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S. Rebecca Martin and Stephanie M. Langin-Hooper. The Tiny and the Fragmented: Miniature, Broken or Otherwise Incomplete Objects from the Ancient World . New York: Oxford University Press, 2018. 248 pp

Critical inquiry, 2021-01, Vol.47 (2), p.410-410

Elsner, Jaś

2021

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On the Problem of Describing and Interpreting Works of the Visual Arts

Critical inquiry, 2012-03, Vol.38 (3), p.467-482

Panofsky, Erwin

2012

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Emily J. Levine. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School . Chicago: University of Chicago Press, 2013. 464 pp

Critical inquiry, 2016-01, Vol.42 (2), p.417-417

Elsner, Jas'

2016

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Beyond Compare: Pagan Saint and Christian God in Late Antiquity

Critical inquiry, 2009, Vol.35 (3), p.655-683

Elsner, Jas'

2009

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From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of Kunstwollen

Critical inquiry, 2006-06, Vol.32 (4), p.741-766

Elsner, Jas'

2006

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On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art

Critical inquiry, 2008-09, Vol.35 (1), p.43-71

Panofsky, Erwin

2008

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From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept of "Kunstwollen"

Critical inquiry, 2006, Vol.32 (4), p.741

Jas' Elsner

2006

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From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept ofKunstwollen

Critical inquiry, 2006-06, Vol.32 (4), p.741-766

Elsner, Jas’

2006

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Introduction: Holy by Special Application

Critical inquiry, 2009, Vol.35 (3), p.375-379

2009

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S. Rebecca Martin and Stephanie M. Langin-Hooper. The Tiny and the Fragmented: Miniature, Broken or Otherwise Incomplete Objects from the Ancient World . New York: Oxford University Press, 2018. 248 pp

On the Problem of Describing and Interpreting Works of the Visual Arts

Emily J. Levine. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School . Chicago: University of Chicago Press, 2013. 464 pp

Beyond Compare: Pagan Saint and Christian God in Late Antiquity

From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of Kunstwollen

On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art

From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept of "Kunstwollen"

From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept ofKunstwollen

Introduction: Holy by Special Application

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