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Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

Ethnomusicology, 2017-07, Vol.61 (2), p.181-206

DeCoste, Kyle

2017

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Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism

Ethnomusicology, 2021-10, Vol.65 (3), p.519-548

Snyder, Andrew

2021

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“Under the Bridge”: An Orientation to Soundscapes in New Orleans

Ethnomusicology, 2010, Vol.54 (1), p.1-27

Sakakeeny, Matt

2010

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Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

Southern cultures, 2015-09, Vol.21 (3), p.75-84

Urban, Michael

2015

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Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

The Journal of American history (Bloomington, Ind.), 2007-12, Vol.94 (3), p.820-827, Article 820

White, Michael G.

2007

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Time of My Life: A Jazz Journey from London to New Orleans

Music Library Association. Notes, 2021-03, Vol.77 (3), p.430-432

Munandar, Ana

2021

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"Sing Us Back Home": Music, Place, and the Production of Locality in Post-Katrina New Orleans

Popular music and society, 2010-05, Vol.33 (2), p.179-202

2010

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Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

Anthropology and humanism, 2022-06, Vol.47 (1), p.4-19

2022

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New Orleans and the Creation of Early Jazz

Popular music and society, 2006-07, Vol.29 (3), p.299-315

Carney, Court

2006

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Music Lessons as Life Lessons in New Orleans Marching Bands

Souls (Boulder, Colo.), 2015-10, Vol.17 (3-4), p.279-302

Sakakeeny, Matt

2015

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After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Journal of American studies, 2010-08, Vol.44 (3), p.483-501

TAYLOR, HELEN

2010

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Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

Popular music and society, 2008-05, Vol.31 (2), p.201-212

Roberts, Robin

2008

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On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

American quarterly, 2009-09, Vol.61 (3), p.649-669

Jabir, Johari

2009

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The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

Journal of historical research in music education, 2022-04, Vol.43 (2), p.205-227

Milburn, Claire

2022

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New Orleans: Interstate appeal

Billboard, 2000-04, Vol.112 (16), p.39

Spera, Keith

2000

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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Performing the Post-Traumatic City: Treme and the Politics of Urban Space

American studies (Lawrence), 2017-01, Vol.5/6 (4/1), p.119-231

Pattison, Dale

2017

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Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty

American music (Champaign, Ill.), 2022-09, Vol.40 (3), p.388-413

Prouty, Ken

2022

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The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

Black music research journal, 1997-04, Vol.17 (1), p.59-80

Washburne, Christopher

1997

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The Nineteenth-Century Origins of Jazz

Black Music Research Journal, 2002-01, Vol.22 (1), p.151-174

Gushee, Lawrence

2002

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The Storyville Exodus Revisited, or Why Louis Armstrong Didn’t Leave in November 1917, Like the Movie Said He Did

The Southern quarterly, 2015, Vol.52 (2), p.10-33

Raeburn, Bruce Boyd

2015

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The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music

Southern cultures, 2007-09, Vol.13 (3), p.87-105

Le Menestrel, Sara

2007

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The Marsalis Family and the Democratic Imperative in Jazz

Race & class, 2001-07, Vol.43 (1), p.1-28

Ellison, Mary

2001

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Rhythms of Culture: Djembe and African Memory in African-American Cultural Traditions

Black music research journal, 2013-09, Vol.33 (2), p.227-247

Price, Tanya Y.

2013

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Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism

“Under the Bridge”: An Orientation to Soundscapes in New Orleans

Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

Time of My Life: A Jazz Journey from London to New Orleans

"Sing Us Back Home": Music, Place, and the Production of Locality in Post-Katrina New Orleans

Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

New Orleans and the Creation of Early Jazz

Music Lessons as Life Lessons in New Orleans Marching Bands

After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

New Orleans: Interstate appeal

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Ellis Marsalis with Charles Henry Rowell

Performing the Post-Traumatic City: Treme and the Politics of Urban Space

Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty

The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

The Nineteenth-Century Origins of Jazz

The Storyville Exodus Revisited, or Why Louis Armstrong Didn’t Leave in November 1917, Like the Movie Said He Did

The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music

The Marsalis Family and the Democratic Imperative in Jazz

Rhythms of Culture: Djembe and African Memory in African-American Cultural Traditions

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