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Narrating the Final Loss: Scenes from the Maternal Deathbed in Gabrielle Roy's Le temps qui m'a manqué and Francine Noël's La femme de ma vie

L'Esprit créateur, 2021-04, Vol.61 (1), p.40

Rodgers, Julie

2021

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The Genders of Waves

Women's studies quarterly, 2017-04, Vol.45 (1/2), p.29-51

Helmreich, Stefan

2017

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On Superficiality: Truman Capote and the Ceremony of Style

Journal of modern literature, 2011-03, Vol.34 (3), p.128-148

Scott, Bede

2011

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Indeterminacy and the Subversive in Representations of the Trujillato

Hispanic review, 2008-10, Vol.76 (4), p.435-457

Lifshey, Adam

2008

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Ritual Disrobement at Mardi Gras: Ceremonial Exchange and Moral Order

Social forces, 1996-12, Vol.75 (2), p.423-458

1996

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Post-Holocaust Theodicy, American Imperialism, and the "Very Jewish Jesus" of Norman Mailer's "The Gospel According to the Son"

Journal of modern literature, 2006-10, Vol.30 (1), p.78-90

McDonald, Brian

2006

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T.S. Eliot's The Waste Land, the gramophone, and the modernist discourse network

New literary history, 2001-07, Vol.32 (3), p.747

Suárez, Juan A

2001

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Mother, Memory, History: Maternal Genealogies in Gayl Jones's "Corregidora" and Simone Schwarz-Bart's "Pluie et vent sur Télumée Miracle"

Research in African literatures, 2003-07, Vol.34 (2), p.1-12

HOCHBERG, Gil Zehava

2003

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Dickinson's Bawdy: Shakespeare and Sexual Symbolism in Emily Dickinson's Writing to Susan Dickinson

Legacy (Amherst, Mass.), 2002-10, Vol.18 (2), p.167

Coment, Kristin M

2002

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Skipper's Stolen Kisses: The Logic of "Second Skin" by John Hawkes

Journal of modern literature, 2001-09, Vol.25 (1), p.109-113

Thomieres, Daniel

2001

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Black Cats and Green Trees: The Art of Maria Irene Fornes

Modern drama, 2000-06, Vol.43 (2), p.204-215

Porterfield, Sally

2000

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Ishmael as Phallic Narrator

Studies in American fiction, 1992-04, Vol.20 (1), p.99-109

Roberts, Terry

1992

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"To Take the Sin Out of Slicing Trees...": The Law of the Tree in Beloved

African American review, 1997-04, Vol.31 (1), p.41-54

Bonnet, Michèle

1997

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Melville in the '80s

American literary history, 1992-12, Vol.4 (4), p.709-725

Delbanco, Andrew

1992

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Sidestepping Environmental Justice: "Natural" Landscapes and the Wilderness Plot

Frontiers (Boulder), 1997-01, Vol.18 (2), p.73-101

Comer, Krista

1997

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Trickster Gone Golfing: Vizenor's "Heirs of Columbus" and the Chelh-ten-em Development Controversy

American Indian quarterly, 1997-07, Vol.21 (3), p.359-383

Christie, Stuart

1997

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Lillian Hellman’s Watch on the Rhine: Realism, Gender, and Historical Crisis

Modern drama, 1989-03, Vol.32 (1), p.128-145

Patraka, Vivian M

1989

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Unmasking the Minstrel Mask's Black Magic in Ntozake Shange's "spell #7"

Theatre journal (Washington, D.C.), 1992-05, Vol.44 (2), p.177-193

Cronacher, Karen

1992

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From New Criticism to Deconstruction: The Example of Charles Feidelson's Symbolism and American Literature

American quarterly, 1984-04, Vol.36 (1), p.44-64

Foley, Barbara

1984

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Geographies of Pain: Captive Bodies and Violent Acts in the Fictions of Myriam Warner-Vieyra, Gayl Jones, and Bessie Head

Callaloo, 1993-01, Vol.16 (1), p.132-152

Lionnet, Françoise

1993

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On Faulkner and Verbena

The Southern literary journal, 1994-09, Vol.27 (1), p.73-84

Witt, Robert W.

1994

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On J. J. Gibson's Approach to the Visual Perception of Pictures

Leonardo (Oxford), 1979-04, Vol.12 (2), p.174-175

1979

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Telling Beloved

Texas studies in literature and language, 1991-04, Vol.33 (1), p.114-123

Levy, Andrew

1991

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MELVILLE'S GAM WITH POE IN "MOBY-DICK": BULKINGTON AND PYM

Studies in the novel, 1989-10, Vol.21 (3), p.279-291

HOLLISTER, MICHAEL

1989

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Symbol Plural: The Later Long Poems of A. R. Ammons

Contemporary literature, 1989-04, Vol.30 (1), p.78-94

1989

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Narrating the Final Loss: Scenes from the Maternal Deathbed in Gabrielle Roy's Le temps qui m'a manqué and Francine Noël's La femme de ma vie

The Genders of Waves

On Superficiality: Truman Capote and the Ceremony of Style

Indeterminacy and the Subversive in Representations of the Trujillato

Ritual Disrobement at Mardi Gras: Ceremonial Exchange and Moral Order

Post-Holocaust Theodicy, American Imperialism, and the "Very Jewish Jesus" of Norman Mailer's "The Gospel According to the Son"

T.S. Eliot's The Waste Land, the gramophone, and the modernist discourse network

Mother, Memory, History: Maternal Genealogies in Gayl Jones's "Corregidora" and Simone Schwarz-Bart's "Pluie et vent sur Télumée Miracle"

Dickinson's Bawdy: Shakespeare and Sexual Symbolism in Emily Dickinson's Writing to Susan Dickinson

Skipper's Stolen Kisses: The Logic of "Second Skin" by John Hawkes

Black Cats and Green Trees: The Art of Maria Irene Fornes

Ishmael as Phallic Narrator

"To Take the Sin Out of Slicing Trees...": The Law of the Tree in Beloved

Melville in the '80s

Sidestepping Environmental Justice: "Natural" Landscapes and the Wilderness Plot

Trickster Gone Golfing: Vizenor's "Heirs of Columbus" and the Chelh-ten-em Development Controversy

Lillian Hellman’s Watch on the Rhine: Realism, Gender, and Historical Crisis

Unmasking the Minstrel Mask's Black Magic in Ntozake Shange's "spell #7"

From New Criticism to Deconstruction: The Example of Charles Feidelson's Symbolism and American Literature

Geographies of Pain: Captive Bodies and Violent Acts in the Fictions of Myriam Warner-Vieyra, Gayl Jones, and Bessie Head

On Faulkner and Verbena

On J. J. Gibson's Approach to the Visual Perception of Pictures

Telling Beloved

MELVILLE'S GAM WITH POE IN "MOBY-DICK": BULKINGTON AND PYM

Symbol Plural: The Later Long Poems of A. R. Ammons

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