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From Café to stage to museum: The transformation of the Gypsy music industry in 20th-century Hungary

Hungarian studies, 2015-06, Vol.29 (1-2), p.121-134

Hooker, Lynn

2015

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Fragmentum Cracoviense Officii Sancti Demetrii Thessalonicensis

Studia musicologica, 2015-06, Vol.56 (2/3), p.173-188

Czagany, Zsuzsa

2015

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The Pistoia choirbooks: An introduction to the sources and repertory

Maiello, James Vincent

2007

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Liturgical chant bibliography 26

Plainsong & medieval music, 2017-10, Vol.26 (2), p.141-177

PAUCKER, GÜNTHER MICHAEL

2017

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György Martin’s place in applied ethnochoreology

Acta ethnographica Hungarica, 2015-06, Vol.60 (1), p.111-120

Quigley, Colin

2015

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Outsider: The Influence of Migration Experience on the Life and Work of Hungarian-Canadian Songwriter B.B. Gábor

Hungarian journal of English and American studies, 2022-12, Vol.28 (2), p.473-494

2022

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Modernism meets nationalism: Béla Bartók and the musical life of pre-World War I Hungary

Hooker, Lynn Marie

2001

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"Dohnányi Was Not—And Could Not Have Possibly Been—A War Criminal" The Hungarian Defense of Ernő Dohnányi, 1945-1949

Studia musicologica, 2013-09, Vol.54 (3), p.301-317

Grymes, James A.

2013

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'Gypsy music' as music of the Other in European culture

Patterns of prejudice, 2013-09, Vol.47 (4-5), p.395-408

Piotrowska, Anna G.

2013

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Nonsense and Nostalgia in the Lewis Carroll Settings of György Ligeti

Cadagin, Joseph

2020

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Left Hand Techniques in Aldo Pais’ La Tecnica del Violoncello: An Electromyographic Comparison

Galvarino, Jordan Lee

2019

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MUSIC RECEIVED

Notes (Music Library Association), 2017-09, Vol.74 (1), p.148-157

Abromeit, Kathleen A

2017

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Alexander Moyzes and His Piano Sonata in the Context of Slovak Music between the Wars

Koska, Ivan

2015

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MUSIC RECEIVED

Notes (Music Library Association), 2018-03, Vol.74 (3), p.503-513

Abromeit, Kathleen A.

2018

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Entrepreneurial Developments in the Life and Works of Johann Sperger (1750–1812)

Schnackel, Joel Scott

2021

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MUSIC RECEIVED

Notes (Music Library Association), 2012-09, Vol.69 (1), p.156-167

Knapp, David

2012

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Polymeter: Disambiguation, classification, and analytical techniques

Rundall, Jacob D

2011

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Liturgical chant bibliography 11

Plainsong & medieval music, 2002-10, Vol.11 (2), p.167-201

Paucker, Günther Michael

2002

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Ludmilla Giźycka-Zamoyska a jej hudobná tvorba

Musicologica Slovaca (2010), 2013, Vol.4 (2), p.276-305

Čepec, Andrej

2013

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From the courts to the marketplace: The evolution of Viennese musical patronage, c. 1740–c. 1831

Altizer, Katherine Rebecca Carter

2009

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Books Recently Published

Notes (Music Library Association), 2002-06, Vol.58 (4), p.865-888

2002

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Bratislava ako hudobný fenomén v poslednej tretine 19. storočia

Musicologica Slovaca (2010), 2010, Vol.1 (2), p.183-219

Lengová, Jana

2010

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The shadow of death in the original works of Franz Liszt

Hanoch, Galia A

1996

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Accent and grouping structures in the string quartets of Béla Bartók

Bocanegra, Cheryl Denise

2001

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Franz Liszt as virtuosic critic

Hopcroft, Marischka Olech

2001

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From Café to stage to museum: The transformation of the Gypsy music industry in 20th-century Hungary

Fragmentum Cracoviense Officii Sancti Demetrii Thessalonicensis

The Pistoia choirbooks: An introduction to the sources and repertory

Liturgical chant bibliography 26

György Martin’s place in applied ethnochoreology

Outsider: The Influence of Migration Experience on the Life and Work of Hungarian-Canadian Songwriter B.B. Gábor

Modernism meets nationalism: Béla Bartók and the musical life of pre-World War I Hungary

"Dohnányi Was Not—And Could Not Have Possibly Been—A War Criminal" The Hungarian Defense of Ernő Dohnányi, 1945-1949

'Gypsy music' as music of the Other in European culture

Nonsense and Nostalgia in the Lewis Carroll Settings of György Ligeti

Left Hand Techniques in Aldo Pais’ La Tecnica del Violoncello: An Electromyographic Comparison

MUSIC RECEIVED

Alexander Moyzes and His Piano Sonata in the Context of Slovak Music between the Wars

MUSIC RECEIVED

Entrepreneurial Developments in the Life and Works of Johann Sperger (1750–1812)

MUSIC RECEIVED

Polymeter: Disambiguation, classification, and analytical techniques

Liturgical chant bibliography 11

Ludmilla Giźycka-Zamoyska a jej hudobná tvorba

From the courts to the marketplace: The evolution of Viennese musical patronage, c. 1740–c. 1831

Books Recently Published

Bratislava ako hudobný fenomén v poslednej tretine 19. storočia

The shadow of death in the original works of Franz Liszt

Accent and grouping structures in the string quartets of Béla Bartók

Franz Liszt as virtuosic critic

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