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‘The silent Arachnes that weave unrestingly in our Imagination’: The Industrial Metaphoric Web in Thomas Carlyle’s Sartor Resartus

Cahiers victoriens & édouardiens, 2018-06, Vol.87 (87 Printemps), p.1-13

Laniel, Marie

2018

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Proust’s Ruskin: From Illustration to Illumination

Cahiers victoriens & édouardiens, 2020-06, Vol.91 (91 Printemps), p.1-18

Eells, Emily

2020

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‘Modern gardeners’ with Rustic Ideals: Fruitful Congruencies between John Ruskin and William Robinson

Cahiers victoriens & édouardiens, 2020-06, Vol.91 (91 Printemps), p.1-16

Wasilewski, Aurélien

2020

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Victorian Designs of Industrial Desire

Cahiers victoriens & édouardiens, 2018-06, Vol.87 (87 Printemps), p.1-17

Laurent, Béatrice

2018

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Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring), p.1-12

Raimbault, Elodie

2019

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Introduction: Victorian and Edwardian Interiors

Cahiers victoriens & édouardiens, 2023-03 (97 Printemps), p.1-6

2023

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Better Than the Real Thing: Processed Reality in Victorian Art and Fiction

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring), p.1-11

Laurent, Béatrice

2019

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Female Offenders at the Confluence of Medical and Penal Discourses: Towards a Gender-Specific Criminology (1860s-1920s)

Cahiers victoriens & édouardiens, 2018-06, Vol.2018 (87 Printemps), p.1-11

Bonzom, Alice

2018

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Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring), p.1-17

Teulié, Gilles

2019

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‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907)

Cahiers victoriens & édouardiens, 2022-10, Vol.96 (96 Automne), p.1-18

Saudo-Welby, Nathalie

2022

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Ordinary authors, extraordinary writings

Cahiers victoriens & édouardiens, 2022-03, Vol.95 (95 Printemps), p.1-14

2022

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‘Gall and wormwood’ – The Compositors’ Chronicle (1840–43) as Collaborative Journal

Cahiers victoriens & édouardiens, 2022-04, Vol.95 (95 Printemps), p.1-17

Baillet, Françoise

2022

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The ‘one bright light’ of Life in a Dark Cell: Reading and Writing in Victorian and Edwardian English Prisons

Cahiers victoriens & édouardiens, 2022-03, Vol.2022 (95 Printemps), p.1-16

Bonzom, Alice

2022

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Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908)

Cahiers victoriens & édouardiens, 2023-01, Vol.97 (97 Printemps), p.1-12

Mellet, Laurent

2023

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‘An unbidden guest at your table’: Purity, danger and the house-fly in the middle-class home, c. 1870-1910

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.12-12

Davie, Neil

2017

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From Monster to Ancestor: The Emergence and Animation of the Deep Past

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.19-19

Somerset, Richard

2017

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Why Animals Can Make Us Better Victorianists

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.1-10

Moine, Fabienne

2017

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The Ambivalent Identity of Eighteenth-Century London Clubs as a Prelude to Victorian Clublife

Cahiers victoriens & édouardiens, 2015-09, Vol.81 (81 Printemps), p.12

Capdeville, Valérie

2015

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French Beliefs: Walter Pater and Contemporary French Fiction

Cahiers victoriens & édouardiens, 2020-03, Vol.90 (90 Automne)

Coste, Bénédicte

2020

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Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic

Cahiers victoriens & édouardiens, 2018-06, Vol.87 (87 Printemps), p.1-14

Dupeyron-Lafay, Françoise

2018

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Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles

Cahiers victoriens & édouardiens, 2019-12, Vol.90 (90 Automne)

Lanone, Catherine

2019

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Running to Freedom: The Flight of the Fathers of Illegitimate Children to the Colonies of the British Empire, 1875-1901

Cahiers victoriens & édouardiens, 2016-06, Vol.83 (83 Printemps), p.2

Pellegry, Florence

2016

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Newman’s Poetry: The Heart of a Victorian Renaissance Project

Cahiers victoriens & édouardiens, 2022-03, Vol.95 (95 Printemps), p.1-14

Somoko, Dampi

2022

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From Victorian Buildings to the Victorian Built Heritage: Victorian studies and the Re-interpretation of 19th-century architecture

Cahiers victoriens & édouardiens, 2016-06, Vol.83 (83 Printemps), p.2

Cases, Isabelle

2016

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Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring)

Wasilewski, Aurélien

2019

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‘The silent Arachnes that weave unrestingly in our Imagination’: The Industrial Metaphoric Web in Thomas Carlyle’s Sartor Resartus

Proust’s Ruskin: From Illustration to Illumination

‘Modern gardeners’ with Rustic Ideals: Fruitful Congruencies between John Ruskin and William Robinson

Victorian Designs of Industrial Desire

Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories

Introduction: Victorian and Edwardian Interiors

Better Than the Real Thing: Processed Reality in Victorian Art and Fiction

Female Offenders at the Confluence of Medical and Penal Discourses: Towards a Gender-Specific Criminology (1860s-1920s)

Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes

‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907)

Ordinary authors, extraordinary writings

‘Gall and wormwood’ – The Compositors’ Chronicle (1840–43) as Collaborative Journal

The ‘one bright light’ of Life in a Dark Cell: Reading and Writing in Victorian and Edwardian English Prisons

Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908)

‘An unbidden guest at your table’: Purity, danger and the house-fly in the middle-class home, c. 1870-1910

From Monster to Ancestor: The Emergence and Animation of the Deep Past

Why Animals Can Make Us Better Victorianists

The Ambivalent Identity of Eighteenth-Century London Clubs as a Prelude to Victorian Clublife

French Beliefs: Walter Pater and Contemporary French Fiction

Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic

Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles

Running to Freedom: The Flight of the Fathers of Illegitimate Children to the Colonies of the British Empire, 1875-1901

Newman’s Poetry: The Heart of a Victorian Renaissance Project

From Victorian Buildings to the Victorian Built Heritage: Victorian studies and the Re-interpretation of 19th-century architecture

Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)

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