical Temporality and Historical Consciousness in "The Famous Victories of Henry V"

Theatre journal (Washington, D.C.), 2007-03, Vol.59 (1), p.57-73

Walsh, Brian

2007

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Sejanus: His Fall, and: Sir Thomas More (review)

Theatre Journal, 2006-03, Vol.58 (1), p.127-131

McDermott, Kristen

2006

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Macbeth and Hercules

Renaissance studies, 2006-06, Vol.20 (3), p.356-378

Zimmermann, Heiner

2006

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Laugh and Learn: Using Humor to Teach Tragedy

English journal, 1999-03, Vol.88 (4), p.53-58

Ruggieri, Colleen A.

High school edition, 1999

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‘Materialism’, Dialectics, and Editing Shakespeare

New theatre quarterly, 1994-08, Vol.10 (39), p.263-266

Posener, Alan

1994

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Shakespeare and the Problem of Adaptation

Shakespeare Quarterly, 2010, Vol.61 (2), p.265-268

Kahn, Coppélia

2010

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Talking to the Audience: Shakespeare, Performance, Self

Shakespeare Quarterly, 2006, Vol.57 (2), p.232-234

Aebischer, Pascale

2006

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MAXENT GRAMMARS FOR THE METRICS OF SHAKESPEARE AND MILTON

“The Fragments, Scraps, the Bits and Greasy Relics”: Shakespeare and the Eighteenth-Century Poetic Miscellany

Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

“Thou art translated”: Remapping Hideki Noda and Satoshi Miyagi’s A Midsummer Night’s Dream in Post-March 11 Japan

"Othello" in Tokyo: Performing Race and Empire in 1903 Japan

Tacky “Shakespeares” in Japan

Shakespeare in Toyo-o Iwata: In Regard to the Context of Hamlet directed by Tsuneari Fukuda (1955)

Theatrical Temporality and Historical Consciousness in "The Famous Victories of Henry V"

Sejanus: His Fall, and: Sir Thomas More (review)

Macbeth and Hercules

Laugh and Learn: Using Humor to Teach Tragedy

‘Materialism’, Dialectics, and Editing Shakespeare

Shakespeare and the Problem of Adaptation

Talking to the Audience: Shakespeare, Performance, Self

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