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Reassessing Epistemic Images in the Early Modern World

Noyes, Ruth

2022

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Reassessing Epistemic Images in the Early Modern World

Noyes, Ruth

1, 2022

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COUNT MICHAŁ JAN BORCH AS PATRON AND COLLECTOR: ART BETWEEN ITALY AND THE INFLANTY VOIVODESHIP IN THE AGE OF PARTITION

Baltic journal of art history, 2022-01, Vol.22, p.9-70

Sargent Noyes, Ruth

2022

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‘Purest Bones, Sweet Remains, and Most Sacred Relics.’ Re-Fashioning St. Kazimierz Jagiellończyk (1458–84) as a Medieval Saint between Counter-Reformation Italy and Poland-Lithuania

Religions (Basel, Switzerland ), 2021-11, Vol.12 (11), p.1011

Noyes, Ruth Sargent

2021

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Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni

Noyes, Ruth S.

1, 2018

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The Art and Culture of Scandinavian Central Europe, 1550–1720. Kristoffer Neville. University Park: Pennsylvania State University Press, 2019. xvi + 222 pp. + color pls. $89.95

Renaissance Quarterly, 2021-07, Vol.74 (2), p.599-601

Noyes, Ruth Sargent

2021

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Mattheus Greuter's Sunspot Etchings for Galileo Galilei's Macchie Solari (1613)

The Art bulletin (New York, N.Y.), 2016-12, Vol.98 (4), p.466-487

Noyes, Ruth S.

2016

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Rubens’s Chiesa Nuova altarpiece and the question of Counter-Reformation iconoclasm

Res (Cambridge, Mass.), 2017-11, Vol.67 (67/68), p.177-192

NOYES, RUTH S.

2017

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On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over the Beati moderni in Rome ca. 1600

Renaissance quarterly, 2011-09, Vol.64 (3), p.800-846

Noyes, Ruth S.

2011

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"AUT NUMQUID POST ANNOS MILLE QUINGENTOS DOCENDA EST ECCLESIA CATHOLICA QUOMODO SACRAE IMAGINES PINGANTUR?" POST-TRIDENTINE IMAGE REFORM AND THE MYTH OF GABRIELE PALEOTTI

The Catholic historical review, 2013-04, Vol.99 (2), p.239-261

Noyes, Ruth S.

2013

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“To see at Least in an Image the Semblance of a Friend ...” Representing the Family of Pacowie Between Baroque Tuscany and Lithuania

Kauno istorijos metraštis, 2022, Vol.20 (20), p.161-176

Noyes, Ruth Sargent

2022

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Art and Reform in the Late Renaissance: After Trent, edited by Jesse Locker

Journal of Jesuit studies, 2020-04, Vol.7 (3), p.507-510

Noyes, Ruth Sargent

2020

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The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”

Ars Judaica : the Bar-Ilan journal of Jewish art, 2021-01, Vol.17 (1), p.25-59

2021

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Globalizing early modern central and eastern European art : a discussion forum

Art East Central, 2022 (2), p.11-47

2022

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‘Baltic catacombs.’ Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800

Open research Europe, 2021, Vol.1, p.18-18

2021

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Has not pleased

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati Moderni, 2018, p.204-249

Noyes, Ruth S.

1, 2018

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Keep a close eye

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati Moderni, 2018, p.88-148

Noyes, Ruth S.

1, 2018

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Incredible costs

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati Moderni, 2018, p.149-203

Noyes, Ruth S.

1, 2018

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Give it to me

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati Moderni, 2018, p.250-294

Noyes, Ruth S.

1, 2018

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Among the others

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati Moderni, 2018, p.35-87

Noyes, Ruth S.

1, 2018

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On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over theBeati moderniin Rome ca. 1600

Renaissance quarterly, 2011-09, Vol.64 (3), p.800-846

Noyes, Ruth S.

2011

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Meticulous Matrices : Building a Chronology of Albrecht Dürer’s Meisterstiche Impressions through the Analysis and Documentation of Microscopic Scratches in His Engraved Plates

Reassessing Epistemic Images in the Early Modern World, 2022, Vol.3, p.83-108

2022

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Prologue: For a Metaphorology of Engraving: From Epistemic Images to an Imaged Epistemology

Reassessing Epistemic Images in the Early Modern World, 2022, Vol.3, p.9-24

2022

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Illustrating the Vernacular Body : Juan Valverde de Amusco and the Art of Embodied Anatomy

Reassessing Epistemic Images in the Early Modern World, 2022, Vol.3, p.243-264

2022

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Sequencing Vesalius’s De Humani Corporis Fabrica

Reassessing Epistemic Images in the Early Modern World, 2022, Vol.3, p.59-82

2022

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Reassessing Epistemic Images in the Early Modern World

Reassessing Epistemic Images in the Early Modern World

COUNT MICHAŁ JAN BORCH AS PATRON AND COLLECTOR: ART BETWEEN ITALY AND THE INFLANTY VOIVODESHIP IN THE AGE OF PARTITION

‘Purest Bones, Sweet Remains, and Most Sacred Relics.’ Re-Fashioning St. Kazimierz Jagiellończyk (1458–84) as a Medieval Saint between Counter-Reformation Italy and Poland-Lithuania

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni

The Art and Culture of Scandinavian Central Europe, 1550–1720. Kristoffer Neville. University Park: Pennsylvania State University Press, 2019. xvi + 222 pp. + color pls. $89.95

Mattheus Greuter's Sunspot Etchings for Galileo Galilei's Macchie Solari (1613)

Rubens’s Chiesa Nuova altarpiece and the question of Counter-Reformation iconoclasm

On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over the Beati moderni in Rome ca. 1600

"AUT NUMQUID POST ANNOS MILLE QUINGENTOS DOCENDA EST ECCLESIA CATHOLICA QUOMODO SACRAE IMAGINES PINGANTUR?" POST-TRIDENTINE IMAGE REFORM AND THE MYTH OF GABRIELE PALEOTTI

“To see at Least in an Image the Semblance of a Friend ...” Representing the Family of Pacowie Between Baroque Tuscany and Lithuania

Art and Reform in the Late Renaissance: After Trent, edited by Jesse Locker

The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”

Globalizing early modern central and eastern European art : a discussion forum

‘Baltic catacombs.’ Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800

Has not pleased

Keep a close eye

Incredible costs

Give it to me

Among the others

On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over theBeati moderniin Rome ca. 1600

Meticulous Matrices : Building a Chronology of Albrecht Dürer’s Meisterstiche Impressions through the Analysis and Documentation of Microscopic Scratches in His Engraved Plates

Prologue: For a Metaphorology of Engraving: From Epistemic Images to an Imaged Epistemology

Illustrating the Vernacular Body : Juan Valverde de Amusco and the Art of Embodied Anatomy

Sequencing Vesalius’s De Humani Corporis Fabrica

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